Neil David | |
---|---|
Born | Polacca, Arizona, U.S. | June 4, 1944
Nationality | Hopi Tribe |
Known for | Katsina carving |
Spouse | Lena Charlie |
Neil Randall David Sr. is an American artist and katsina carver. He learned the basics of carving from his grandfather Victor (Kawayo) Charlie. [1]
David was born June 4, 1944, on the Hopi Reservation in Polacca, Arizona. His father died before David was six years old.
Under the influence and guidance of Victor Charlie, a katsina carver, and his wife, a potter, Lena (Blue Corn) Charlie, David's interest in art was stimulated at an early age. His grandparents were invited to exhibit their art at the Santa Fe Indian Village pavilion at the Railroad Fair in Chicago in 1948. The following year they brought their grandson, 5 ½ year old David, along with them. [2] David was self-taught as an artist. His art teacher in eighth grade was Fred Kabotie. After graduation, David attended High school in distant Phoenix. He sold his first Kachina doll while a high school freshman to Byron Hunter, who managed the trading store in Polacca. He saw the young man's talent in art and as his mentor encouraged him. Hunter bought many of David's drawings, paintings, and Kachina carvings and sold them through McGee's trading store. [3]
David was drafted into the US Army in 1965 and served in Germany until 1968. When he returned home he began painting and carving full time. [4] David received national recognition when his paintings and Kachina doll carvings were given multiple page coverage in the Arizona Highways magazine of June 1971, a reference issue devoted entirely to the Kachinas, the Living Spirits of the Hopi. [5] A group of Hopi artists, the Artist Hopid, was organized in 1972 by Michael Kabotie, Terrance Talaswayma, and Neil David Sr. [6] [7] Their objectives included the use of their artistic talents to instill pride and identity in the Hopi, to educate Indian and non-Indian to the cultural values of the Hopi, and document Hopi history and events through the visual arts. In 1974 and 1975 the expanded membership of six exhibited at the Heard Museum in Phoenix; the Tucson Art Center; Riverside Community College in Riverside, California; Museum of Man in San Diego; Taylor Art Museum in Colorado Springs; and the Flagstaff Art Museum. In 1976 the National Endowment for the Arts and the Arizona Commission on the Arts provided a grant sending thirty-one of the groups paintings on a tour across the country. [8] Patricia Broder's Hopi Painting includes biographical essays of the Artist Hopid and details their exhibits and achievements. [9]
David's inseparable commingling of art and dedication to his Hopi culture give a rare opportunity to view elements of Hopi life without intruding on the society itself. His insight into his culture, and ability to capture realistic views of Hopi life, ceremonies, and dramatic Kachina dances on canvas and with his Kachina doll carvings have brought him wide acclaim and support for calling him "the Hopis' Norman Rockwell." [10] David's informative paintings range from the Hopis' Kachina Fest Parade, a depiction of a great variety of Kachinas parading through the village to the Hopis' Comanche Dance centering on Comanche Warrior impersonators and the Koshare, to the non-Kachina Hopi Scalp Dancers. [11] David is internationally recognized for his drawings and carvings of his icon the Koshare, (Tewa or Hano) clown. [12] He speaks through the antics of his clown drawings, and is associated with the Koshare to a level summarized in a telephone conversation between author Zena Pearlstone and Neil David and published in the "About Face" book as part of plate 48: "I along with my patrons see me as associated—even infatuated—with this clown [Koshare], which is the subject of so much of my work." [13] Two of David's paintings were selected for the "About Face: Self-portraits by Native American, First Nations, and Inuit Artists" exhibit held at the Wheelwright Museum in Santa Fe, New Mexico which was held from November 2005 through April 2006. Both paintings feature his signature piece, the Koshare as central to the topic along with David. The authors/guest curators of the exhibit and publications closing comments (on page 42) were: "the thought-provoking Hopi Triple Self-Portrait, by artist Neil David Sr., which, we have come to think of as the signature image for this project, so many avenues does it explore." [14] David lives and continues to create his painting and carving on the Hopi Reservation in Polacca on First Mesa, Arizona.
The original set of 79 paintings by Neil David, on which the book Kachinas, Spirit Beings of the Hopi [15] see page 11 is based, are now in the collection of Dr. Yasutada Kashiwago, Founder of the Kashiwagi Museum in Tateshina, Nagano, Japan.
David produced all the illustrations in Eric Bromberg's book The Hopi Approach to the Art of Kachina Doll Carvings. [16] Neil David's Hopi World published by Schiffer Publishing Ltd., is a collection of over 40 of Neil David's pen and ink drawings of his interpretation of Hopi history and culture.
