A Woman in Morocco

Last updated
A Woman in Morocco
Opera by Daron Hagen
Daron Hagen.jpg
Daron Hagen, the opera's composer
Librettist
  • Daron Hagen
  • Barbara Grecki
LanguageEnglish
Premiere
June 23, 2015 (2015-06-23)
Kentucky Opera, Actors Theatre, Louisville, Kentucky

A Woman in Morocco is an English language opera in two acts composed by Daron Hagen and based on an unperformed play by Barbara Grecki. It was premiered by Kentucky Opera in Louisville, Kentucky, June 23, 2015, in a production directed by the composer. The libretto is by Hagen and Grecki, who also co-wrote the treatment. The story, set in Tangier in October 1958, concerns the disappearance of an American investigative journalist named Lizzy Holmes working on an exposé of sex trafficking. The work received a complete workshop staging at the Butler Opera Center of the Sarah and Ernest Butler School of Music at the University of Texas-Austin October 25, 2013.

Contents

"Anywhere humans interact one can find people capable of exploiting the weak, the powerless, and the vulnerable," explained the composer in a 2015 interview. "The scourge of human trafficking manifests in even more forms than immediately come to mind: any time someone is coerced or manipulated into doing something that they know is wrong out of fear for their own safety, or that of their loved ones, trafficking is occurring. I wrote this opera to raise peoples’ awareness of that face, to fight, in the way that I know best, for trafficking victims." [1]

Development history

Following a table read directed by Alan Hicks by actors at Center City Opera in Philadelphia, [2] the opera was given a staged workshop on October 25, 27 and November 1,3, 2013 by the Sarah and Ernest Butler Opera Center, Austin, Texas. The performances were conducted by Kelly Kuo with stage direction by Robert DeSimone. The world premiere production was performed on May 15, 16, and 17, 2015, by the Kentucky Opera [3] [4] at the Jory Theater of the Actors' Theatre of Louisville, Louisville, Kentucky as a centerpiece of the 20th Annual Festival of Faiths. [5] Roger Zahab conducted the 10-piece ensemble from the Kentucky Opera Orchestra; the production was directed by Daron Hagen who also designed the sets.

Daron Hagen's seven-episode video blog chronicling the development of the opera from first sketches through the final professional premiere over a four year period offers an intimate and extraordinary glimpse into the composer-librettist-director's process. [6]

Critical reaction

While in its college workshop production at the University of Texas, the characters were felt by one graduate student to "come across as flat and largely unsympathetic and so frustratingly spineless that it's hard to care about them," [7] when the work was given its professional premiere by Kentucky Opera, professional critics noted that "[its] complex score works to underline issues with leitmotifs, musical cues assigned to different characters, and music that never settles or rests. When singers get soaring arias, they emerge naturally from this intricate texture. Hagen has a gift for writing sensually rich tunes and uses this skill to release the music at important moments." [3] Most of the universally positive reviews touched approvingly on the opera's subject matter:

Will [a new opera] find a connection with tradition while creating something fresh and timely? I believe that composer Daron Hagen and his co-librettist Barbara Grecki have [done this] with their new two-act opera. ... Hagen's score feelingly captures the deep contradictions of its story and its characters in music that evokes the beauty and mystery of an exotic landscape, the dangerous and deceptive sensuality of its inhabitants, and the intense violence that is always just beneath the surface of a culture that threatens and terrorizes women. [8]

Roles

RoleVoice typeWorkshop cast
25 October 2013
(Conductor: Kelly Kuo)
World premiere cast
15 May 2015
(Conductor: Roger Zahab)
Lizzy Holmes / Woman #4 soprano Natalie CummingsDanielle Connelly
Asilah / Woman #1 soprano Samantha LeibowitzErin K. Bryan
Clare Holmes / Woman #3 mezzo-soprano Olivia DouglasMimi Melisa Bonetti
Ahmed tenor Soonchan KwanJoe Shadday
Teddy Forsythe baritone Austin BradleyJoseph Flaxman
Harry Hopkins bass-baritone Chance EakinBrent Michael Smith
Habiba / Woman #2mute / soprano Natasha Lynn Foley
Trafficked Woman / Woman #5mute / mezzo-soprano Krista Heckman

Synopsis

The action takes place in Tangier, Morocco, at the pension Cypress during October 1958. "The story follows the path of a naive young American reporter, Lizzy Holmes, who goes to Morocco to write about the status of women. Becoming involved with the shady inhabitants of her hotel, she discovers the insidious world of those who deal in buying and selling young girls for profit. Hampered by her own seduction into relationships she doesn't fully understand and sinking into drug addiction, Lizzy becomes a victim herself." [9]

Prologue

In the Cypress' courtyard, the maître d'hôtel, a charismatic and morally pliable Moroccan in his late 20s named Ahmed sips tea while musing about his life and listening to the radio.

Act 1

Teddy Forsythe, a British expatriate in his late 40s, owner of the Cypress, ushers in Lizzy Holmes, an American investigative journalist in her early 20s. Alone in her room, she writes a letter to her sister Clare. Ahmed delivers water; there is an immediate attraction. Asilah, an intellectually inquisitive Arab woman working as a maid, delivers linens; Lizzy gives her a book of poetry to read.

