Bernard Krainis | |
---|---|
Birth name | Bernard Krainis |
Born | New Brunswick, New Jersey, U.S. | December 28, 1924
Died | August 18, 2000 75) Great Barrington, Massachusetts, U.S. | (aged
Genres | Early music, classical |
Occupations | |
Years active | 1952–1985 |
Labels | Esoteric Records, Decca, MCA, Columbia, Melodya |
Formerly of | Noah Greenberg, New York Pro Musica, Russell Oberlin, Aston Magna |
Bernard Krainis (1924-2000) was an American musician and co-founder of New York Pro Musica. He played recorder and studied with Erich Katz. [1]
He was a founding member of the New York Pro Musica Antiqua and the Aston Magna Foundation for Music, [2] [3] two pioneering ensembles for the performance of early music on period instruments. He died at age 75 on August 18, 2000, at his home in Great Barrington, Massachusetts. [4] According to his family, the cause of death was cancer.
Krainis was born in New Brunswick, New Jersey, on December 28, 1924, the son of Abraham and Rose Sachs Krainis. During World War II he served in the Army, stationed in India with the Seventh Bomber Group. He attended Denver University. But it was his studies at New York University, where he was a student of the medieval and Renaissance music scholar Gustave Reese, that determined the future course of his life. [5]
In 1952, along with the conductor and musicologist Noah Greenberg, Krainis formed the New York Pro Musica Antiqua, [4] which brought wider public attention to early music and was in the forefront of the period-instrument movement. Krainis performed with the group until 1959. In the 1960s he organized and toured with his own ensembles: the Krainis Baroque Trio, the Krainis Baroque Ensemble and the Krainis Consort, becoming one of the few recorder players at the time to have a prominent solo career. He also acted as first president of the New York Recorder Guild. [6]
In the early 1970s he was a founding member of Aston Magna, which is still a force in the revival of early music, presenting concerts and sponsoring an important summer music festival at its headquarters in Great Barrington, where Krainis moved in 1969.
In 1985, at 60, he retired as a performer. But he remained active as a board member and teacher at Aston Magna. He also taught at Kirkland College, Columbia University, the Eastman School of Music and Smith College.
Krainis is survived by his wife, Betty; a son, John, of Freeport, Maine; a stepson, David H. Lippman of Great Barrington; two stepdaughters, Deborah Morris of Great Barrington and Judith Grant of Chapel Hill, North Carolina; a sister, Esther James of Freeland, Washington; and nine grandchildren. [7]
Though he was a specialist in early music, Krainis had wide-ranging musical interests. His friend Andrew L. Pincus, the music critic of The Berkshire Eagle, recalled in a recent tribute that Krainis could frequently be seen at the yearly Tanglewood Festival of Contemporary Music in Lenox, Massachusetts, and that his assessments of new works were insightful. "He had perfect pitch for both quality and cant," Mr. Pincus wrote, "and could be merciless in his judgments of fakery."
Matthias Maute is a virtuoso recorder player and composer.
Aldo Abreu is a Venezuelan recorder player currently residing in the United States.
Russell Keys Oberlin was an American singer and founding member of the New York Pro Musica Antiqua ensemble who became the first, and for years the only, countertenor in the United States to attain general recognition—in The New Yorker's words, "America's first star countertenor." A pioneering figure in the early music revival in the 1950s and 1960s, Oberlin sang on both sides of the Atlantic, and brought a "full, warm, vibrato-rich tone" to his recitals, recordings, and his performances in works ranging from the thirteenth-century liturgical drama The Play of Daniel to the twentieth-century opera A Midsummer Night's Dream.
New York Pro Musica was a vocal and instrumental ensemble based in New York City, which specialized in Medieval and Renaissance music. It was co-founded in 1952, under the name Pro Musica Antiqua, by Noah Greenberg, a choral director, and Bernard Krainis, a recorder player who studied with Erich Katz. Other prominent musicians who joined included Russell Oberlin and Martha Blackman and Frederick Renz, who founded Early Music Foundation after Pro Musica disbanded.
Noah Greenberg was an American choral conductor.
Maurice Steger is a Swiss recorder player and conductor, mostly in Baroque music.
EMS Recordings was founded in 1949 by Jack Skurnick in New York City. The company won first prize at the Audio Fair of 1950 for the high quality and interest of its recordings. It issued the first recording of works of Edgard Varese.
Studio der frühen Musik was an early music group active from 1960–1980 and based in Munich.
Gabriel Garrido is an Argentinian conductor specialising in Italian baroque and the recovery of the baroque musical heritage of Latin America.
Safford Cape was an American conductor, composer and musicologist.
Erich Katz was a German-born musicologist, composer, music critic, musician and professor. He fled the Nazis in 1939, arriving first in England, emigrating to the United States in 1943, where he became a citizen. He was a driving force behind the early music and recorder movements in the United States. Bernard Krainis, a co-founder of New York Pro Musica studied with Katz.
Schola Antiqua is a professional American early music ensemble based in Chicago, Illinois. The group specializes in pre-modern vocal music and is the 2012 winner of the Noah Greenberg Award from the American Musicological Society, an award that recognizes "outstanding contributions to historical performing practices." In 2006 and 2007, Schola Antiqua served as Artist in Residence at the University of Chicago, and the group currently holds an artistic residency at the Lumen Christi Institute. Schola Antiqua of Chicago performs mainly in Chicago but has also presented concerts around the United States and internationally. The choir is under the artistic direction of Michael Alan Anderson from the Eastman School of Music.
The MA Festival Brugge, short for the festival Musica Antiqua Bruges in Bruges, Belgium, is a festival of early music and historically informed performances, started in 1960. The program includes concerts, master classes, conferences, visits in the region, exhibitions, instrument market, and international competitions that concentrates in a three-year cycle on organ, harpsichord, pianoforte and other period instruments, vocals, and baroque ensembles. The specialised festival is part of the Festival of Flanders.
Susanne Regel is a German oboist working as solo artist and with international ensembles. She specializes in baroque oboe, the classical oboe, and the romantic oboe. Regel also teaches at several universities in Germany.
Martha Elizabeth Blackman was an American viola da gamba player and lutenist.
The Noah Greenberg Award from the American Musicological Society is granted annually to musical scholars and performers in order to build relationships between the two and to encourage efforts in historical performance. The award was established by the trustees of the New York Pro Musica Antiqua in honor of their co-founder, Noah Greenberg. The winner receives a monetary prize ($2,000) and a certificate which is given at the Annual Business Meeting and Awards Presentation of the Society by the chair of the committee.
Myrna Herzog is a Brazilian-born Israeli musician, conductor, teacher and early music researcher. She is a player of the viol, viola da gamba and baroque cello.
Daniel Robert Waitzman is an American flutist and composer.
Judith Davidoff was an American viol player, cellist, and performer on the medieval bowed instruments. She was considered the “Grande Dame of the viol”, "a master of the viola da gamba and other stringed instruments" and "a central part of the early-music scene." Her recorded performances reflect her wide range of repertoire and styles, including such works as Schoenberg's Verklaerte Nacht and 13th-century monody. She is responsible for the catalog of 20th- and 21st-century viol music.