Formation | 1961 |
---|---|
Headquarters | New York, NY |
Website | https://www.nyrg.org/ |
The New York Recorder Guild (NYRG) was established on October 16, 1960, as the New York chapter of the American Recorder Society, [1] and incorporated under its current name in 1975. [2] The goal of the organization was to increase interest in the recorder as an instrument and to promote music written for it. [3]
The first president of the New York Recorder Guild was Bernard Krainis; Martha Bixler was appointed vice-president and, one year later in 1961, music director. [1] By 1972, the group had 185 members and organized rehearsals monthly with rotating conductors. [3] In the late 1970s, the group moved into offices shared with its parent organization, the American Recorder Society, at 12 East 16th Street, New York, NY. [4] They published the Early Music Newsletter regularly from 1977 through 1991. [5] [6] NYRG organized performances at St. Peter's Episcopal Church [7] [8] and Columbia University. [9]
Monthly gatherings of the group included into the early 2000s, [10] after which point group became largely inactive. [2] In 2017, the NYRG was revitalized by Natalie Lebert and Deborah Booth, [11] with meetings at The Unitarian Church of All Souls in Manhattan. [12] [13] In 2022, these monthly meetings moved to the Church of Saint Mary the Virgin in Manhattan, [2] and NYRG members took part in subway performances of music by Bach, with The Uptown Cantata Project. [14]
Past leadership of the NYRG has included:
Nach dir, Herr, verlanget mich, BWV 150, is an early church cantata by Johann Sebastian Bach composed for an unknown occasion. It is unique among Bach's cantatas in its sparse orchestration and in the independence and prominence of the chorus, which is featured in four out of seven movements. The text alternates verses from Psalm 25 and poetry by an unknown librettist. Bach scored the work for four vocal parts and a small Baroque instrumental ensemble of two violins, bassoon and basso continuo.
Marion Verbruggen is a Dutch recorder player and teacher.
Christ lag in Todes Banden, BWV 4, is a cantata for Easter by German composer Johann Sebastian Bach, one of his earliest church cantatas. It is agreed to be an early work partly for stylistic reasons and partly because there is evidence that it was probably written for a performance in 1707. Bach went on to complete many other works in the same genre, contributing complete cantata cycles for all occasions of the liturgical year. John Eliot Gardiner described it as Bach's "first-known attempt at painting narrative in music".
Gott ist mein König, BWV 71, is a cantata by Johann Sebastian Bach written in Mühlhausen when the composer was 22 years old. Unusually for an early cantata by Bach, the date of first performance is known: at the inauguration of a new town council on 4 February 1708.
Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18, is an early church cantata by Johann Sebastian Bach. He composed it in Weimar for the Sunday Sexagesimae, the second Sunday before Lent, likely by 1713.
Johann Sebastian Bach was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the Brandenburg Concertos; solo instrumental works such as the cello suites and sonatas and partitas for solo violin; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and Fugue in D minor; and choral works such as the St Matthew Passion and the Mass in B minor.
The cantatas composed by Johann Sebastian Bach, known as Bach cantatas, are a body of work consisting of over 200 surviving independent works, and at least several dozen that are considered lost. As far as known, Bach's earliest cantatas date from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. Most of Bach's church cantatas date from his first years as Thomaskantor and director of church music in Leipzig, a position which he took up in 1723.
Gottes Zeit ist die allerbeste Zeit, BWV 106, also known as Actus tragicus, is an early sacred cantata composed by Johann Sebastian Bach in Mühlhausen, intended for a funeral.
Du wahrer Gott und Davids Sohn, BWV 23, is a church cantata by Johann Sebastian Bach. He composed it in Köthen between 1717 and 1723 for Quinquagesima Sunday and performed it as an audition piece for the position of Thomaskantor in Leipzig on 7 February 1723. The Sunday was the last occasion for music at church before the quiet time of Lent.
Johann Sebastian Bach composed the church cantata Brich dem Hungrigen dein Brot, BWV 39, in Leipzig and first performed on 23 June 1726, the first Sunday after Trinity that year. Three years earlier, on the first Sunday after Trinity in 1723, Bach had taken office as Thomaskantor and started his first cycle of cantatas for Sundays and Feast Days in the liturgical year. On the first Sunday after Trinity in 1724, he began his second cycle, consisting of chorale cantatas. The cantata Brich dem Hungrigen dein Brot is regarded as part of Bach's third cantata cycle which was written sporadically between 1725 and 1727.
Sir Jack Westrup, FBA was an English musicologist, writer, teacher and occasional conductor and composer.
Erschallet, ihr Lieder, erklinget, ihr Saiten!, BWV 172, is a church cantata by Johann Sebastian Bach, composed in Weimar for Pentecost Sunday in 1714. Bach led the first performance on 20 May 1714 in the Schlosskirche, the court chapel in the ducal Schloss. Erschallet, ihr Lieder is an early work in a genre to which he later contributed complete cantata cycles for all occasions of the liturgical year.
Johann Sebastian Bach composed the church cantata Komm, du süße Todesstunde, BWV 161, in Weimar for the 16th Sunday after Trinity, probably first performed on 27 September 1716.
Johann Sebastian Bach composed the church cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162, in Weimar for the 20th Sunday after Trinity and first performed it in 1715 or 1716.
Sie werden aus Saba alle kommen, BWV 65, is a church cantata by Johann Sebastian Bach. He composed it in 1724 in Leipzig for Epiphany and first performed it on 6 January 1724 as part of his first cantata cycle.
Himmelskönig, sei willkommen, BWV 182, is a church cantata by Johann Sebastian Bach. He composed it in Weimar for Palm Sunday, and first performed it on 25 March 1714, which was also the feast of the Annunciation that year.
Er rufet seinen Schafen mit Namen, BWV 175, is a church cantata by Johann Sebastian Bach. He composed the cantata in Leipzig for the third day of Pentecost and first performed it on 22 May 1725.
Preise, Jerusalem, den Herrn, BWV 119, is a sacred cantata by Johann Sebastian Bach. He composed it in Leipzig for Ratswechsel, the inauguration of a new town council, and first performed it on 30 August 1723.
Das neugeborne Kindelein, BWV 122, is a church cantata by Johann Sebastian Bach. Bach composed the chorale cantata in six movements in Leipzig for the Sunday after Christmas and first performed it on 31 December 1724.
Tritt auf die Glaubensbahn, BWV 152, is a church cantata by Johann Sebastian Bach. He composed this dialogue cantata in Weimar for the Sunday after Christmas and first performed it on 30 December 1714.