A few days later, in the Courtyard, Lizzy accidentally witnesses an abduction (and possible murder) of Asilah's sister Habiba by Teddy and an American businessman named Harry Hopkins. Shoved by the men to the ground, she doesn't see their faces. Blood on her hands, she returns to her room to read poetry with Asilah, who relates her sister's story. Lizzy vows to expose the men's activities.

The next morning, Ahmed delivers breakfast to Lizzy's room; they impulsively kiss, smoke kief together and begin an affair.

The next evening, Teddy arrives to escort Lizzy to dinner. He muses on a woman's role in Morocco and surprises Lizzy by returning the book that she gave Asilah, revealing that her husband—Ahmed—forbids her to read.

Angry and humiliated at having learned that she had unknowingly begun an affair with a married man, Lizzy drinks too much at dinner. Ahmed tells Teddy that their love affair is over. Asilah reveals to Lizzy that she herself has been trafficked. Ahmed begs Lizzy to help him save Asilah from being trafficked again. Teddy arrives and announces that he has a plan to make Asilah "disappear." Asilah is murdered.

Act 2

Clare Holmes arrives at the Cypress a few days later with Harry Hopkins looking for her sister. Teddy tells her that Lizzy left weeks before.

Lizzy is revealed in her room. Ahmed has addicted her to drugs. In the hotel bar, Teddy agrees, for a price, to find Harry's "little Arab"—Asilah.

Later that night, Teddy and Ahmed induce heavily sedated Lizzy to don a jellaba, and spirit her away, probably to her death.

Later still, Ahmed and Teddy are revealed in bed. As an expression of love for Ahmed, Teddy signs ownership of the Cypress over to him. Ahmed puts a knife to Harry's throat. Teddy grabs it and plunges it into Harry's chest.

Epilogue

A few days later, Teddy is in jail for the murder of Harry, and Ahmed is revealed reading the volume of poetry Lizzy gave Asilah. Clare, still looking for her sister, notices that Ahmed is wearing her sister's scarf, and asks him for his help in finding her. He presents her with the scarf and departs; she is left deciding whether or not to accompany him.

Related Research Articles

<span class="mw-page-title-main">Joan Osborne</span> American musician (born 1962)

Joan Elizabeth Osborne is an American singer, songwriter, and interpreter of music, having recorded and performed in various popular American musical genres including rock, pop, soul, R&B, blues, and country. She is best known for her recording of the Eric Bazilian-penned song "One of Us" from her debut album, Relish (1995). Both the single and the album became worldwide hits and garnered a combined seven Grammy Award nominations. Osborne has toured with Motown sidemen the Funk Brothers and was featured in the documentary film about them, Standing in the Shadows of Motown (2002).

<span class="mw-page-title-main">Curtis Institute of Music</span> Private music school in Philadelphia, United States

The Curtis Institute of Music is a private conservatory in Philadelphia. It offers a performance diploma, Bachelor of Music, Master of Music in opera, and a Professional Studies Certificate in opera. All students attend on full scholarship.

<span class="mw-page-title-main">Ned Rorem</span> American composer and writer (1923–2022)

Ned Rorem was an American composer of contemporary classical music and writer. Best known for his art songs, which number over 500, Rorem was the leading American of his time writing in the genre. Although he wrote works for piano, orchestra and chamber ensemble and solo instruments, he considered all of his music vocal and song-like in nature. Rorem's interest in song centered not around the human voice, but the setting of poetry, as he was deeply familiar with and fond of English literature. A writer himself, he kept—and later published—numerous diaries in which he spoke candidly of his exchanges and relationships with many cultural figures of America and France.

<span class="mw-page-title-main">Peggy Glanville-Hicks</span> Australian composer and music critic

Peggy Winsome Glanville-Hicks was an Australian composer and music critic.

<span class="mw-page-title-main">Louisville Orchestra</span> Non-profit organisation in the USA

The Louisville Orchestra is the primary orchestra in Louisville, Kentucky. It was founded in 1937 by Robert Whitney (1904–1986) and Charles Farnsley, Mayor of Louisville. The Louisville Orchestra employs salaried musicians, and offers a wide variety of concert series to the community, including classical programs featuring international guest artists, pops performances, and education and family concerts. In 1942 the orchestra adopted the name of the former Louisville Philharmonic Society, which it kept until 1977 before reverting to its original name. The orchestra is the resident performing group for the Louisville Ballet and the Kentucky Opera, and presents several concerts across the Kentucky/Indiana area.

<span class="mw-page-title-main">Daron Hagen</span> American composer, writer, and filmmaker (born 1961)

Daron Aric Hagen is an American composer, writer, and filmmaker.

