Natcho Aguirre, Santa Clara, Mexico, is a black and white photograph taken by Henri Cartier-Bresson in 1934, while in a travel to Mexico.
Natcho Aguirre, Santa Clara, Mexico, is a black and white photograph taken by Henri Cartier-Bresson in 1934, while in a travel to Mexico.
The picture appears staged, but its context and significance are left unexplained. It depicts to the left an anonymous man, with his face cut out and only partially visible, exposing his bare chest covered by his crossed arms, with his hands held up in fists, while his pants are partially unzipped. The man seems to be contorting in either agony or ecstasy, in a somewhat Christ-like pose, like if he were protecting or piercing his breasts. Its visible at his right a shelving cabinet with two groups of shoes. [1]
The enigmatic and erotic composition, with the juxtaposition of apparently unrelated elements demonstrates the influence of Surrealism and the notion of "convulsive beauty", exposed by André Breton, in the artist work, like also Cartier-Bresson's love of geometric forms. [2] [3]
There are prints of this photograph in several public collections, including the Henri Cartier-Bresson Foundation, in Paris, the Metropolitan Museum of Art, in New York, and the National Gallery of Australia, in Canberra. [4]
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Hyères, France is a black and white photograph taken by Henri Cartier-Bresson in 1932. It is one of the photographs from the year when he started taking photography more professionally. He took then many pictures in France and in other countries, like Italy, Spain, Morocco and Mexico, with his portable Leica camera.
Seville, Spain is a black and white photograph taken by Henri Cartier-Bresson in 1933. He traveled through Spain in 1933, a trip which he documented with many pictures. He took this photograph in Seville, and was one of several that he captured in the same location.
The Henri Cartier-Bresson Foundation, also known as Fondation HCB, is an art gallery and non-profit organisation in Paris that was established to preserve and show the work of Henri Cartier-Bresson and Martine Franck, and show the work of others. It was set up in 2003 by the photographer and painter Cartier-Bresson, his wife, also a photographer, Franck, and their daughter, Mélanie Cartier-Bresson.
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