Critical reception
With a B+, Robert Christgau found "Williams's exquisite clarity and thrilling range have always slotted her among the perfect angels for me, but there's a lot more to her work with Thom Bell, who finally challenges Burt Bacharach on his own turf, applying strings and woodwinds and amplifiers with a deft economy that textures rather than sweetens. And Williams's lyrics, while never startling, become increasingly personal as her professional confidence grows--she's wrinkling her brow more and her nose less." [3] People described the album as "upbeat, soulful and polished." [4]
Justin Kantor of AllMusic wrote that "Williams enlisted Philly soulmeister Thom Bell as her co-producer (and primary co-writer) a second time on this mellow 1982 release. Building upon the lush balladry of 1981's My Melody , this set inevitably bears a few similarities to its predecessor, but manages a more diverse soundscape." [2] J.D. Considine of Musician wrote: "Williams like the Spinners' Philippe Wynne has the uncanny ability to pull the most out of a tune while maintaining a distinctive vocal personality. Philly Soul lives." [5] Crispin Cioe of High Fidelity found "as a writer, Williams deals in the unabashedly romantic; as a singer she lends her lines an emotionalism that rings true. In Bell's sympathetically rich arranging/production context small sentiments take on grand proportions, and therein lies the album's charm." [6]
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[2] 