<span class="mw-page-title-main">Jannat</span> Musical artist

Jannat Mahid, known by her stage name Jannat ; is a Moroccan-Egyptian singer and actress. She was born in Morocco and presently living and performing in Egypt. Jannat sings in Egyptian Arabic. She is one of the most prominent young female singers in the Arab world. Jannat participated for the first time in a singing competition in Morocco entitled "Stars of Tomorrow" when she reached the age of eight. She stood on stage accompanied by a musical band and won the first prize. After that, she participation in local singing competitions. Upon reaching the age of fifteen, she participated in the Dubai Nights Festival and won the award for best singing voice in the Arab world in 2000. After that, she received an invitation from Mrs. Ratiba El-Hefny, ddirector of the Cairo Opera House, to participate in a concert in the Grand Theater, and that was the first time that she stood in front of the Egyptian public.

<i>Shining Brow</i>

Shining Brow is an English language opera by the American composer Daron Hagen, first performed by the Madison Opera in Madison, Wisconsin, April 21, 1993. The libretto is by Paul Muldoon, and is based on a treatment co-written with the composer. The story concerns events in the life of architect Frank Lloyd Wright. Hagen invited Muldoon to write the libretto while the two were both in residency at the MacDowell Colony, in Peterborough, New Hampshire during the summer of 1989.

<i>Bandanna</i> (opera)

Bandanna is an English language opera in a prologue and two acts by Daron Hagen, first performed by the University of Texas at Austin opera theater in Austin, February 25, 1999. The libretto is by Irish poet Paul Muldoon based on a treatment co-written with the composer. It is Hagen's third opera, after Shining Brow, and Vera of Las Vegas. The story of the Venetian Moor is recast and updated to 1968 by combining elements of the original Venetian story, William Shakespeare's Othello, Giuseppe Verdi's opera Otello, and new, original characters and situations. The opera's unifying concept is the idea of the borderlines between emotional, metaphysical and moral states. The commission itself is notable for two reasons: first, it stipulated that there be no strings in the pit, second, it was financed by a consortium of over one hundred college bands from across the United States, all members of the College Band Directors National Association.

Joan Trimble was an Irish composer and pianist.

<i>Amelia</i> (opera) American 2010 opera

Amelia is an opera in two acts by Daron Hagen to a libretto in English by Gardner McFall based on a story by Stephen Wadsworth. It had its world premiere at the Seattle Opera on May 8, 2010.

Jennifer Zetlan is an American operatic soprano who has sung leading roles with many opera companies in the United States, including the Metropolitan Opera, the Seattle Opera, and the Santa Fe Opera among others. She has performed in the world premieres of operas by composers Matthew Aucoin, Daron Hagen, Nico Muhly, and Ricky Ian Gordon.

<i>Vera of Las Vegas</i> American 2003 opera

Vera of Las Vegas is an opera by Daron Hagen with a libretto by Paul Muldoon based on a treatment co-written with the composer. It is Hagen's second opera, after Shining Brow. The Center for Contemporary Opera gave the staged premiere on 25 June 2003 at the Leonard Nimoy Thalia Theatre of Symphony Space in New York City.

<span class="mw-page-title-main">Marcela Rodríguez</span> Mexican composer (born 1951)

Marcela Rodríguez is a Mexican composer.

Boston Metro Opera was a semi-professional American opera company based in the Greater Boston area of Massachusetts. The company specialized in contemporary works and operated from 2008 to 2015. It also sponsored and ran the Boston-International Contempo Festival and its associated International Composers' Competition.

<i>New York Stories</i> (opera) American 2010 opera

New York Stories is a trilogy of English-language one-act operas by Daron Hagen, with a libretto by Hagen and Barbara Grecki first performed in its entirety by Kentucky Opera in Louisville, Kentucky, on 30 October 2010.

<i>The Antient Concert</i> American 2007 opera

The Antient Concert is a sixty-minute-long English language opera in one act by Daron Hagen with a libretto by Paul Muldoon. Hagen describes it as a "dramatic recital for four singers".

<span class="mw-page-title-main">Gilda Lyons</span> American composer

Gilda Lyons is an American composer, vocalist, and visual artist who writes music that "combines elements of renaissance, neo-baroque, spectral, agitprop Music Theater, and extended vocalism".

David Roth was an American opera director and stage director. He was the General Director of the Kentucky Opera from 2006 to 2015.

References

  1. Kentucky Opera (2015), An interview with Daron Hagen, Louisville, Kentucky: Kentucky Opera
  2. Sigler, Andrew (2013), "It Takes a Village", New Music Box (11/21/13)
  3. 1 2 Gilliam, Daniel (2015), "Kentucky Opera's 'A Woman in Morocco' is Complex and Challenging", WFPL Website (5/15/15)
  4. Kramer, Elizabeth (2015), "New Opera Touches on Human Trafficking", The Courier Journal (5/8/15): 23
  5. Festival of Faiths 2015 Webpage, retrieved 19 December 2018.
  6. Hagen, Daron (2012–2015), A Woman in Morocco Videoblog (Video blog.), New York City: Burning Sled Music
  7. Zeldin, Natalie (2013-11-01). "Review: A Woman in Morocco". The Austin Chronicle (Texas).
  8. Frye, Selena (2015-05-15). "Review: Kentucky Opera's Sobering A Woman in Morocco". Louisville.com.
  9. Frye, Selena (2015-05-15), "A Woman In Morocco: New Opera Sheds Light On Dark World Of Human Trafficking", Louisville.com