"Next Love" | ||||
---|---|---|---|---|
Single by Deniece Williams | ||||
from the album Let's Hear It for the Boy | ||||
Released | 1984 | |||
Length | 7:05 (12" version) | |||
Label | Columbia 44 05043 (US) | |||
Songwriter(s) | George Duke, Deniece Williams | |||
Deniece Williams singles chronology | ||||
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"Next Love" is a song recorded by American singer and songwriter Deniece Williams. It was released in 1984 for Columbia Records. The song was written and produced by Williams and the multi-instrumentalist George Duke.
The song comes from her 1984 album Let's Hear it for the Boy which also features the hit single of the same name.
"Next Love" peaked at number 17 on the Billboard Dance and number 22 on the R&B chart. It also entered the US Hot 100 chart, becoming a minor hit, peaking at number 81. [1]
No. | Title | Version | Length |
---|---|---|---|
1. | "Next Love" | Vocal | 7:07 |
No. | Title | Version | Length |
---|---|---|---|
1. | "Next Love" | Instrumental | 4:51 |
Chart (1984) | Peak position |
---|---|
US Billboard Hot 100 [1] | 81 |
US Billboard Black Singles [1] | 22 |
US Billboard Hot Dance Music/Club Play [1] | 17 |
June Deniece Williams is an American singer. She has been described as "one of the great soul voices" by the BBC.
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Shenandoah is an American country music band founded in Muscle Shoals, Alabama, in 1984 by Marty Raybon, Ralph Ezell, Stan Thorn, Jim Seales, and Mike McGuire. Thorn and Ezell left the band in the mid-1990s, with Rocky Thacker taking over on bass guitar; Keyboardist Stan Munsey joined the line up in 1995, until his departure in 2018. The band split up in 1997 after Raybon left. Seales and McGuire reformed the band in 2000 with lead singer Brent Lamb, who was in turn replaced by Curtis Wright and then by Jimmy Yeary. Ezell rejoined in the early 2000s, and after his 2007 death, he was replaced by Mike Folsom. Raybon returned to the band in 2014. That same year, Jamie Michael replaced the retiring Jim Seales on lead guitar.
"Let's Hear It for the Boy" is a song by Deniece Williams that appeared on the soundtrack to the feature film Footloose. The song was released as a single from both the soundtrack and her album of the song's same name Columbia Records. It was written by Tom Snow and Dean Pitchford and produced by George Duke. The song became Williams' second number one on the US Billboard Hot 100 on May 26, 1984. It also topped Billboard's dance and R&B charts and on the Cash Box Top 100. It peaked at number two on the UK Singles Chart, behind "Wake Me Up Before You Go-Go" by Wham!. It was nominated for an Academy Award for Best Original Song at the 57th Academy Awards, and was certified platinum in the US and gold in Canada and the UK by the Recording Industry Association of America, Music Canada and the British Phonographic Industry, respectively. The music video was released in mid-April 1984. The song features background vocals from George Merrill and Shannon Rubicam, who would go on to form the duo Boy Meets Girl.
This Is Niecy is the debut album of American R&B singer Deniece Williams released on August 13, 1976 by Columbia Records. The album reached No. 3 on the Billboard Top Soul Albums chart and No. 33 on the Billboard 200. The album has been certified Gold in the US by the RIAA and Silver in the UK by the BPI.
Song Bird is the second studio album by American singer Deniece Williams. It was produced by Maurice White and released on October 28, 1977, by Columbia Records. The album peaked at No. 23 on the US Billboard Top Soul Albums chart and No. 5 on the UK Blues & Soul Top British Soul Albums chart.
That's What Friends Are For is an album by American singers Johnny Mathis and Deniece Williams, released in July 1978 by Columbia Records. The project was a continuation of the pairing of the artists that began on his previous LP, You Light Up My Life, which included "Too Much, Too Little, Too Late", the duet that was on its way to number one on three different charts in Billboard magazine as the recording sessions for this album got underway.
When Love Comes Calling is an album by American singer Deniece Williams, released in June 1979 on ARC/Columbia Records. The album peaked at No. 27 on the Billboard Top Soul LPs chart.
My Melody is the fifth studio album by American singer Deniece Williams, released in March 1981 by ARC/Columbia Records. The album reached No. 13 on the Billboard Top Soul LPs chart. My Melody was certified Gold in the US by the RIAA.
Niecy is an album by American singer Deniece Williams which was released in 1982 on ARC/Columbia Records. The album reached No. 5 on the Top Soul Albums chart and No. 20 on the Billboard 200.
Let's Hear It for the Boy is the eighth studio album by American recording artist Deniece Williams, released on April 16, 1984, by Columbia Records. The album reached No. 26 on the US Billboard 200 and No. 10 on the US Billboard Top R&B Albums charts.
"Black Butterfly" is a song written by the song-writing duo Barry Mann and Cynthia Weil in 1982, and most famously recorded by American recording artist Deniece Williams. Williams' recording was released in 1984 for Columbia Records and is on her 1984 album Let's Hear it for the Boy. The B-side of the single is the song "Blind Dating", also featured on the album.
You Light Up My Life is an album by American pop singer Johnny Mathis, released on March 13, 1978, by Columbia Records. While this LP includes three new songs, it doesn’t stray too far from the format of his albums of recent years in covering established material, including a standard, a country number, something from Broadway, and a few soundtrack tunes.
A Special Part of Me is an album by American pop singer Johnny Mathis that was released on January 22, 1984, by Columbia Records and reunited him with his "Too Much, Too Little, Too Late" partner Deniece Williams on one of the LP's two duets, "Love Won't Let Me Wait", which is also the only song on the album that was previously recorded and released by another artist. This continuing trend away from the cover album genre would reach its limit with his next studio release, Right from the Heart, which only had original material.
Stephanie Mills is the tenth studio album by the American R&B singer Stephanie Mills, released in 1985 on MCA Records. Following her last release I've Got the Cure on Casablanca Records, Mills self-titled new album was the first release upon signing a new recording contract with MCA Records.
Thief in the Night is the eighteenth studio album by American keyboardist and record producer George Duke. It was released in 1985 through Elektra Records, making it his first release on the label. Recording sessions for the album took place at Le Gonks West in West Hollywood, California. Duke played various keyboard instruments on the album, including Synclavier II, Memorymoog, Fender Rhodes, Sequential Circuits Prophet-5, clavinet, Yamaha P F15 and Minimoog. The album features contributions from Lynn Davis, Paul Jackson Jr, Paulinho da Costa, Robert Brookins and Deniece Williams among others.
I Commit to Love is the debut solo studio album by American singer-songwriter Howard Hewett. It was released on June 25, 1986 via Elektra Records. The album serves his first release after he departed from the group Shalamar. Recording sessions for this ten-track album took place at nine various recording studios viz. Americayn Studios, Ground Control Studios, Larrabee Sound Studios, Le Gonks West, Mama Jo's, Nick's Place, Soundcastle, Studio 99 and Village Studios. Together with Hewett, George Duke, Stanley Clarke, Glen J. Barbee, Ross Vannelli and Monty Seward worked on the production of the album.
I'm So Proud is an album by American singer Deniece Williams which was released in 1983 by Columbia Records. The album reached No. 10 on the Billboard Top Soul Albums chart.
Special Love is the second full-length gospel album by American R&B singer Deniece Williams released in 1989 on MCA/Sparrow Records. Special Love peaked at number 11 on the Billboard Top Christian Albums chart.
Water Under the Bridge is an album by American singer Deniece Williams, released in 1987 on Columbia Records. The album reached No. 39 on the Billboard Top Soul Albums chart.