Ngarralja Tommy May is an Indigenous Australian artist. He won the 2020 NATSIAA Telstra Award for his tin-etching art, 'Wirrkanja'. [1] [2]
He is a Wangkajungka/Walmajarri man born in Yarrnkurnja in the Great Sandy Desert, in 1935. [3] His work is in the collection of the Art Gallery of Western Australia. [4]
In 1997, May collaborated with over 40 other artists over a period of 12 days to produce Ngurrara Canvas II, a painting with an area of 80 square metres depicting the Great Sandy Desert. [5] In 2019, May and four other artists worked with Lisa Gorman on limited edition clothing. [6]
Kumantje Jagamara, also known as Kumantje Nelson Jagamara, Michael Minjina Nelson Tjakamarra, Michael Nelson Tjakamarra and variations, was an Aboriginal Australian painter. He was one of the most significant proponents of the Western Desert art movement, an early style of contemporary Indigenous Australian art.
Makinti Napanangka was a Pintupi-speaking Indigenous Australian artist from Australia's Western Desert region. She was referred to posthumously as Kumentje. The term Kumentje was used instead of her personal name as it is customary among many indigenous communities not to refer to deceased people by their original given names for some time after their deaths. She lived in the communities of Haasts Bluff, Papunya, and later at Kintore, about 50 kilometres (31 mi) north-east of the Lake MacDonald region where she was born, on the border of the Northern Territory and Western Australia.
Shirley Purdie is a contemporary Indigenous Australian artist, notable for winning the 2007 Blake Prize for Religious Art. Purdie was born at Gilburn, or Mabel Downs Station, in Western Australia's Kimberley region in 1948, and is a painter at Warmun Community.
Liz Magor is a Canadian visual artist based in Vancouver. She is well known for her sculptures that address themes of history, shelter and survival through objects that reference still life, domesticity and wildlife. She often re-purposes domestic objects such as blankets and is known for using mold making techniques.
Marita Dingus is an African-American artist who works in multimedia, using found objects.
The Newcastle Art Gallery is a large, public art museum in Newcastle, New South Wales, Australia.
Juno Gemes is a Hungarian-born Australian activist and photographer, best known for her photography of Aboriginal Australians. A performer, theatre director, writer and publisher, Gemes was one of the founders of Australia's first experimental theatre group The Human Body.
Mavis Ngallametta, née Marbunt, was an Indigenous Australian painter and weaver. She was a Putch clan elder and a cultural leader of the Wik and Kugu people of Aurukun, Cape York Peninsula, Far North Queensland. Her work is held in national and state collections, including the National Gallery of Australia, Canberra; Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide and Gallery of Modern Art, Brisbane.
Tjanpi Desert Weavers is a social enterprise of the NPY Women’s Council, representing over 400 women from 26 unique communities in the NPY region. Tjanpi is the Pitjantjatjara word for a type of spinifex grass. The weavers harvest and weave local grasses and some other materials to create handmade works and pieces of art. In producing these works, which mostly consist of baskets, jewellery, beads and fibre sculpture, the enterprise encourages women's employment and economic independence.
Jukuja Dolly Snell was an artist from Western Australia, who won the 2015 Telstra National Aboriginal and Torres Strait Islander Art Award.
Megan Evans is a Melbourne based visual artist known for her works about Australian colonisation. She graduated from Victoria University of Technology with a PhD in 2003. Evans describes herself as an interdisciplinary artist. Her work is held in a number of collections, including the National Gallery of Australia and the Art Gallery of Ballarat. She won the Footscray Art Prize in 2019 for her work, PARLOUR.
Nyapanyapa Yunupingu was an Australian Yolngu painter and printmaker who lived and worked in the community at Yirrkala, Arnhem Land, in the Northern Territory. Yunupingu created works of art that drastically diverge from the customs of the Yolngu people and made waves within the art world as a result. Due to this departure from tradition within her oeuvre, Yunupingu's work had varying receptions from within her community and the broader art world.
The Yarrenyty Arltere Artists are a collective of Indigenous artists from Yarrenyty Arltere Town Camp in Mparntwe in the Northern Territory of Australia, best known for its soft sculptural work.
Rerrkirrwanga Mununggurr is an artist from Arnhem Land, Northern Territory, Australia, renowned for her finally detailed paintings on bark. She is the youngest daughter of the artist Djutjadjutja Munungurr who taught her to paint. In the 1990s Rerrkirrwanga finished some of the works attributed to her father. She now has authority to paint her own stories and her large-scale works on bark are in Australian and international collections.
Narputta Nangala Jugadai (1933–2010) was an Aboriginal Australian artist born at Karrkurutinytja, who later lived at Haasts Bluff (Ikuntji) in the Northern Territory. Her language group was Pintupi/Pitjantjatjara, and her Dreaming was "Snake", "Jangala, Two Men" and "Two Women". She was a senior artist in her community at Ikuntji and prominent among the Ikuntji Women's Centre painters. She was the wife of the painter, Timmy Tjungurrayi Jugadai, and mother of Daisy Jugadai Napaltjarri.
Malaluba Gumana is an Australian Aboriginal artist from Northeast Arnhem Land, who has gained prominence through her work in painting and the production of larrakitj, the memorial poles traditionally used by Yolngu people in mortuary ceremony. Her work is held in collection at the National Gallery of Australia and the Art Gallery of New South Wales. She has won awards in categories for bark painting and three-dimensional work at the Telstra National Aboriginal and Torres Strait Islander Art Awards (NATSIAA). Her work is represented in the Kerry Stokes Larrakitj Collection, which was exhibited by the Art Gallery of Western Australia and also gained an exhibition place at the Sydney Biennale.
Virginia Fraser was an Australian artist, writer, curator and advocate for women artists.
Wukun Wanambi is an Australian Yolngu painter, filmmaker and curator of the Marrakulu clan of northeastern Arnhem Land.
Dhambit Mununggurr is an Yolngu artist known for unique ultramarine blue bark paintings inspired by natural landscapes and Yolngu stories and legends. Her father Mutitjpuy Mununggurr and mother Gulumbu Yunupingu, were both celebrated aboriginal artists, and each won first prizes at the Telstra National Aboriginal & Torress Strait Islander Awards (NATSIAA). After a vehicular accident in 2005, Mununggurr was severely injured but would return to painting in 2010. Since then, she has had several solo exhibitions and participated in one group exhibition.
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