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Net-poetry is a development of net.art, involving poetry. This kind of experimental art was born in several different cities and countries around 1995.
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Net-poetry is a development of net.art, involving poetry. This kind of experimental art was born in several different cities and countries around 1995.
Net-poetry was born in the context of net-art and digital art avant-garde in various countries in the early 90s. It is generally accepted that the simple publication of poems, visual poems or art images in a web site can not be considered Net-poetry, which is connected with the concept of "network", openness, and interactivity.
Some pioneer artists created different kind of net-poetry, as interactive environment on line including animated text and digital poetry: Ana Maria Uribe, Reiner Strasser (interactive video-sound poetry), Jim Andrews (vispo.com), Ted Warnell aka Poem by Nari (warnell.com). Other artists intend net-poetry as interactive hypertext poetry/narration that can be adapted for Internet, examples being Deena Larsen (Marble Spring, interactive poetry hypertext in CD ROM, 1993, Disappearing Rein, 1999), Robert Kendall (Frame Work, 1999, a Study in Shades, 2000), Mendi Obadike (Keeping Up Appearances, a hypertextimonial, 2001) and others.
Karenina.it (1998) was an Italian and international net-poetry project, conceived as a virtual happening and online network of experimental poets and artists who were active online in the 90s. Participants included historical performance artists, visual poets, theorists, sound poets, literary and art critics, such as Mirella Bentivoglio, Tomaso Binga, Julien Blaine, Caterina Davinio, founder of the project, Marco Maria Gazzano, Philadelpho Menezes, Eugenio Miccini, Massimo Mori, Francesco Muzzioli, Clemente Padin, Lamberto Pignotti and new media artists. [1] [2] [3] [4] Karenina.it collaborated in participative projects in the context of the Venice Biennale.
A net-poetry event (the online happening "Parallel-Action-Bunker") was featured in the Biennale di Venezia in 2001. It was produced and curated by the digital artist and poet Caterina Davinio in the context of Bunker Poetico, a collaborative installation by the artist Marco Nereo Rotelli which involved 1,000 international poets. [5] The virtual happening “Azione-Parellala-Bunker" (Parallel Action-Bunker) was held online contemporaneously with real performances at Orsogrill delle Artiglierie, a real space of the Venice Biennale. [6] With this event, a relationship was created between real and virtual poetry events – a new connective and collective network of poetry, based on communication, and similar to some events and happenings organized by Fluxus, e-mail art and relational art.
Other net-poetry events, created by Davinio in collaboration with an open network of international artists and poets, were:
The Venice Biennale is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation. The biennale has been organised every year since 1895, which makes it the oldest of its kind. The main exhibition held in Castello, in the halls of the Arsenale and Biennale Gardens, alternates between art and architecture. The other events hosted by the Foundation—spanning theatre, music, and dance—are held annually in various parts of Venice, whereas the Venice Film Festival takes place at the Lido.
Digital poetry is a form of electronic literature, displaying a wide range of approaches to poetry, with a prominent and crucial use of computers. Digital poetry can be available in form of CD-ROM, DVD, as installations in art galleries, in certain cases also recorded as digital video or films, as digital holograms, on the World Wide Web or Internet, and as mobile phone apps.
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Philadelpho Menezes. Brazilian poet, visual poet, pioneer of new media poetry, professor in the Communication and Semiotics post-graduation program at the Pontifical University of São Paulo. He performed research for his post-graduate degree at the University of Bologna, in Italy (1990). With Brazilian artist Wilton Azevedo Philadepho Menezes created a pioneer intermedia-poetry CD-ROM: "InterPoesia. Poesia Hipermidia Interativa" (1998). In Italy he collaborated with the first net-poetry project: Karenina.it, by Italian artist Caterina Davinio.
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