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Niceaunties | |
|---|---|
| Born | 1981 (age 43–44) Singapore |
| Nationality | Singaporean |
| Known for | Digital art, AI art, installation |
| Website | |
Niceaunties is the pseudonym of a Singapore-based artist and designer whose work incorporates generative artificial intelligence, video, and digital installation. Her practice centers around the figure of the "auntie", a common term for older women in Southeast Asian contexts, and explores themes such as aging, care, domesticity, and gender roles. [1] [2]
Her work has been featured in exhibitions and media platforms including TED, Christie's Art + Tech, Expanded.Art, and publications such as The Guardian , The Straits Times. [3]
Niceaunties was born in 1981 in Singapore. She attributes her inspiration for "auntie culture" to the matriarchal environment and older women of her household, including her grandmother, while growing up. [4] She is also an architectural designer. [1]
The Niceaunties project began in 2023 after she encountered AI-generated images in her work as an architect. [5] It draws inspiration from women in the artist's family and broader Southeast Asian cultural dynamics. Her work often features AI-generated visuals created with tools such as DALL-E, Krea, RunwayML, and SORA. Her imagery and narratives center on the fictional "Auntieverse", which features older women in imagined settings involving community, ecology, and labor. [2] [6]
Her notable works include 'Auntlantis', a five-part video series imagining older women engaged in ocean clean-up and collective ritual, [1] and 'Goddess,' a video created with Sora, featuring a character who gradually forgets her divine identity through years of domestic labor. [3]
In 2024, Niceaunties gave a TED Talk titled The Weird and Wonderful Art of Niceaunties. [3] Journalist Rebecca Ratcliffe, writing for The Guardian , described her work as combining AI with "the surreal and the political," noting her focus on older women as central characters. [1] Her work has also received criticism for being reliant on generative AI, which many feel exploits and steals from traditional artists. [2]