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Nic Collins (potter) | |
|---|---|
| Born | 1958 |
| Nationality | British |
| Occupation | Potter |
| Website | https://www.nic-collins.co.uk/ |
Nic Collins is a woodfire potter who works in Devon, England, on the edge of Dartmoor.
Collins was born in 1958, in Leamington Spa, Warwickshire. He is a self-taught woodfire potter who started building kilns and wheels during his 20s. He experimented with raku, salt glazing, and sawdust firing, using clay sourced from local riverbanks. Collins had formal schooling in ceramics from Derby College of Art from 1985 to 1986 before going to Italy and Germany to work in other studios.
Collins uses stoneware clay thrown on a kick wheel. [1] [2] He finds his aesthetics through imperfections. For example, he claims to have had a crush on a girl because she had a large scar on her face. Collins way of throwing continues with the way he decorates his pots. Through the woodfire process, he creates imperfections by placing pots on their side on top of shells. Collins stated that the process of putting pots on their sides and stacking them, the interesting area of the pots is on the front rather than the bottom.[ citation needed ]
He states that simple pots are beautiful and that medieval pots are some of the most beautiful. He states that pots should be made from the “heart” and not from the “head”. He also said that if you think only about how thin, how stretched, or how light a pot is, then the pot is not necessarily bad, but it makes the pot stiff and people don't want to pick it up. [3]
Pottery is the process and the products of forming vessels and other objects with clay and other raw materials, which are fired at high temperatures to give them a hard and durable form. The place where such wares are made by a potter is also called a pottery. The definition of pottery, used by the ASTM International, is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products". End applications include tableware, decorative ware, sanitaryware, and in technology and industry such as electrical insulators and laboratory ware. In art history and archaeology, especially of ancient and prehistoric periods, pottery often means vessels only, and sculpted figurines of the same material are called terracottas.
Raku ware is a type of Japanese pottery traditionally used in Japanese tea ceremonies, most often in the form of chawan tea bowls. It is traditionally characterised by being hand-shaped rather than thrown, fairly porous vessels, which result from low firing temperatures, lead glazes and the removal of pieces from the kiln while still glowing hot. In the traditional Japanese process, the fired raku piece is removed from the hot kiln and is allowed to cool in the open air.
Pottery and porcelain, is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. Kilns have produced earthenware, pottery, stoneware, glazed pottery, glazed stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were made as early as the Jōmon period, giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics holds within its artistic tradition, owing to the enduring popularity of the tea ceremony.
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Native American pottery is an art form with at least a 7500-year history in the Americas. Pottery is fired ceramics with clay as a component. Ceramics are used for utilitarian cooking vessels, serving and storage vessels, pipes, funerary urns, censers, musical instruments, ceremonial items, masks, toys, sculptures, and a myriad of other art forms.
Studio pottery is pottery made by professional and amateur artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves. Studio pottery includes functional wares such as tableware and cookware, and non-functional wares such as sculpture, with vases and bowls covering the middle ground, often being used only for display. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium.
The anagamakiln is an ancient type of pottery kiln brought to Japan from China via Korea in the 5th century. It is a version of the climbing dragon kiln of south China, whose further development was also copied, for example in breaking up the firing space into a series of chambers in the noborigama kiln.
Puerto Rican Pottery was one of two potteries that established Mid Century Modern Pottery/Ceramics on the Island of Puerto Rico. The pottery operated from 1948–1966 in Santurce, Puerto Rico. It was a small pottery associated with and managed by master potter and ceramicist Hal Lasky.
Maria Poveka Montoya Martinez was a Native American artist who created internationally known pottery. Martinez, her husband Julian, and other family members, including her son Popovi Da, examined traditional Pueblo pottery styles and techniques to create pieces which reflect the Pueblo people's legacy of fine artwork and crafts. The works of Maria Martinez, and especially her black ware pottery, survive in many museums, including the Smithsonian, the Metropolitan Museum of Art, the Denver Art Museum, and more. The Penn Museum in Philadelphia holds eight vessels – three plates and five jars – signed either "Marie" or "Marie & Julian".
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Ceramics in Mexico date back thousands of years before the Pre-Columbian period, when ceramic arts and pottery crafts developed with the first advanced civilizations and cultures of Mesoamerica. With one exception, pre-Hispanic wares were not glazed, but rather burnished and painted with colored fine clay slips. The potter's wheel was unknown as well; pieces were shaped by molding, coiling and other methods,
Clive Bowen is a Devon based potter whose work is included in a number of public collections.
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Juan Quezada Celado was a Mexican potter known for the re-interpretation of Casas Grandes pottery known as Mata Ortiz pottery. Quezada is from a poor rural town in Chihuahua, who discovered and studied pre Hispanic pottery of the Mimbres and Casas Grandes cultures. He eventually worked out how the pots were made with no help from ceramicists or specialists in these cultures. Initial attempts to sell the pots in his area failed, but he did have success with border merchants. These brought the pottery to shops on the U.S. side of the border, where they were discovered by Spencer MacCallum, an anthropologist who tracked Quezada down and helped him break into the larger U.S. market. Quezada’s success in pottery sparked interest in the activity by others in the town and he responded by teaching family and friends. Today there are over 300 families who earn all or part of their income from the pottery. Quezada’s work has been displayed in museums in various countries and in 1999 he was awarded the Premio Nacional de Ciencias y Artes. Despite this, his work was relatively unknown in Mexico during his lifetime.
Dick Lehman is an American ceramics artist based in Indiana. Dozens of articles and photos featuring his techniques and insights have appeared in periodicals and books on ceramic art since 1985, including 34 articles in U.S.-published Ceramics Monthly, the largest circulating magazine in the field, plus articles in 11 other international periodicals.
John Parker Glick was an American ceramicist. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. His experience working with ceramics led him to publish several articles about the craft. In addition to producing pottery, Glick began making "landscape oriented" wall panels during the latter part of his career. Known as "the people's potter," he is primarily remembered for his contributions to art and the field of ceramics.
Dave the Potter: Artist, Poet, Slave is a 2010 picture book written by Laban Carrick Hill. Illustrator Bryan Collier won the Coretta Scott King Award and Caldecott Medal in 2011 for his artwork in the book. It was originally published by Little, Brown and Company.
Black-on-black ware is a 20th- and 21st-century pottery tradition developed by Puebloan Native American ceramic artists in Northern New Mexico. Traditional reduction-fired blackware has been made for centuries by Pueblo artists and other artists around the world. Pueblo black-on-black ware of the past century is produced with a smooth surface, with the designs applied through selective burnishing or the application of refractory slip. Another style involves carving or incising designs and selectively polishing the raised areas. For generations several families from Kha'po Owingeh and P'ohwhóge Owingeh pueblos have been making black-on-black ware with the techniques passed down from matriarch potters. Artists from other pueblos have also produced black-on-black ware. Several contemporary artists have created works honoring the pottery of their ancestors.
Pottery of Sri Lanka is one of the traditional small industries. The pottery industry is distributed almost throughout the country and it has a long history and a tradition.