New York Stories (opera)

Last updated
New York Stories
Opera by Daron Hagen
Daron Hagen.jpg
Daron Hagen, the opera's composer
Librettist
  • Daron Hagen
  • Barbara Grecki
LanguageEnglish
Premiere
October 30, 2010 (2010-10-30)

New York Stories is a trilogy of English-language one-act operas (Broken Pieces, Just for the Night, and Cradle Song) by Daron Hagen, with a libretto by Hagen and Barbara Grecki first performed in its entirety by Kentucky Opera in Louisville, Kentucky, on 30 October 2010. [1]

Contents

Background and performance history

The operas are based on true stories. The first two skits originated as playlets by Barbara Grecki and were adapted by Hagen as he musicalized them. The third skit libretto is by Hagen and is a self-portrait of himself and spouse Gilda Lyons as new parents. "Hagen’s clever jabs at the state of contemporary classical music as the weary composers struggled with their fussy newborn made for a little inside humor." [2] References are made by Hagen in the libretto to the couple's just having returned from a concert featuring music by Ned Rorem and David Del Tredici, among others. Later, the music quotes Elliott Carter's Third String Quartet and several measures of Rorem's artsong, "Early in the Morning". [3]

Conceived both as a trilogy and as three free-standing skits, the first, Broken Pieces, [4] is charming and romantic, the second, Just for the Night, [5] is soulful and sad, and the third, Cradle Song, is warmly domestic and affectionate. The vocal demands of the three female and three male roles are designed for young artist training programs at professional opera companies and at universities. The composer has stipulated that staging in the theater is not preferable to recital, agitprop, site-specific stagings in private homes, schools, and public spaces. He has also stipulated that the trilogy may be cast with as few as two singers and as many as six, in addition to multiple casting. Each opera lasts approximately 20 minutes. Optional music is included in the score of the complete trilogy for a "pantomime prelude" and scene changes. [6]

Broken Pieces

Just for the Night

Cradle Song

New York Stories (complete)

Roles

Role Voice type Site-specific
premiere cast
30 October 2010
Semi-staged
premiere cast
1 November 2011
Theatrical
premiere cast
24 February 2012
ProducerKentucky OperaChicago Opera Theater / Chicago
College of the Performing Arts
Butler Opera Center
Music DirectorJoey MechavichScott GilmoreRichard Masters
Director(s)Daron HagenJoanie SchultsDavid Radames Toro / Lance Hargis / Joshua T. Miller
Pamela soprano Andrea ShokeryLouise RoganDorea Cook / Andrea Ramos
Antonio baritone / tenor Gabriel PreisserLoren BattiesteEun Deuk Cho / Daniel Madrid
BabssopranoBrandy HawkinsCatheryn ShumanAmelia Ciskey / Mari Stoner
Chipbaritone / tenorDaniel AndersonMatthew NewlinJake Jacobsen
MamasopranoErin KeesyMegan WilliamsCourtney Nance / Nataly Wickham
Papabaritone / tenorRicky CaseDrew LaddTim Petty

Synopsis

Broken Pieces

Pamela lives alone with her cat on the Upper West Side of Manhattan. Antonio, an Italian immigrant, arrives to fix the tiles in her bathroom. They share their stories and a romantic moment.

Just for the Night

Christmas Eve on Manhattan's Upper East Side. Middle-aged Babs is surprised by a visit from her brother Chip who, it emerges, has been living in a shelter. When he asks to stay the night, she turns him away.

Cradle Song

A married composer couple, Mama and Papa, live in Hamilton Heights. They arrive home after a night on the town and unsuccessfully attempt to put their child down for the night.

