Native Son | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1991 | |||
Studio | Dreamland, Hurley, New York | |||
Genre | Alternative pop [1] | |||
Length | 45:34 | |||
Label | Sire | |||
Producer | Richard Gottehrer | |||
The Judybats chronology | ||||
|
Native Son is the first studio album by the American band the Judybats, released in 1991 by Sire Records. [2] [3] The title track peaked at No. 9 on the Billboard Modern Rock Tracks chart. [4] The band supported the album by touring with John Wesley Harding. [5]
"She Lives (In a Time of Her Own)" first appeared on Where the Pyramid Meets the Eye: A Tribute to Roky Erickson (1990). [6] "Don't Drop the Baby" later appeared on the Sire Records various artists sampler album Just Say Yes Volume V: Just Say Anything (1991).
Music videos were made for the songs "Native Son", "Don't Drop the Baby", "Daylight", and "She Lives (In a Time of Her Own)".
Review scores | |
---|---|
Source | Rating |
AllMusic | [7] |
Calgary Herald | B+ [8] |
Chicago Tribune | [9] |
Entertainment Weekly | B+ [10] |
The Calgary Herald wrote that "the Judybats strikes a blow for pop music lovers with its debut disc, a shimmering collection of songs". [8] Trouser Press determined that "it's really Jeff Heiskell's remarkable singing and bittersweet lyrics that distinguish the record—'Incognito' provides an elegant précis of a relationship that can’t quite be publicly acknowledged, and 'Convalescing in Spain' and 'Don't Drop the Baby' address fear and desire with both grace and humor." [1] The Chicago Tribune opined that "it's a playful debut with some sparkling pop (the title track, 'Daylight') propping up overscrutinized propositions like 'Love's All Counting Sheep'." [9] The Washington Post concluded that "any band that can make the 13th Floor Elevator's 'She Lives (In a Time of Her Own)' sound this tidy could use a little scuffing up." [11] The Indianapolis Star considered Native Son to be one of the best pop/rock albums of 1991. [12]
All music by the Judybats, lyrics by Jeff Heiskell, except where otherwise indicated.
The Judybats
Technical
The 13th Floor Elevators was an American rock band from Austin, Texas, United States, formed by guitarist and vocalist Roky Erickson, electric jug player Tommy Hall, and guitarist Stacy Sutherland. The band was together from 1965 to 1969, and during that period released four albums and seven singles for the International Artists record label.
Roger Kynard "Roky" Erickson was an American musician and singer-songwriter. He was a founding member and the leader of the 13th Floor Elevators and a pioneer of the psychedelic rock genre.
End of the Century is the fifth studio album by the American punk rock band Ramones, released on February 4, 1980, through Sire Records. The album was the band's first to be produced by Phil Spector, though he had offered the band his assistance earlier in their career. With Spector fully producing the album, it was the first release that excluded original member Tommy Ramone, who had left the band in 1978 but had produced their previous album Road to Ruin. Spector used more advanced standards of engineering, such as high-quality overdubbing and echo chambers. These painstaking methods caused conflict between the band and Spector since the Ramones were accustomed to a quicker recording process. Spector emphasized the production value as well, working with a budget of around $200,000, far exceeding their earlier album sessions.
Pleasant Dreams is the sixth studio album by the American punk rock band Ramones, released on July 20, 1981, through Sire Records. While the band members wanted Steve Lillywhite to produce, Sire chose Graham Gouldman in an attempt to gain popularity through a well-known producer. The recording process brought about many conflicts between band members, most notably the strife between Joey Ramone and Johnny Ramone, due to Johnny starting a relationship with Joey's girlfriend. There were also disputes about the overall direction of the album, with Johnny leaning towards hard rock and Joey towards pop punk. Ultimately, the album incorporated high production values and varying musical styles, straying from traditional punk rock on songs such as "We Want the Airwaves", "She's a Sensation" and "Come On Now". It is the first Ramones album not to feature any cover songs.
Can't Stand the Rezillos is the debut studio album by Edinburgh-based punk band the Rezillos, released on Sire Records on 21 July 1978. The album has a more mainstream pop and rock and roll sound than the punk music of the time, and includes the UK top twenty hit "Top of the Pops", as well as several cover versions of 1960s songs: "Glad All Over" ; "Somebody's Gonna Get Their Head Kicked In Tonight" ; and "I Like It", a Gerry and the Pacemakers hit.
