Nearly Married | |
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Directed by | Chester Withey |
Written by | Lawrence McCloskey (scenario) |
Story by | Margaret Mayo |
Based on | Nearly Married by Edgar Selwyn |
Produced by | Samuel Goldwyn |
Cinematography | Arthur Edeson |
Distributed by | Goldwyn Pictures |
Release date |
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Running time | 60 mins. |
Country | United States |
Language | Silent (English intertitles) |
Nearly Married is a 1917 American silent comedy film directed by Chester Withey and starring Madge Kennedy. It is based on a 1913 stage play of the same name by Edgar Selwyn. It also featured an early film appearance by future gossip columnist Hedda Hopper. [1]
The Library of Congress's new (Dec. 2013) American Silent Feature Film Survival Database has this film listed as being an abridgement in their collection. [2]
As described in a film magazine, [3] on the evening of Betty Griffon's (Madge Kennedy) scheduled wedding the guests are assembled, the minister is waiting, but no bride appears. Betty is waiting for her brother Dick (Barthelmess), who is out celebrating his admission to the bar. When it dawns on him that it is his duty to give his sister away in marriage, he rushes out, steals an automobile, and is arrested. Betty and Harry Lindsey (Thomas) are married and are about to leave on their honeymoon when word comes of Dick's arrest. Harry is disgusted by Dick and leaves the house. Dick, anxious to secure a legal case, urges his sister to get a divorce. Legal proceedings are instituted but before the granting of the decree the couple find that they still love each other so plan to elope. The arrival of Dick with the divorce decree upsets this plan. They start to make another attempt at marriage but discover that, due to the insertion of a clause in the decree by Betty, they cannot get remarried in New York. The couple then plan to get married in New Jersey, but Betty finds Harry's hired co-respondent for the divorce in his room, so Betty refuses to accompany him. Utterly disgusted, Harry is about to leave when Betty denounces her brother and begs Harry to take her with him, which he does.
Louella Rose Oettinger, known professionally as Louella Parsons, was an American gossip columnist and a screenwriter. At her peak, her columns were read by 20 million people in 700 newspapers worldwide.
Joy in the Morning is a 1965 American romance film starring Richard Chamberlain and Yvette Mimieux and directed by Alex Segal. Adapted from the 1963 novel of the same name by Betty Smith, the film tells the story of a young newlywed couple, Carl and Annie Brown, who marry against their parents' wishes while Carl is still in law school and struggle to maintain their relationship.
Bad Company is a 1925 American silent romantic drama film directed by Edward H. Griffith, based on a story by John C. Brownell. It stars Madge Kennedy, Conway Tearle, and Bigelow Cooper.
Madge Kennedy was a stage, film and television actress whose career began as a stage actress in 1912 and flourished in motion pictures during the silent film era. In 1921, journalist Heywood Broun described her as "the best farce actress in New York".
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By Right of Purchase is a 1918 American silent drama film starring Norma Talmadge in a story produced by her husband Joseph Schenck. The film was distributed by Lewis J. Selznick's Select Pictures company. An up-and-coming actress and soon to be gossip columnist Hedda Hopper has a small role in this picture.
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Seven Keys to Baldpate is a 1917 American silent mystery/thriller film produced by George M. Cohan and distributed by Artcraft Pictures, an affiliate of Paramount. The film is based on Cohan's 1913 play of the 1913 novel by Earl Derr Biggers. Cohan himself stars in this silent version along with Anna Q. Nilsson and Hedda Hopper, billed under her real name Elda Furry. One version of the play preceded this movie in 1916 and numerous versions followed in the succeeding decades such as the early RKO talkie starring Richard Dix.
Let Us Be Gay is a 1930 American pre-Code romantic comedy-drama film produced and distributed by MGM. It was directed by Robert Z. Leonard and stars Norma Shearer. It was based on and filmed concurrently with the 1929 play by Rachel Crothers which starred Tallulah Bankhead and ran for 128 performances at London's Lyric Theater. Critics generally preferred Tallulah's rendition to Shearer's.
Why Men Leave Home is a 1924 American silent comedy-drama film directed by John M. Stahl directed and stars Lewis Stone and Helene Chadwick. Produced by Louis B. Mayer and released through First National Pictures, the film is based on the 1922 play of the same name by Avery Hopwood.
Baby Mine is a 1917 American silent comedy film directed by both John S. Robertson and Hugo Ballin and starring Madge Kennedy. The picture marked Kennedy's screen debut and was one of the first films produced by Samuel Goldwyn as an independent after founding his own studio.
Conceit is a 1921 American silent drama film directed by Burton George, produced by Selznick Pictures, and released by Select Pictures. The film stars William B. Davidson and Mrs. De Wolf Hopper, who later became a gossip columnist using the name "Hedda Hopper".
Companionate Marriage was a 1928 American silent drama film directed by Erle C. Kenton and starring Betty Bronson, and released by First National Pictures.
Bab's Burglar was a 1917 American silent romantic comedy film directed by J. Searle Dawley and distributed by Paramount Pictures. The film followed Bab's Diary, released on October 17, 1917, and was the second in the trilogy of Babs films that starred Marguerite Clark.
West of Broadway is a 1931 American pre-Code drama film directed by Harry Beaumont and written by Ralph Graves, Bess Meredyth, Gene Markey, and James Kevin McGuinness. The film stars John Gilbert, El Brendel, Lois Moran, Madge Evans and Ralph Bellamy. The film was released on November 28, 1931, by Metro-Goldwyn-Mayer.
I'll Get Him Yet is a lost 1919 American silent comedy film starring Dorothy Gish and directed by Elmer Clifton. It was produced by D. W. Griffith under his production unit New Art Film. Paramount Pictures distributed the film.
The Soul of Youth is a 1920 American silent drama film directed by William Desmond Taylor, produced and distributed by Realart Pictures. Produced under the working title The Boy, it stars Lewis Sargent and Lila Lee.
The Danger Game is a 1918 American silent comedy film, directed by Harry A. Pollard. It stars Madge Kennedy, Tom Moore, and Paul Doucet, and was released on April 7, 1918.
The Seventh Day is a 1922 American silent drama film directed by Henry King and starring Richard Barthelmess, Louise Huff, Frank Losee and Anne Cornwall. A group of high society New Yorkers on a yachting vacation put into a small New England fishing village for repairs. While there they strike up relationships with locals that threaten the harmony of their party.