No More Parades (novel)

Last updated

No More Parades
No More Parades 1st Edition Cover.jpg
Author Ford Madox Ford
Series Parade's End
PublisherA. & C. Boni
Publication date
1925
Pages309 pp.
OCLC 681214
Preceded by Some Do Not …  
Followed by A Man Could Stand Up —  

No More Parades is the second novel of Ford Madox Ford's highly regarded tetralogy about the First World War, Parade's End . It was published in 1925, and was extraordinarily well-reviewed. [1]

Contents

Summary by Chapter

Part I

Image of a soldier from the book's inside title No More Parades - Title.png
Image of a soldier from the book's inside title

Part I deals, primarily, with Captain Christopher Tietjens at work.

I.i. The novel opens with Captain Christopher Tietjens, ably helped by Sergeant-Major Cowley, trying to move a draft of 2,994 troops, among them a contingent of Canadian railway workers, from a base camp in Rouen to the trenches at the front. His efforts are blocked by having orders given and then countermanded; by having inadequate supplies for these troops from a quartermaster who profits by holding them back; by contending with a French railway strike meant to prevent the withdrawal of British troops from the front but which also prevents them from being sent to the front; and by fighting the interference of the British Garrison Police, who constantly harass the Canadian volunteers whom they willfully and mistakenly take for conscripts. Moreover, General Lord Edward Campion, Tietjens’ godfather, has assigned to his godson's staff the shell-shocked and intermittently mad, though highly decorated, Captain McKechnie, a classical scholar and proud of it. He has just returned from divorce-leave without getting a divorce. All this while Tietjens’ hut is being shelled by the Germans, whose shrapnel kills O Nine Morgan. He bleeds to death in Tietjens' arms—Morgan a Welsh soldier whom Tietjens had declined leave to settle matters with his unfaithful wife in Pontardulais because he would have been beaten to death there by her lover, Red Evans Williams, a prize-fighter.

I.ii. The "All-clear" signal is sounded: the German attack is over. Morgan's and McKechnie's marital troubles trigger Tietjens' brooding on his own as he recalls his "excruciatingly unfaithful" wife, Sylvia. Tietjens tries to distract McKechnie and steady his own mind by writing a sonnet for McKechnie to translate into Latin. While composing the sonnet, Tietjens attends to the problems of his draft, helping the soldiers to write their wills among other things. In the midst of intense occupation with these matters, Colonel Stanley Levin from General Campion's staff arrives and insists on speaking privately to Tietjens, who presumes, incorrectly, that Levin wants his advice on the problems he is having with his fiancée, Mlle de Bailly, and her family. But he actually wants to talk to Tietjens about another woman altogether—one who is waiting in the general's car to see the captain. Thoughts about Levin's fiancée lead Tietjens to thoughts about Valentine Wannop, whom he loves totally but neglects completely, refusing to write to her while married to Sylvia. But when a Canadian soldier requests two hours leave to visit with his mother, who has come to Rouen, Tietjens thinks of having two such hours with Valentine. Consequently, military work that urgently needs doing is interfered with by forces both personal and impersonal. This becomes more urgently the case when Levin tells Tietjens that the woman in the general's car who is waiting to see him is Sylvia herself, who has pursued him across the Channel without passport or papers.

I.iii. Levin offers to help Tietjens with his problems, which disgusts Tietjens completely: he would “rather be dead than an open book”—that is, rather be dead, as O Nine Morgan is, than expose his marital life to the small world that surrounds him. But Tietjens privately rehearses for himself his relationship with Sylvia, trying to organize events as a military report so as to clarify everything precisely for himself. In writing out his recollections, he in effect gives a summary of events that took place in Some Do Not . . . . He focuses particularly on Sylvia's parting from him some ninety-eight days ago by ordering a taxi to take her to Paddington Station at 4:00 a.m. to catch a train to Birkenhead where she will enter into a nearby convent of Premonstratensian nuns for a long, if not a permanent, retreat. This to Tietjens is a sign that she is putting an end to their marriage and that he is free to pursue Valentine, whom Sylvia has contrived to have meet him the night before he leaves for France. Tietjens has time to reminisce on these matters because, although Sylvia had been waiting in the general's car to see him, she has had herself driven away without saying a word to her husband.