David was awarded the Arizona Indian Living Treasures AILTA award in 2005. AILTA honors the lifetime achievements of Arizona American Indians. [17]
In November 2013 David was invited to present a series of talks and exhibit his work in Germany. This included visits to the Linden Museum in Stuttgart, [18] the Freiberg Natural History Museum, and Galerie Kokopelli in Mönchengladbach. [19] A documentary film titled: Neil David Sr., A Smiling Hopi, was shown at the Fifth Annual Indian Inuit; North American Native Film Festival which took place in Stuttgart, Germany January 2014. The festival was organized by UNICEF, American Indian Film Institute and Festival in San Francisco, and Dreamspeakers International Indigenous Film Festival Edmonton, Canada. [20]
The Hopi are Native Americans who primarily live in northeastern Arizona. The majority are enrolled in the Hopi Tribe of Arizona and live on the Hopi Reservation in northeastern Arizona; however, some Hopi people are enrolled in the Colorado River Indian Tribes of the Colorado River Indian Reservation at the border of Arizona and California.
The Hopi maintain a complex religious and mythological tradition stretching back over centuries. However, it is difficult to definitively state what all Hopis as a group believe. Like the oral traditions of many other societies, Hopi mythology is not always told consistently and each Hopi mesa, or even each village, may have its own version of a particular story, but "in essence the variants of the Hopi myth bear marked similarity to one another." It is also not clear that the stories told to non-Hopis, such as anthropologists and ethnographers, represent genuine Hopi beliefs or are merely stories told to the curious while keeping safe the more sacred Hopi teachings. As folklorist Harold Courlander states, "there is a Hopi reticence about discussing matters that could be considered ritual secrets or religion-oriented traditions."
A kachina is a spirit being in the religious beliefs of the Pueblo people, Native American cultures located in the south-western part of the United States. In the Pueblo cultures, kachina rites are practiced by the Hopi, Hopi-Tewa and Zuni peoples and certain Keresan tribes, as well as in most Pueblo tribes in New Mexico.
In Hopi mythology, Aholi is a kachina, a spirit. He is a friend of Eototo and is very handsome; he wears a colorful cloak with a picture of Muyingwa and is the patron kachina of the Pikya clan. Aholi once allowed his throat to be slit so that Eototo could escape. They eventually met again. Aholi, a chief kachina on Third Mesa, appears with Eototo. Both are principal kachinas appearing in the Powamu and other sacred rituals.
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Jesse Walter Fewkes was an American anthropologist, archaeologist, writer, and naturalist.
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Michael Kabotie, also known as Lomawywesa was a Hopi silversmith, painter, sculptor, and poet. He is known for his petroglyph and geometric imagery.
Hopi katsina figures, also known as kachina dolls, are figures carved, typically from cottonwood root, by Hopi people to instruct young girls and new brides about katsinas or katsinam, the immortal beings that bring rain, control other aspects of the natural world and society, and act as messengers between humans and the spirit world.
Helen Naha (1922–1993) was the matriarch in a family of well known Hopi-Tewa potters.
Fred Kabotie was a celebrated Hopi painter, silversmith, illustrator, potter, author, curator and educator. His native name in the Hopi language is Naqavoy'ma which translates to Day After Day.
Martha Hopkins Struever (1931–2017) was an American Indian art dealer, author, and leading scholar on historic and contemporary Pueblo Indian pottery and Pueblo and Navajo Indian jewelry. In June 2015, a new gallery in the Wheelwright Museum of the American Indian, was named for her. The first permanent museum gallery devoted to Native American jewelry, the Martha Hopkins Struever Gallery, is part of the Center for the Study of Southwestern Jewelry.
Eototo is a Wuya, one of the major kachina deities of the Hopi people and the personification of nature. He is the protagonist of the Powamu ritual.
Art of the American Southwest is the visual arts of the Southwestern United States. This region encompasses Arizona, New Mexico, and parts of California, Colorado, Nevada, Texas, and Utah. These arts include architecture, ceramics, drawing, filmmaking, painting, photography, sculpture, printmaking, and other media, ranging from the ancient past to the contemporary arts of the present day.
Dextra Quotskuyva Nampeyo was a Native American potter and artist. She was in the fifth generation of a distinguished ancestral line of Hopi potters.
Tsaveyo is the Giant Ogre kachina, one of the Hopi spirit beings. There are numerous Hopi stories and legends about him. These date from the time of the Hopi migrations.
Joy Navasie was a Hopi-Tewa potter. Her work has been recognized globally.
The Hopi Cultural Center is a place in the Hopi Reservation on Second Mesa, Arizona where visitors can learn about the culture, history and art of the Hopi people. It also provides lodging and a restaurant that serves Hopi cuisine. A museum is also part of the cultural center. Hopi ceremonies also take place at the center, although many of these are not open to the public.
Waldo Mootzka (1903–1940) was a Hopi watercolor artist.
Otis Polelonema (1902–1981), was a Hopi painter, illustrator, weaver, song composer, and educator. He lived in Shongopovi most of his life. He also worked as a WPA artist in the mural division. His native name in the Hopi language is Lomadamocvia which translates to "springtime".
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