Nicolae Gheorghe Socolescu | |
|---|---|
| Niculae Gheorghe Socol | |
| Born | around 1820 |
| Died | 1872 |
| Resting place | Sfântul Spiridon Church in Ploiești |
| Other names | Nicolae Gh. Socolescu; Nicolae G. Socolescu; Niculae Gheorghe Socol; Niculae Gh. Socol; Niculae G. Socol |
| Citizenship | |
| Alma mater | Architecture in Vienna (but outside of the Academy of Fine Arts Vienna or the Vienna University of Technology). |
| Occupation | Architect |
| Years active | 1846-1872 |
| Spouse | Ioana Săndulescu |
| Children | Toma N. Socolescu, Ion N. Socolescu |
| Parent | G. Streza Socol |
| Practice | Architecture, urban planning, civil construction, painter. |
| Buildings | Europa, Carol and Victoria hotels in Ploiești, manors, villas and stores in the Prahova county. |
| Design | Neoclassical architecture |
Nicolae G. Socolescu (born Niculae Gheorghe Socol) was a 19th-century Romanian neoclassical and baroque architect.
Originally from Transylvania, [e 1] then part of Austria-Hungary, and born in the village of Berivoiul Mare [b 1] [c 1] in the Făgăraș region, he settled in Wallachia (Romania), in the city of Ploiești, along with his four brothers, all builders, around 1840–1846. [a 1] [d 1] He studied architecture in Vienna. [a 2] [d 2] In 1846, he began his career as an architect and master builder. [a 1] [d 1] After leaving the Austro-Hungarian Empire for Romania, he changed his name to Nicolae G. Socolescu upon his arrival in Ploiești. [a 3] [d 3] He became one of the leading architects and builders in Prahova County in the mid-19th century. He died in 1872 [1] and was buried in the courtyard of the Sfântul Spiridon Church in Ploiești. [a 4] [d 4]
The Socol family of Berivoiul-Mare , formerly part of Făgăraș or Țara Făgărașului is a branch of the Socol family of Muntenia, which lived in the county of Dâmbovița. A 'Socol', great boyar and son-in-law of Mihai Viteazul (1557–1601), had two religious foundations in Dâmbovița county, still existing, Cornești and Răzvadu de Sus. He built their churches and another one in the suburb of Târgoviște. This boyar married Marula, daughter of Tudora din Popești, also known as Tudora din Târgșor, [2] sister of Prince Antonie-Vodă. Marula was recognized by Mihai Viteazul as his illegitimate daughter, following an extra-marital liaison with Tudora. Marula is buried in the church of Răzvadu de Sus, where, on a richly carved stone slab, [3] her name can be read.
Nicolae Iorga, the great Romanian historian and friend of Toma T. Socolescu, found Socol ancestors among the founders of the City of Făgăraș in the 12th century. [b 2] In 1655, the Prince of Transylvania George II Rákóczi ennobled an ancestor of Nicolae G. Socol: "Ștefan Boier din Berivoiul Mare, and through him his wife Sofia Spătar, his son Socoly, and their heirs and descendants of whatever sex, to be treated and regarded as true and undeniable NOBLEMEN.", [b 3] in gratitude for his services as the Prince's courier in the Carpathians, a function "which he fulfilled faithfully and steadfastly for many years, and especially in these stormy times [...]". [b 3] [b 4] Around 1846, five Socol [b 5] come to Muntenia, from Berivoiu Mare , in the territory of Făgăraș.
"Five brothers crossed the mountains, all builders, from the Făgăraș region, a village at the foot of the mountains, Berivoiul-Mare , where the name of Socol is still widespread today, and where one of their ancestors is said to have come from Munténie, namely from the region of Târgoviște, which is the home of the Socol family, being to this day, near Târgovişte, Valea lui Socol (the Socol Valley), as well as their two founding churches, in Răzvadu de Sus and Cornești . [a 5] [c 2] "
One of the brothers was architect Nicolae Gh. Socol (??-1872). He settled in Ploiești around 1840-1845, and named himself Socolescu. He married Iona Săndulescu, from the Sfantu Spiridon suburb. He had a daughter (died in infancy) and four sons, [a 6] [c 3] two of whom became major architects: Toma N. Socolescu and Ion N. Socolescu . The lineage of architects continues with Toma T. Socolescu, and his son Toma Barbu Socolescu.
