Nelson Faria | |
---|---|
Born | Belo Horizonte, Brazil | March 23, 1963
Genres | Jazz, Brazilian jazz |
Occupation(s) | Musician |
Instrument(s) | Guitar |
Years active | 1990–present |
Website | www |
Nelson Faria (born March 23, 1963) is a Brazilian guitarist.
At the Guitar Institute of Technology in California, his teachers included Joe Diorio, Frank Gambale, Ted Greene, Scott Henderson, and Joe Pass. [1] On television he performed with Paulo Moura on Rhapsody in Bossa, with Baby do Brasil on Acústico, and with Leila Pinheiro on Na Ponta da Língua. [1] His debut album, Ioiô, was released in 1993. [1] He recorded a Brazilian tribute to the Beatles with Bororó, Marcos Suzano, and José Namen. [1] Faria has also recorded with Nana Caymmi, Zélia Duncan, Cris Delanno, Cássia Eller, Edu Lobo, Dan Costa (musician) and Milton Nascimento. [1]
Samba is a name or prefix used for several rhythmic variants, such as samba urbano carioca, samba de roda, recognized as part of the Intangible Cultural Heritage of Humanity by UNESCO, amongst many other forms of samba, mostly originated in the Rio de Janeiro and Bahia states.
Bossa nova is a relaxed style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band. Another defining characteristic of the style is the use of unconventional chords in some cases with complex progressions and "ambiguous" harmonies. A common misconception is that these complex chords and harmonies were derived from jazz, but samba guitar players have been using similar arrangement structures since the early 1920s, indicating a case of parallel evolution of styles rather than a simple transference from jazz to bossa nova. Nevertheless bossa nova was influenced by jazz, both in the harmonies used and also by the instrumentation of songs, today many bossa nova songs are considered jazz standards. The increase in popularity of bossa nova has helped to renew samba and contributed to the modernization of Brazilian music in general.
João Gilberto was a Brazilian guitarist, singer, and composer who was a pioneer of the musical genre of bossa nova in the late 1950s. Around the world, he was often called the "father of bossa nova"; in his native Brazil, he was referred to as "O Mito" . In 1965, the album Getz/Gilberto was the first jazz record to win the Grammy Award for Album of the Year. It also won Best Jazz Instrumental Album – Individual or Group and Best Engineered Album, Non-Classical. Nominated at the Grammy 1978 in the category Best Jazz Vocal Performance, album Amoroso, and winner category in Grammy 2001 with João voz e violão Best World Music Album.
Jorge Duílio Lima Menezes is a Brazilian popular musician, performing under the stage name Jorge Ben Jor since the 1980s, though commonly known by his former stage name Jorge Ben. Performing in a samba style that also explored soul, funk, rock and bossa nova sounds, Ben has recorded such well-known songs as "Chove Chuva", "Mas, que Nada!", "Ive Brussel" and "Balança Pema". His music has been interpreted by artists such as Caetano Veloso, Sérgio Mendes, Miriam Makeba, Soulfly and Marisa Monte.
Luiz Floriano Bonfá was a Brazilian guitarist and composer. He was best known for the music he composed for the film Black Orpheus.
Paulinho Nogueira was a Brazilian guitarist, composer and singer.
João Bosco de Freitas Mucci, known professionally as João Bosco is a Brazilian singer-songwriter and guitarist. In the 1970s he established his reputation in música popular Brasileira with lyricist Aldir Blanc.
"Cidade maravilhosa" is a march that was written and composed by André Filho and arranged by Silva Sobreira for the Rio de Janeiro carnival in 1935. It has since become the anthem for the city of Rio de Janeiro. In the same year, Aurora Miranda recorded a sung version of the song that became extremely popular.
Maysa Figueira Monjardim, better known as Maysa Matarazzo, was a Brazilian singer-songwriter, performer and actress. She is also associated with Bossa nova music but is widely known as a torch song (fossa) interpreter.
Elizabeth "Beth" Santos Leal de Carvalho was a Brazilian samba singer, guitarist, cavaquinist and composer.
Lula Galvão is a Brazilian guitarist and arranger. He has worked with musicians including Caetano Veloso, Guinga, Rosa Passos, Leila Pinheiro Rosa Passos, Ivan Lins and Cláudio Roditi.
Jorge Pescara is a Brazilian bassist and Megatar player specializing in jazz fusion, progressive rock, experimental music, and Brazilian jazz.
João Donato de Oliveira Neto was a Brazilian jazz and bossa nova pianist as well as a trombonist from Rio Branco. He first worked with Altamiro Carrilho and went on to perform with Antonio Carlos Jobim and Astrud Gilberto. Because of the area he grew up in Brasil he was able to hear Cuban music on the radio. This influence would manifest itself in many of his compositions, piano, and trombone playing. Donato's most well-known compositions include: "Amazonas", "Lugar Comum", "Simples Carinho", "Até Quem Sabe" and "Nasci Para Bailar".
The Quaternaglia Guitar Quartet (QGQ) is a classical guitar ensemble from São Paulo, Brazil, founded in 1992. The Quartet has become a reference both for its artistic excellence and for its contributions to the expansion of the guitar quartet repertoire. Quaternaglia has developed a canon of original pieces and arrangements with the collaboration of a variety of composers such as Egberto Gismonti, Leo Brouwer, Javier Farías, Sérgio Molina, Almeida Prado, Sergio Assad, João Luiz, Paulo Bellinati and Marco Pereira Quaternaglia’s current members are Sidney Molina, Thiago Abdalla, Fabio Ramazzina and Chrystian Dozza.
Mônica Salmaso is a música popular brasileira (MPB) singer.
Alfredo José da Silva, popularly known as Johnny Alf, was a Brazilian musician, sometimes known as the "Father of Bossa Nova".
Gil e Jorge is a 1975 album featuring collaboration between Brazilian musicians Jorge Ben and Gilberto Gil. The two perform together alongside percussionist Djalma Corrêa on each of the songs, improvising and interacting directly throughout. The album was released in Brazil under the title "Ogum Xangô" with a different cover.
The discography of Brazilian singer Maria Bethânia consists of 34 studio albums, 15 live albums, several participations in movie and telenovela soundtracks as well as numerous collaborations with other artists.
Presente is the fourth solo album by Brazilian singer-songwriter Renato Russo, and his second posthumous one, released in March 2003, seven years after his death.
Alaíde Costa Silveira Mondin Gomide, known as Alaíde Costa, is a Brazilian singer-songwriter.