Notes

  1. 1 2 Cengal, Katya. http://www.courier-journal.com/article/20101108/SCENE05/311080003/1010/FEATURES/Opera+makes+house+calls++entertaining+private+audiences, The Courier-Journal ; retrieved 29 February 2012. [ dead link ]
  2. van Ryzin, Jeanne Claire (2012-02-28). "Review: Butler Opera Center's New York Stories". Austin American-Statesman.
  3. Hagen, Daron (2008), Cradle Song (score), New York: Burning Sled, p. 76
  4. Hagen, Daron (2006), Broken Pieces (score), New York: Carl Fischer, p. 2, ISBN   0-8258-6003-2
  5. Hagen, Daron (2008), Just for the Night (score), New York: Burning Sled, p. 44
  6. New York Stories page at Daron Hagen's official website Archived 2011-10-06 at the Wayback Machine , retrieved 2 March 2012.

Related Research Articles

<span class="mw-page-title-main">Philip Glass</span> American composer (born 1937)

Philip Morris Glass is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimalism, being built up from repetitive phrases and shifting layers. Glass describes himself as a composer of "music with repetitive structures", which he has helped evolve stylistically.

Ned Rorem is an American composer and diarist. He won a Pulitzer Prize for Music in 1976 for his Air Music: Ten Etudes for Orchestra.

<i>King Roger</i> Opera by Karol Szymanowski

King Roger is an opera in three acts by Karol Szymanowski to a Polish libretto by the composer himself and Jarosław Iwaszkiewicz, the composer's cousin. The score was finished in 1924. The opera received its world premiere on 19 June 1926 at the Grand Theatre, Warsaw, with the cast including the composer's sister, the soprano Stanisława Korwin-Szymanowska, as Roxana.

<span class="mw-page-title-main">David Lang (composer)</span> American composer

David Lang is an American composer living in New York City. Co-founder of the musical collective Bang on a Can, he was awarded the 2008 Pulitzer Prize for Music for The Little Match Girl Passion, which went on to win a 2010 Grammy Award for Best Small Ensemble Performance by Paul Hillier and Theatre of Voices. Lang was nominated for an Academy Award for "Simple Song #3" from the film Youth.

<span class="mw-page-title-main">Daron Hagen</span> American composer, writer, and filmmaker (born 1961)

Daron Aric Hagen is an American composer, writer, and filmmaker.

<i>Shining Brow</i>

Shining Brow is an English language opera by the American composer Daron Hagen, first performed by the Madison Opera in Madison, Wisconsin, April 21, 1993. The libretto is by Paul Muldoon, and is based on a treatment co-written with the composer. The story concerns events in the life of architect Frank Lloyd Wright. Hagen invited Muldoon to write the libretto while the two were both in residency at the MacDowell Colony, in Peterborough, New Hampshire during the summer of 1989.

Thomas Piercy American musician

Thomas Piercy is an American clarinetist, bundle of sticks and hichiriki player based in New York City, USA and Tokyo, Japan. Although he studied in the United States, his playing style is heavily influenced by the English school of clarinet playing by his extensive studies with English clarinet virtuoso Gervase de Peyer.

<i>Bandanna</i> (opera)

Bandanna is an English language opera in a prologue and two acts by Daron Hagen, first performed by the University of Texas at Austin opera theater in Austin, February 25, 1999. The libretto is by Irish poet Paul Muldoon based on a treatment co-written with the composer. It is Hagen's third opera, after Shining Brow, and Vera of Las Vegas. The story of the Venetian Moor is recast and updated to 1968 by combining elements of the original Venetian story, William Shakespeare's Othello, Giuseppe Verdi's opera Otello, and new, original characters and situations. The opera's unifying concept is the idea of the borderlines between emotional, metaphysical and moral states. The commission itself is notable for two reasons: first, it stipulated that there be no strings in the pit, second, it was financed by a consortium of over one hundred college bands from across the United States, all members of the College Band Directors National Association.

Our Town is a three-act opera by composer Ned Rorem and librettist J. D. McClatchy. It is the first opera to be adapted from the Thornton Wilder play of the same name. The opera was commissioned by Indiana University Jacobs School of Music, Opera Boston, the Aspen Music Festival and School, North Carolina School of the Arts, Lake George Opera in Saratoga Springs, N.Y., and Festival Opera in Walnut Creek, Calif.