I.iv. Tietjens gets his Canadian soldiers bedded down for the night, feeling at the same time a strong passion for his girl and his country. These things get done in the face of what Levin tells Tietjens about the problems that Sylvia has caused General Campion, who will not stand for having “skirts” in his encampment. He hears more about troubles with women from McKechnie, who keeps him awake until 4:30 a.m. talking about his marital problems. Tietjens nevertheless gets his draft bedded down, even as he sees more trouble brewing with General O’Hara's police who deliberately keep some of his Canadian volunteers from getting back to base on time and then arrest them. In addition, he learns that Lord Beichan, a newspaper magnate, has placed a Veterinary-Lieutenant Hochkiss in charge of “hardening” horses, and Tietjens will not stand for such brainless brutality. Consequently, with troubles developing all round him, it becomes clear to Tietjens that even though he has done better work commanding his unit than any of his peers commanding theirs and even though he is ill with bad lungs, his being sent to the front to face almost certain death seems inevitable. And over all this worry for Tietjens "hung the shadow of a deceased Welsh soldier". Part I, therefore, ends as it began: with the death of O Nine Morgan.

Part II

Part II deals, principally, with the machinations of Sylvia Tietjens.

II.i. Although she has made an appearance in I.ii, where she is seen looking through the window of General Campion's automobile, Sylvia Tietjens is fully present and dominates this chapter by commanding all around her by her stunningly beautiful presence in "the admirably appointed, white-enamelled, wickerworked, bemirrored lounge of the best hotel" in Rouen. She has come to France without proper documentation in the company of Major Perowne (Major Wilfrid Fosbrooke Eddicker Perowne) of General Campion's staff, one of her more incompetent lovers, convinced that the war is a schoolboys' game played to seduce and rape women. Throughout the chapter Perowne is in her presence both urging Sylvia to leave her bedroom door open for him that night and fearing the appearance of Tietjens, whom he sees in a mirror, and who could easily, as Sylvia says, break his back over his knee. Sylvia's supposed purpose in coming to Rouen is to have Christopher sign a document, which requires no signature, that gives her the legal right to live at Groby, his family's ancestral home in Yorkshire, and makes their son Michael successor to it. But her real purpose in coming to Rouen is to seduce Christopher with whom she has not slept in five years. But Tietjens' interest in Sylvia disappeared with her speaking the word "Paddington" loudly to her taxi driver, which signaled her disappearance into the convent near Birkenhead as well as her intention of separating from him. Christopher's mind and heart have now settled on Valentine Wannop, who had agreed to be his lover at the end of Some Do Not . . . although they have never even kissed.

II.ii. Perowne having "melted away", Sylvia is now in the presence of Christopher and former Sergeant-Major Cowley, who has just been promoted to Lieutenant, and whose promotion Tietjens insists on celebrating with him. Along with settling the Groby affair with Sylvia and with honoring Cowley's promotion, Tietjens is shown as having earlier in the day attended to pressing problems even as he now attends to a series of questions that others have failed to answer. For instance, Levin's marriage to Mlle de Bailly had been stalled by a "disagreeable duchess" who objected to the price of coal for her hothouses, which Christopher solved by having coal from his own estate sent to her at the pit price it sold for on the day before the war began. General Campion is equally amazed at Tietjens' "positive genius for getting all sorts of things out of the most beastly muddles" and his "positive genius for getting into the most disgusting messes". Sylvia tries to make things worse for Christopher by telling Campion that her husband is a Socialist who wants to model his life on that of Jesus Christ, which leads Campion to say he will have Tietjens court-martialed—a decision that he later realizes is unwarranted. Sylvia further complicates her husband's life by flirting with General O'Hara, who foolishly thinks that she is inviting him to be her lover.

Part III

Part III deals with General Lord Edward Campion sitting in judgment of the previous events.