The historian, cartographer and geographer Dimitrie Papazoglu evokes, in 1891, [e 2] the presence of Romanian boyars of the first rank Socoleşti, in Bucharest, descendants of Socol from Dâmbovița. Finally, Constantin Stan also refers, in 1928, to the precise origin of Nicolae Gheorghe Socol :
"At the foot of the Carpathians, on the right bank of the stream of the same name, lies the commune of Berivoiul-Mare [...], one of the oldest villages in the Olt household [...]. The inhabitants are composed of serfs and former boyars. [...], and the Romanian boyar families were: Socol, Boyer, Sinea and Răduleț, soldiers with border guard privileges.[...] The G. Streza Socol family gave birth to Nicolae Socol, a graduated architect from Vienna, who settled in the town of Ploeşti with several of his brothers around the middle of the last century. [e 3] "
| Niculae Gheorghe Socol (~1820-1872)architect and builder in Ploiești | Ioana Săndulescu | ||||||||||||||||||||||||||||||||||||||||||||||||
| Alexandrina Nicolau (1860–1900) | Toma N. Socolescu (1848–1897) architect and builder in Ploiești | Nicolae N. Socolescu timber merchant | Ghiță N. Socolescu artist painter, dead during his graduate studies | Ion N. Socolescu (1856–1924) architect | |||||||||||||||||||||||||||||||||||||||||||||
| Florica Tănescu (1887-1969) | Toma T. Socolescu (1883–1960) professor-architect | Florica T. Socolescu | Smaranda T. Socolescu | Ioan T. Socolescu | Coralia-Ioana-Margareta T. Socolescu | ||||||||||||||||||||||||||||||||||||||||||||
| Mircea Socolescu (1907–1978) settled in France in 1945, married without children | Toma Gheorghe Barbu Socolescu (1909–1977) professor-architect | Irena Gabriela Vasilescu (1910–1993) artist painter, teacher | |||||||||||||||||||||||||||||||||||||||||||||||
| Mihai Ștefan Marc Socolescu (1942–1994) teacher | Maria Lois (1942-2021) teacher | ||||||||||||||||||||||||||||||||||||||||||||||||
| Laura Socolescu (1967) settled in France – artist-choreographer, dancer | |||||||||||||||||||||||||||||||||||||||||||||||||
The period when Socol settled in Wallachia corresponds to a political and cultural will, widely shared across the country, to move closer to the West and distance itself from Eastern culture. A genuine desire to assimilate Western values permeated Romanian society. Architecture was one of the most visible expressions of this shift. The demand for Neoclassical or Baroque constructions, styles popular in Western Europe, quickly prevailed over others. [4] This was reinforced by the favorable context of a city undergoing rapid economic and commercial growth, with the construction of the first factories and oil refineries. [e 4]
Applying the concepts and style he learned during his architectural studies in Vienna, Socol’s works are neo-classical and neo-Gothic but also eclectics. [c 4] He was the first Romanian architect to settle in Ploiești, practicing architecture in the region for 30 years as early as 1840. [a 7] [d 5] Most of the architects working in Romania at the time were foreigners [e 5] often from Transylvania, and few reached the level of the foreign architects brought in by the princes and rulers of the epoch. [a 2] [d 2] The first architectural training in the country dates only from 1864, with the creation of the Architecture section within the School of Fine Arts, a section founded by architect Alexandru Orăscu. [a 8] [d 6] The architect responded to a strong demand for Westernization and also for the transformation of traditional inns (han) into more comfortable houses with upper floors, or even high-end hotels. He also built numerous shops and stores for the merchants of Ploiești. He was also one of the founders and builders of the Sfântul Spiridon Church, in the suburb near the city center, where he lived. [c 5] [d 7]
| Niculae Gh. Socol's hotels. |
The building was still intact in 1938. Damaged by the 1944 American bombings of 1944, it was rebuilt in a completely different style to the original (without decorations and with an additional storey). It was eventually demolished in the 1950s, and replaced by a seven-storey, unstyled Communist housing block. [f 3]"A native of Transylvania, he was a leading merchant on the strada Lipscani; a religious man, he closed his store during religious services on Sundays and public holidays, and was highly regarded by his fellow citizens. The building is still preserved in its original shape."