The Judybats were an American alternative rock band from Knoxville, Tennessee, United States, active primarily in the late 1980s and early to mid 1990s. The band released three successful singles that charted on the Billboard Modern Rock Tracks chart: "Native Son", "Saturday" and "Being Simple", the latter of which peaked at No. 7.
Poster Children is an American indie rock band formed at the University of Illinois Urbana-Champaign in 1987. They have issued nine studio albums and two EPs. Known for their strong DIY ethic, the band members continue to drive their own tour bus, create their own artwork and T-shirt designs, and operate their own record label. Poster Children were also pioneers in several forms of electronic technology relating to performance art, including enhanced CDs, webcasts, and blogs.
Stutter is the debut studio album by English rock band James. Blanco y Negro and Sire Records released it on 28 July 1986. After going through multiple vocalists and guitarists, the band caught the attention of Factory Records. James released two EPs with the label; between them Larry Gott replaced guitarist Paul Gilbertson. The band supported the Smiths twice, before eventually signing with Sire. Between January and March 1986, the band recorded Stutter with Patti Smith live guitarist Lenny Kaye and engineer Gil Norton. Described as a folk rock album, the songs on Stutter tackle the topics of insects, reincarnation and being a tortured artist.
"Don't You Worry 'bout a Thing" is a song by American singer-songwriter Stevie Wonder, released as the third single from his sixteenth studio album, Innervisions (1973). It reached number 16 on the US Billboard Pop Singles chart, number 10 on the Cash Box Top 100, and number two on the R&B chart. The song's lyrics convey a positive message, focusing on taking things in one's stride and accentuating the positive. In 1992, British band Incognito had a European hit with their cover of the song.
Experience the Divine: Greatest Hits is a compilation album by American singer Bette Midler, featuring many of her best-known songs. The fourteen track compilation was released on Atlantic Records in 1993.
Incognito is an English adjective meaning "in disguise", "having taken steps to conceal one's identity".
Down in the Shacks Where the Satellite Dishes Grow is the second album by the American band the Judybats, released in 1992 by Sire Records. The single "Saturday" peaked at No. 21 on the Billboard Modern Rock Tracks chart.
Pain Makes You Beautiful is the third album by the American band the Judybats, released in 1993 by Sire Records. The album contains the band's most successful single, "Being Simple", which peaked at No. 7 on the Billboard Modern Rock Tracks chart. The band supported the album with a North American tour.
Full-Empty is the fourth album by American alternative rock band Judybats, released in 1994 by Sire Records. It was the band's final album for Sire and the last to feature all three original core members Jeff Heiskell, Johnny Sughrue and Ed Winters.
Groovies' Greatest Grooves is a 1989 compilation album by U.S. rock band the Flamin' Groovies, released by Sire Records. The tracks were selected by Rolling Stone Senior Writer Michael Goldberg and freelance rock critic Michael Snyder, who also co-wrote the liner notes. Goldberg and Snyder wanted to emphasize the Groovies' original material, and so 18 of the album's 24 songs are Groovies originals.
Where the Pyramid Meets the Eye is a 1990 tribute album to singer-songwriter Roky Erickson, founder of the 13th Floor Elevators and solo artist, whose career was subject to significant periods of challenge from schizophrenia. The album was released by Sire Records in the United States, and by WEA International in Europe. The album was produced by Bill Bentley, who also produced a 1999 tribute album to Moby Grape co-founder Skip Spence, who, like Erickson, was subject to the challenges of schizophrenia. The album's title is said to be Erickson's definition of psychedelic music.
Heads and Hearts is the fourth studio album by English post-punk band the Sound, recorded in late 1984 and released in February 1985 by record label Statik.
D.M.Z. is the debut studio album by American punk rock band DMZ, released in 1978 by record label Sire.
The Evil One is a 1981 debut album by American psychedelic rock singer Roky Erickson with his band the Aliens, after his time with the band 13th Floor Elevators. The songs were recorded in 1979 with producer Stu Cook, former bass player of Creedence Clearwater Revival. Some material, such as the song Sputnik, was not released on the 1980 CBS Records U.K. release, but was included on the 1981 414 Records LP release in California, which was then included on the 1987 combined release by Restless Records in California. Cook played bass on two tracks, "Sputnik" and "Bloody Hammer."
All That May Do My Rhyme is an album by the American musician Roky Erickson. It was released in 1995 on Trance Syndicate Records, an independent record label founded in 1990 by King Coffey, drummer of Austin, Texas, band the Butthole Surfers.