III.i. Colonel Levin, acting for General Campion, speaks to Tietjens, whom General O'Hara has placed under arrest, about events of the early hours of the morning—events that took place about 3:00 a.m. Tietjens had thrown Perowne bodily out of Sylvia's bedroom and had also ejected O'Hara from it as he insisted on seeing her partially naked. He has also threatened O'Hara with arrest if he did not leave their rooms immediately. Tietjens explains the circumstances of these events clearly to Levin for the general's benefit. Although he does not say so, it is evident that Sylvia created this debacle: she has, in the phrase of the novel, "pulled the string of a shower-bath" to give Tietjens a dousing. Meanwhile, Campion has temporarily suspended O'Hara as chief of the Garrison Police and has given Perowne a choice between rejoining his regiment at the front or a court-martial. Moreover, he has released Tietjens from arrest to resume his duties. But in spite of these confusing and exhausting events, Christopher has got his draft off to the front early that morning, proving once again his extraordinary competence as a commanding officer.

III.ii. Judgment Day is at hand, and General Lord Edward Campion is the judge. He begins and ends the day in the image of the Godhead. Events in the novel have taken place for two days in the darkness of night; now everything is seen brightly in the light of day so that judgment can be accurately rendered. This chapter begins where the novel itself began in Tietjens' hut where 0 9 Morgan died. Campion gets everything straight about Christopher and Sylvia. Nevertheless, his only choice is to "promote" Christopher to "certain death" by sending him to General Perry's army at the front. He cannot put Tietjens on his staff because that would smack of nepotism; he cannot assign him as a liaison officer to the French army because the lies written in his dossier by Colonel Drake, Sylvia's former lover, who accused him of being a French spy, prevent it; he cannot assign him to Transport, as his brother Mark requested, because Christopher would then be answerable to Veterinary-Lieutenant Hotchkiss, who brutalizes horses under the orders and protection of Lord Beichan. Tietjens therefore gets the same treatment as Perowne: a choice between court-martial or the trenches. He refuses to ask for a court-martial that would show his innocence because it would publicly show Sylvia's guilt; so he must go to the front. With these matters settled, the novel ends with the Godhead inspecting Tietjens’ cook-houses, presented as a cathedral, where Sergeant-Cook Case presides as high priest. This ending is projected as a funeral, Tietjens' funeral—"the band and drums march[ing] away". Christopher Tietjens' parade as the gentleman-husband of a virtuous wife is over and done with. There can be no more parades of that kind anymore.

Related Research Articles

<span class="mw-page-title-main">Maureen O'Hara</span> Irish-American actress and singer (1920–2015)

Maureen O'Hara was an Irish-born naturalized American actress and singer, who became successful in Hollywood from the 1940s through to the 1960s. She was a natural redhead who was known for playing passionate but sensible heroines, often in Westerns and adventure films. She worked with director John Ford and long-time friend John Wayne on numerous projects.

<i>Appointment in Samarra</i> 1934 novel by John OHara

Appointment in Samarra, published in 1934, is the first novel by American writer John O'Hara (1905–1970). It concerns the self-destruction of the fictional character Julian English, a wealthy car dealer who was once a member of the social elite of Gibbsville. The book created controversy due to O'Hara's inclusion of sexual content.

<i>Parades End</i> Tetralogy of novels by Ford Madox Ford

Parade's End is a tetralogy of novels by the British novelist and poet Ford Madox Ford, written from 1924 to 1928. The novels chronicle the life of a member of the English gentry before, during and after World War I. The setting is mainly England and the Western Front of the First World War, in which Ford had served as an officer in the Welch Regiment, a life he vividly depicts. The individual novels are Some Do Not ... (1924), No More Parades (1925), A Man Could Stand Up — (1926) and Last Post (1928).

<i>Promises, Promises</i> (musical) Broadway musical (1968-1972)

Promises, Promises is a musical with music by Burt Bacharach, lyrics by Hal David and a book by Neil Simon. It is based on the 1960 film The Apartment written by Billy Wilder and I. A. L. Diamond. The story concerns a junior executive at an insurance company who seeks to climb the corporate ladder by allowing his apartment to be used by his married superiors for trysts.

<span class="mw-page-title-main">Lisa Grimaldi</span> Soap opera character

Lisa Grimaldi is a fictional character from the CBS soap opera, As the World Turns. The character was portrayed by Eileen Fulton for 50 years from May 1960, until the last episode aired in September 2010, with Fulton becoming one of the longest-serving soap opera actors in the United States. Lisa is considered to be the first soap "vixen" and was one half of the first ever super couple, Bob and Lisa Hughes.

