Magical Mystery Tour is an album by the English rock band the Beatles that was released as a double EP in the United Kingdom and an LP in the United States. Produced by George Martin, it includes the soundtrack to the 1967 film of the same name. The EP was issued in the UK on 8 December 1967 on the Parlophone label, while the Capitol Records LP release in the US occurred on 27 November and featured eleven tracks with the addition of songs from the band's 1967 singles. The first release as an eleven-track LP in the UK did not occur until 1976.
An extended play record, often referred to as an EP, is a musical recording that contains more tracks than a single, but is usually unqualified as an album or LP. Contemporary EPs generally contain a minimum of three tracks and maximum of six tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of vinyl records other than 78 rpm standard play (SP) and LP, but it is now applied to mid-length CDs and downloads as well.
This is the discography of Apple Records, a record label formed by the Beatles in 1968. During its early years, the label enjoyed a fair degree of commercial success, most notably with Mary Hopkin and Badfinger, as well as discovering acts such as James Taylor and Billy Preston who would go on to greater success with other labels. However, by the mid-1970s, Apple had become little more than an outlet for the Beatles' solo recordings. After EMI's contract with the Beatles ended in 1976, the Apple label was finally wound up. The label was reactivated in the 1990s with many of the original Apple albums being reissued on compact disc, and the company now oversees new Beatles releases such as the Anthology and 1 albums as well as the 2009 Beatles remastering programme. In 2010, Apple set about remastering and reissuing its back catalogue for a second time.
A double album is an audio album which spans two units of the primary medium in which it is sold, typically records and compact disc. A double album is usually, though not always, released as such because the recording is longer than the capacity of the medium. Recording artists often think of double albums as comprising a single piece artistically; however, there are exceptions such as John Lennon's Some Time in New York City and Pink Floyd's Ummagumma and OutKast's Speakerboxxx/The Love Below. Another example of this approach is Works Volume 1 by Emerson Lake and Palmer, where side one featured Keith Emerson, side two Greg Lake, side three Carl Palmer, and side four was by the entire group.
Carry on up the Charts: The Best of The Beautiful South is an album by English Alternative rock band The Beautiful South. It is the group's fifth album and their first greatest hits collection. It was a major commercial success, reaching number one in the UK Albums Chart and going on to become the second biggest selling album of 1994.
''Läther'' is the sixty-fifth official album by Frank Zappa, released posthumously as a triple album on Rykodisc in 1996.
Extremities, Dirt and Various Repressed Emotions is the eighth studio album by English rock band Killing Joke, recorded in August 1990 and released in November 1990 by record label Noise. This is the only Killing Joke album to feature drummer Martin Atkins.
The Rest of New Order is a remix album by New Order released in August 1995 by Qwest/London Records.
The Bags are a hard rock/punk rock band from Lexington, Massachusetts — formed in 1985 — and are not to be confused with Bags, a punk rock band formed in 1977. The band is composed of members Jon Hardy, Jim Janota, and Crispin Wood. Though a couple of early recordings were released on the Crawling from Within multi-artist compilation, their debut album, entitled Rock Starve, was released in 1987. An article by Charles M. Young written in Playboy magazine best describes the band's sound: "The Bags fall somewhere among the Ramones, Hüsker Dü, and early KISS. Their debut, Rock Starve, consists of thrilling guitar-bash riffs that pound like the sound of a herd of giant woolly mammoths going over a cliff, just enough melody rasping though shredded vocal cords and lyrics wholly unbesmirched by any panty-waist college-poetry influence."
Star Wars is the soundtrack album to the 1977 film Star Wars, composed and conducted by John Williams and performed by the London Symphony Orchestra. Williams' score for Star Wars was recorded over eight sessions at Anvil Studios in Denham, England on March 5, 8–12, 15 and 16, 1977. The score was orchestrated by Williams's frequent associate Herbert W. Spencer, who also later orchestrated the scores for The Empire Strikes Back and Return of the Jedi. The score was recorded by engineer Eric Tomlinson and edited by Kenneth Wannberg, and the scoring sessions were produced by Star Wars director George Lucas and supervised by Lionel Newman, head of 20th Century Fox's music department.