A Night at the Chinese Opera is an opera in three acts by Judith Weir, who also wrote the libretto. Aside from an earlier opera for children, this was Weir's first full-scale opera, written on commission from the BBC for performance by Kent Opera. Weir incorporated an early Chinese play of the Yuan dynasty, The Orphan of Zhao, as the centrepiece of Act 2 of her opera.

<i>Amelia</i> (opera) American 2010 opera

Amelia is an opera in two acts by Daron Hagen to a libretto in English by Gardner McFall based on a story by Stephen Wadsworth. It had its world premiere at the Seattle Opera on May 8, 2010.

<i>Vera of Las Vegas</i> American 2003 opera

Vera of Las Vegas is an opera by Daron Hagen with a libretto by Paul Muldoon based on a treatment co-written with the composer. It is Hagen's second opera, after Shining Brow. The Center for Contemporary Opera gave the staged premiere on 25 June 2003 at the Leonard Nimoy Thalia Theatre of Symphony Space in New York City.

Mark A. Thomsen is an American operatic tenor. He is also a professor and artist in residence at Florida Southern College. His performance repertoire includes the history of opera, from Cavalli, Bach, and Mozart, to Puccini, Verdi, and Richard Strauss, and the premieres of operas by composers such as Dominick Argento, Leonard Bernstein, Carlisle Floyd and Lowell Liebermann.

Carry Nation is an opera in a prologue and two acts by composer Douglas Moore which is based on the life of temperance activist Carrie Nation, whose sometimes spelled her first name "Carry". The work uses an English-language libretto by W. N. Jayme. The opera was commissioned by the University of Kansas in commemoration of the school's 100th anniversary. The premiere performance was given at KU's Murphy Hall on March 28, 1966 with a cast headlined by four professional opera singers brought in for the event, and the supporting cast supplied by KU's music and theatre students. Lewin Goff staged the production and Robert Baustian conducted. The opera was subsequently given its first professional production at the San Francisco Opera in June 1966 under the baton of Herbert Grossman. The New York City Opera mounted the first New York production in March 1968 and released a recording of the work in 1969. All three of these initial stagings and the recording starred mezzo-soprano Beverly Wolff in the title role.

Boston Metro Opera was a semi-professional American opera company based in the Greater Boston area of Massachusetts. The company specialized in contemporary works and operated from 2008 to 2015. It also sponsored and ran the Boston-International Contempo Festival and its associated International Composers' Competition.

<i>The Antient Concert</i> American 2007 opera

The Antient Concert is a sixty-minute-long English language opera in one act by Daron Hagen with a libretto by Paul Muldoon. Hagen describes it as a "dramatic recital for four singers".

<span class="mw-page-title-main">Gilda Lyons</span> American composer

Gilda Lyons is an American composer, vocalist, and visual artist who writes music that “combines elements of renaissance, neo-baroque, spectral, agitprop Music Theater, and extended vocalism”.

<i>A Woman in Morocco</i>

A Woman in Morocco is an English language opera in two acts composed by Daron Hagen and based on an unperformed play by Barbara Grecki. It was premiered by Kentucky Opera in Louisville, Kentucky, June 23, 2015 in a production directed by the composer. The libretto is by Hagen and Grecki, who also co-wrote the treatment. The story, set in Tangier in October 1958, concerns the disappearance of an American investigative journalist named Lizzy Holmes working on an exposé of sex trafficking. The work received a complete workshop staging at the Butler Opera Center of the Sarah and Ernest Butler School of Music at the University of Texas-Austin October 25, 2013.

<i>Orson Rehearsed</i> 2021 film/opera by Daron Hagen

Orson Rehearsed is a 2021 American independent film by Daron Hagen about Orson Welles which combines elements of opera film, documentary film, and Surrealist cinema. The narrative follows a 2018 staged production of Hagen's eleventh opera integrating extensive pre-shot films and electro-acoustic tracks in which, poised in the bardo between life and death on the night of his demise, Welles takes stock of his life. Directed by Hagen based on his own screenplay and musical score, the film was produced by Burning Sled Media and the Chicago College of Performing Arts. It stars Robert Orth, Robert Frankenberry, and Omar Mulero as Welles, and features the Fifth House Ensemble.