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An android is a humanoid robot or other artificial being, often made from a flesh-like material. Historically, androids existed only in the domain of science fiction and were frequently seen in film and television, but advances in robot technology have allowed the design of functional and realistic humanoid robots.
Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting said to focus on a combination of "low-life and high tech". It features futuristic technological and scientific achievements, such as artificial intelligence and cyberware, juxtaposed with societal collapse, dystopia or decay. Much of cyberpunk is rooted in the New Wave science fiction movement of the 1960s and 1970s, when writers like Philip K. Dick, Michael Moorcock, Roger Zelazny, John Brunner, J. G. Ballard, Philip José Farmer and Harlan Ellison examined the impact of technology, drug culture, and the sexual revolution while avoiding the utopian tendencies of earlier science fiction.
Neuromancer is a 1984 science-fiction novel by American-Canadian author William Gibson. Set in a dystopian future, the narrative follows Henry Case, a computer hacker enlisted into a crew by a powerful artificial intelligence and a traumatised former soldier to complete a high-stakes heist. It was Gibson's first novel.
Do Androids Dream of Electric Sheep? is a 1968 dystopian science fiction novel by American writer Philip K. Dick. It is set in a post-apocalyptic San Francisco, where Earth's life has been greatly damaged by a nuclear global war, leaving most animal species endangered or extinct. The main plot follows Rick Deckard, a bounty hunter who has to "retire" six escaped Nexus-6 model androids, while a secondary plot follows John Isidore, a man of sub-par IQ who aids the fugitive androids.
Cyberpunk is a tabletop role-playing game in the dystopian science fiction genre, written by Mike Pondsmith and first published by R. Talsorian Games in 1988. It is typically referred to by its second or fourth edition names, Cyberpunk 2020 and Cyberpunk Red, in order to distinguish it from the cyberpunk genre after which it is named.
Science fiction is a film genre that uses speculative, fictional science-based depictions of phenomena that are not fully accepted by mainstream science, such as extraterrestrial lifeforms, spacecraft, robots, cyborgs, mutants, interstellar travel, time travel, or other technologies. Science fiction films have often been used to focus on political or social issues, and to explore philosophical issues like the human condition.
Since the advent of the cyberpunk genre, a number of cyberpunk derivatives have become recognized in their own right as distinct subgenres in speculative fiction, especially in science fiction. Rather than necessarily sharing the digitally and mechanically focused setting of cyberpunk, these derivatives can display other futuristic, or even retrofuturistic, qualities that are drawn from or analogous to cyberpunk: a world built on one particular technology that is extrapolated to a highly sophisticated level, a gritty transreal urban style, or a particular approach to social themes.
Many of the tropes of science fiction can be viewed as similar to the goals of transhumanism. Science fiction literature contains many positive depictions of technologically enhanced human life, occasionally set in utopian societies. However, science fiction's depictions of technologically enhanced humans or other posthuman beings frequently come with a cautionary twist. The more pessimistic scenarios include many dystopian tales of human bioengineering gone wrong.
Mind uploading—transferring an individual's personality to a computer—appears in several works of fiction. It is distinct from the concept of transferring a consciousness from one human body to another. It is sometimes applied to a single person and other times to an entire society. Recurring themes in these stories include whether the computerized mind is truly conscious, and if so, whether identity is preserved. It is a common feature of the cyberpunk subgenre, sometimes taking the form of digital immortality.
Robot ethics, sometimes known as "roboethics", concerns ethical problems that occur with robots, such as whether robots pose a threat to humans in the long or short run, whether some uses of robots are problematic, and how robots should be designed such that they act 'ethically'. Alternatively, roboethics refers specifically to the ethics of human behavior towards robots, as robots become increasingly advanced. Robot ethics is a sub-field of ethics of technology, specifically information technology, and it has close links to legal as well as socio-economic concerns. Researchers from diverse areas are beginning to tackle ethical questions about creating robotic technology and implementing it in societies, in a way that will still ensure the safety of the human race.
Artificial intelligence is a recurrent theme in science fiction, whether utopian, emphasising the potential benefits, or dystopian, emphasising the dangers.
Japanese cyberpunk refers to cyberpunk fiction produced in Japan. There are two distinct subgenres of Japanese cyberpunk: live-action Japanese cyberpunk films, and cyberpunk manga and anime works.
Digital immortality is the hypothetical concept of storing a person's personality in digital substrate, i.e., a computer, robot or cyberspace. The result might look like an avatar behaving, reacting, and thinking like a person on the basis of that person's digital archive. After the death of the individual, this avatar could remain static or continue to learn and self-improve autonomously.
HP Newquist is an American author whose books cover topics from medicine and music to technology and terror. He is also a museum curator and musician, and has worked as a columnist, publisher, industry analyst, and video director.
The following outline is provided as an overview of and topical guide to science fiction:
AI takeover—the idea that some kind of artificial intelligence may supplant humankind as the dominant intelligent species on the planet—is a common theme in science fiction. Famous cultural touchstones include Terminator and The Matrix.
Cybersecurity in popular culture examines the various ways in which the themes and concepts related to cybersecurity have been portrayed and explored in different forms of popular culture, such as music, movies, television shows, and literature. As the digital age continues to expand and the importance of protecting computer systems, networks, and digital information grows, the awareness and understanding of cybersecurity have increasingly become a part of mainstream culture. Popular culture often portraits the gloomy underworld of cybersecurity, where unconventional tactics are used to combat a diverse range of threats to individuals, businesses, and governments. The integration of dark and mysterious elements into cybersecurity stories helps create a sense of uncertainty, rule-breaking, and intriguing ambiguity. This captures the public's attention and highlights the high stakes involved in the ongoing struggle to protect our digital world. This article highlights the creative works and cultural phenomena that have brought cybersecurity issues to the forefront, reflecting society's evolving relationship with technology, privacy, and digital security.
References
- ↑ Verville, Anne. "National Science Fiction Day". ScienceFictionFantasyHorror.com. Canville Communications. Retrieved 3 May 2012.
- ↑ "National Science Fiction Day". The Ultimate Holiday Site. Hallmark. Archived from the original on January 7, 2011. Retrieved 16 Jun 2012.
- ↑ "National Science Fiction Day Books". Scholastic.com. Scholastic Inc. Retrieved 16 Jun 2012.
- ↑ Adams, Jasmine (2 January 2018). "National Science Fiction Day". KFVS. Retrieved 2018-01-02.