The score from The Empire Strikes Back, composed by John Williams, was recorded in eighteen sessions at Anvil Studios over three days in December 1979 and a further six days in January 1980 with Williams conducting the London Symphony Orchestra. Between Star Wars and The Empire Strikes Back, Williams had also worked with the London Symphony Orchestra for the scores to the films The Fury, Superman and Dracula. The score earned another Academy Award nomination for Williams. Again, the score was orchestrated by Herbert W. Spencer, recorded by engineer Eric Tomlinson and edited by Kenneth Wannberg with supervision by Lionel Newman. John Williams himself took over duties as record producer from Star Wars creator George Lucas.
Robotech music consists of the musical scores written for the original 1985 Robotech television series and its various sequels and spinoffs, including Robotech video games. The recognizable original themes were composed by Ulpio Minucci and orchestrated by Arlon Ober. Other composers include:
Whoops! There Goes the Neighbourhood was The Blow Monkeys' 1989 follow-up album to She Was Only A Grocer's Daughter, released two years before.
Charlie Parr is an American country blues musician. Born in Austin, Minnesota, he spent part of his childhood in Hollandale before starting his music career in Duluth. His influences include Charlie Patton, Bukka White, Reverend Gary Davis, Dave Van Ronk, and Mississippi John Hurt. He plays a Mule resonator, National resonator guitar, a fretless open-back banjo, and a twelve-string guitar, often in the Piedmont blues style. He is married to Emily Parr, who occasionally adds vocals to his music. He has two children.
Press the Eject and Give Me the Tape is a live album by the British gothic rock band Bauhaus, released in 1982 on Beggars Banquet Records, and recorded in London and Liverpool in 1981 and 1982.
Back from the Grave is a series compilation albums of 1960s garage rock created and compiled by Tim Warren and released by Crypt Records. The series originally consisted of eight LP records released between 1983 and 1992. Volumes seven and eight were double albums. Starting in 1994, the series was reissued on compact disc. Due to the longer playing times offered by CDs, the first seven volumes were contained on four discs, save for a few tracks that were omitted. And, while all of the songs on the first four CDs are included on first seven vinyl albums, they do not necessarily correspond to the individual LPs bearing their same titles. However, the Volume 8 CD corresponds almost directly its LP double-LP counterpart, but with the addition of four bonus tracks not included on the LP. The eight vinyl albums are titled consecutively "Back from the Grave, Volume 1, Volume 2, Volume 3, Volume 4, Volume 5, Volume 6, Volume 7, Volume 8, Volume 9, and Voume 10". In similar fashion the five CDs are titled "Back from the Grave, Volume 1, Volume 2, Volume 3, Volume 4, Volume 8, and Volumes 9 & 10". There are no volumes 5, 6, or 7 for the CDs. Two separate LPs for Volume 9 and 10 were released in 2015 as well one CD, released the same year, which combines Volumes 9 and 10 onto one double-length disc.
Living in the Past is a double album quasi-compilation collection by Jethro Tull, which contains album tracks, out-takes, the "Life's a Long Song" EP, and all of their non-LP singles except for "Sunshine Day"/"Aeroplane" (1968), "One for John Gee", "17" and the original version of "Teacher" that appeared in the UK as the b-side of "The Witch's Promise" in 1969.
Soul Meeting is the second studio album by Ray Charles and Milt Jackson, recorded in 1957 and released in 1961 on Atlantic Records. The album was later re-issued together with the other Charles–Jackson recording, Soul Brothers, on a 2 CD compilation together with other 'bonus' tracks from the same recording sessions.
I Saw Her Standing There is a bootleg compilation album by the English rock band the Beatles. Available as both a 2-CD and a 2-LP set, it is a collection of their early recordings, featuring songs from the band's Decca audition and performances from the Cavern Club, as well as their first ever radio interview. The album also includes the instrumental track "Cry for a Shadow", the only Beatles composition to be credited to "Harrison/Lennon".
Horace Silver Trio and Art Blakey - Sabu is a 1955 compilation album, featuring, primarily the Horace Silver Trio, but also includes two percussion-centric tracks featuring drummer Art Blakey and conga player Sabu. The tracks on this album are compiled from three sessions which were Silver's first as a leader. Originally released as an LP, it has subsequently been reissued on CD several times, including additional tracks not present on the original LP.