Half of it was later destroyed for another construction. It no longer exists today."It was one of the most successful and most representative examples of this so-called Austrian style, yet bearing the distinct influence of Northern Italian architecture: a neo-Gothic design, with intricate and refined ornamentation, both beneath the cornices and in the tympana of the arches. It truly deserved to be preserved, especially as it remained in excellent condition.". [a 7] [d 5]
| Niculae Gh.Socol's inns. |
The absence of archives and written records in the 19th century makes it difficult to attribute certain works. [e 6] However, the work of Toma T. Socolescu in his historical study on the architecture of Ploiești, and particularly his research around 1937 in the archives of the city court and the town hall, [a 17] aimed at finding conclusive elements on the old constructions, allows for the attribution of other works to the architect. The author of the study, a keen expert on Romanian architecture from the 18th century onwards, [12] analyzes the style of the buildings and relies on testimonies from descendants: [a 2] [d 2]
"Based on their architecture, the period in which they were built, and the statement of the elderly man V. Pitişi, son of Hagi N. Pitişi, I can confidently affirm that these two inns, which are undeniably designed by the same architect, as well as the Moldavia hotel building, the I. Radovici house as it was (now the Carol hotel), the house of brothers I. and G. Radovici (now the Europa hotel), restored by myself, the former Victoria hotel (Fig. 65), once owned by Tane and Panait Tănescu, the former Panaiote Filitis house on Calea Câmpinii, later owned by D. D. Hariton, also on calea Câmpinii, [6] the Petrache Filitis house, later owned by N. Rășcan, the Sfântul Spiridon Church, the row of shops of P. P. Panțu, now transformed into a façade, formerly owned by Hagi Jecu, and many others in the same style and period, were all built — both the plans and the execution, as was customary at the time — by Nicolae G. Socolescu (originally Socol), architect.”. [13]
We can thus list the works attributed to Nicolae Gheorghe Socolescu by Toma T. Socolescu:
| Hanul Călugăru. |
Influenced by Austrian classical and baroque styles that he observed in Vienna, Nicolae G. Socolescu remains a neoclassical architect. [e 8] In Romania, within the architectural world, he is among the first active Romanian architects of the 19th century. He contributed to the country's modernization movement in architecture and civil construction. [e 9] Like many of his contemporaries, all trained in Western Europe, he introduced to Romania what he had seen and learned during his stay in Vienna. Western styles, culturally distinct—neoclassical, Neoclassical, Baroque, Italian or Neo-Gothic were highly sought after by the merchants of Prahova, his primary clients, who were also eager to Westernize [e 10] and detach themselves from the oriental influence, particularly that of their former protector, the Ottoman Empire, from which the country was then in the process of liberating itself. Socol left his mark on Ploiești with his style for nearly 100 years (1846 to 1944), and his work, exemplified by the Carol Hotel, remained visible until 1980, before the communist systematization under Ceaușescu.
Unfortunately, nearly all of his works were destroyed or radically altered over time, [e 11] due to the tragic events that Romania had to endure and the modernizations of the 20th century. The construction of the Central Market Halls (1929-1935) first required the demolition of some of his works. [e 12] It was the American bombings of 1944 that destroyed a significant portion of his creations, many of which were still standing at the time. Finally, the communist systematization delivered the final blow, erasing almost all visible traces of his architectural work. [e 7] The only remaining example is the building of the former 'Călugăru' inn in Ploiești. [14]
However, Socol laid the foundations for the creative and innovative work of his descendants: Toma N., Ion N. and then Toma T. Socolescu. His financial stability also provided a stepping stonee [e 7] for his two sons, who continued his architectural legacy: Ion N. Socolescu and Toma N. Socolescu, and made a significant impact on Romanian architecture. [15]
| Niculae Gh.Socol's stores. |
"My grandfather, Nicolae Gh. Socolescu, also an architect, having finished his studies in Vienna, was a descendant of a family that, through a distant ancestor, had obtained a noble rank, in 1655, from G. Rakoczy. The original document written in calfskin, in Latin, with gold letters and the family emblem in colors, laced and bearing the princely seal in red wax, is in the possession of Major S. Socol, former mayor of the city of Făgăraș, where he lives." (Translated from Romanian)
"N. G. Socolescu (Socol, in Ardeal) came to Muntenia from the Berivoiu Mare commune, located at the foot of the mountains in the Făgăraș region, and settled in Ploiesti, together with his five other brothers, - around the revolution, around 1846, - namely in Sf. Spiridon outskirts. During my childhood and until later, there was his house in Culea Căleni, a ground-floor house, square-shaped, set back from the street and surrounded by a garden. He married Ioana, born Săndulescu, from the same suburb, and his name appears among the founders in the parish registers; and as was customary at the time, I believe he was also buried there - although the searches I made were unsuccessful - in 1872." (Translated from Romanian)
Foreign architects, engineers, and craftsmen played an important role in the history of the modernization of the Principalities.(Translated from Romanian).
Among the few Romanian architects active in the first half of the 19th century were: in Moldova, Gh. and D. Asachi, Al. Costinescu, and in Muntenia, Nicolae G. Socolescu, à Ploiești, Jupân Ioniță and Vitul in Bucharest, Alexandru Orăscu, with studies in Berlin and Munich. In 1843, the architect of the city of Ploiești was the Swiss Johann Schlatter, and in 1847, the city's architect was the Austrian Karl Hartel, the author of the first building of the courthouse, police and fire department pavilion, designed in neoclassical style.