Nina Zimmer (born 1973) is a German art historian who is director of the Zentrum Paul Klee and the Museum of Fine Arts Bern. [1] [2] [3]
Zimmer was born in 1973. She studied art history, Romance languages and media studies in Bordeaux, Göttingen, Münster and Hamburg.
In 2001 she was at the University of Göttingen with a thesis on art collectives around 1960 PhD. From April 2001 to August 2002 Zimmer was a scholarship holder of the state of Lower Saxony at the Central Institute for Art History in Munich. She then volunteered room at the Kunsthalle Hamburg.
From 2006, Zimmer was curator for nineteenth-century art and classical modernism at the Kunstmuseum Basel and vice-director for two years. In August 2016 she took over the management of the Kunstmuseum Bern, and at the same time she became the director of the Zentrum Paul Klee in a dual function.
Prior to her museum career in 2002 she was a guest lecturer at the Department of Art History University of Chicago and in 2004 Visiting Professor of Western art theory at Korea National University of Arts in Seoul, South Korea. Her field of research is the art of the 19th and 20th centuries.
Paul Klee was a Swiss-born German artist. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures Writings on Form and Design Theory, published in English as the Paul Klee Notebooks, are held to be as important for modern art as Leonardo da Vinci's A Treatise on Painting was for the Renaissance. He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture in Germany. His works reflect his dry humor and his sometimes childlike perspective, his personal moods and beliefs, and his musicality.
Harald Szeemann was a Swiss curator, artist, and art historian. Having curated more than 200 exhibitions, many of which have been characterized as groundbreaking, Szeemann is said to have helped redefine the role of an art curator. It is believed that Szeemann elevated curating to a legitimate art form itself.
Daubigny's Garden, painted three times by Vincent van Gogh, depicts the enclosed garden of Charles-François Daubigny, a painter whom Van Gogh admired throughout his life.
Bethan Huws is a Welsh multi-media artist whose work explores place, identity, and translation, often using architecture and text. Her work has been described as "delicate, unobtrusive interventions into architectural spaces".
The Kunstmuseum Basel houses the oldest public art collection in the world and is generally considered to be the most important museum of art in Switzerland. It is listed as a Swiss heritage site of national significance.
Hermann Scherer was a German-speaking Swiss Expressionist painter and sculptor.
Karl Aegerter was a prolific Swiss painter, draftsman, etcher, muralist, illustrator, designer and sculptor. Now in numerous private and public collections, Aegerter's works are often likened to those of Edvard Munch.
The Museum of Fine Arts Bern, established in 1879 in Bern, is the museum of fine arts of the de facto capital of Switzerland.
Thea Djordjadze is a contemporary German-Georgian artist based in Berlin, Germany. She is best known for sculpture and installation art, but also works in a variety of other media.
Dorothy M. Kosinski is an American scholar of nineteenth and twentieth-century art, curator and the former director (2008--2023) of The Phillips Collection, an art museum in Washington, D. C.
Beatrice "Bice" Curiger is a Swiss art historian, curator, critic and publisher who has been the Artistic Director of the Fondation Vincent van Gogh Arles since 2013. In 2011 she became only the third woman to curate the Venice Biennale.
David Fried is an American interdisciplinary, contemporary artist.
Bettina Baumgärtel is a German art historian who is head of the painting collection of the Museum Kunstpalast in Düsseldorf. She is a leading authority on the art of Angelica Kauffman and founded the Angelika Kauffmann Research Project (AKRP), of which she is the director, in 1990.
Limits of Reason is a 1927 painting by Paul Klee (1879-1940). It is in the permanent collection of the Pinakothek der Moderne—Pinakothek of modern art—in central Munich's Kunstareal.
Villa R is an oil-on-carton painting from 1919 by the Swiss-born German artist Paul Klee.
Jaq Chartier is an American visual artist. Chartier gained recognition for her Testing series, abstract paintings that are also active visual records of Chartier's tests of her materials - how they migrate and change in reaction to each other, sunlight, and the passage of time.
Jean-Christophe Ammann was a Swiss art historian and curator.
In 1939 the Gallery Fischer in Lucerne organized an auction of degenerate art confiscated by the Nazis. The auction took place on 30 June 1939 in the Grand Hotel National. The auction received considerable international interest, but many of the bidders who were expected to attend were absent because they were worried the proceeds would be used by the Nazi regime.
Poppy Field is an 1890 painting by the Dutch artist Vincent van Gogh, painted around a month before his death during his stay in Auvers-sur-Oise, France. It has been described as "a composition that verges on the abstract" and shows marked difference from a 1888 painting of the same subject that now is in the Van Gogh Museum, in Amsterdam. Spending many years in Germany, the painting now hangs in the Kunstmuseum, in The Hague.