<i>The Long Gray Line</i> 1955 film by John Ford

The Long Gray Line is a 1955 American Cinemascope Technicolor biographical comedy-drama film in CinemaScope directed by John Ford based on the life of Marty Maher and his autobiography, Bringing Up the Brass, co-written with Nardi Reeder Campion. Tyrone Power stars as the scrappy Irish immigrant whose 50-year career at West Point took him from a dishwasher to a non-commissioned officer and athletic instructor.

<i>Penelope</i> (2006 film) 2006 British film

Penelope is a 2006 British-American fantasy romantic comedy film directed by Mark Palansky and starring Christina Ricci, James McAvoy, Catherine O'Hara, Peter Dinklage, Richard E. Grant, and Reese Witherspoon. The film tells the story of the titular Penelope Wilhern, who was born with the snout of a pig due to a curse that was placed on her family by a vengeful witch.

<i>Cats Cradle: Warhead</i> 1992 novel by Andrew Cartmel

Cat's Cradle: Warhead is an original novel written by Andrew Cartmel and based on the long-running British science fiction television series Doctor Who. It features the Seventh Doctor and Ace. This novel is the second book in the Cat's Cradle sequence, and also forms the first part of a trilogy of novels by Cartmel, the others beings Warlock and Warchild.

<i>The Black Swan</i> (film) 1942 film by Henry King

The Black Swan is a 1942 American swashbuckler Technicolor film directed by Henry King and starring Tyrone Power and Maureen O'Hara. It was based on the 1932 novel of the same title by Rafael Sabatini.

<i>Only the Lonely</i> (film) 1991 film by Chris Columbus

Only the Lonely is a 1991 American romantic comedy-drama film written and directed by Chris Columbus, produced by John Hughes, and stars John Candy, Maureen O'Hara, Ally Sheedy and Anthony Quinn. The film is a comedic take on the premise established in the 1953 television play Marty and the 1955 film Marty, while the title comes from the song "Only the Lonely" by Roy Orbison. The story follows a bachelor who is looking to settle down and start a family with a mortuary beautician, while coping with his controlling mother who wants him all to herself.

<i>To the Shores of Tripoli</i> 1942 film by H. Bruce Humberstone

To the Shores of Tripoli is a 1942 American Technicolor film directed by H. Bruce Humberstone and starring John Payne, Maureen O'Hara and Randolph Scott. The film was produced by Darryl F. Zanuck. Its cinematography was nominated for an Academy Award in 1943.

<span class="mw-page-title-main">Chuck Versus the Suburbs</span> 13th episode of the 2nd season of Chuck

"Chuck Versus the Suburbs" is the thirteenth episode of the second season of Chuck. It originally aired on February 16, 2009. General Beckman sends Chuck Bartowski, Sarah Walker, and John Casey to a Los Angeles suburb on an undercover mission, with Chuck and Sarah posing as a married couple. After accidentally obtaining a part of Fulcrum's Intersect data, Chuck discovers that the suburban development is a front for Fulcrum. The team is captured by some of their neighbors, including Brad and Sylvia, who test Chuck by uploading their prototype to Chuck's brain. Meanwhile, Big Mike is introduced to internet dating by Morgan Grimes, Lester Patel, and Jeff Barnes at the Buy More, which backfires on Morgan.

<i>Some Do Not ...</i> 1924 novel by Ford Madox Ford

Some Do Not ..., the first volume of Ford Madox Ford's highly regarded Parade's End tetralogy, was originally published in April 1924 by Duckworth and Co. The following is a summary of the plot, chapter by chapter.

<i>A Man Could Stand Up —</i> 1926 novel by Ford Madox Ford

A Man Could Stand Up — is the third novel of Ford Madox Ford's highly regarded sequence of four novels known collectively as Parade's End. It was first published in 1926.

<i>Last Post</i> (novel) 1928 novel by Ford Madox Ford

Last Post is the fourth and final novel of Ford Madox Ford's highly regarded sequence of four novels, Parade's End. It was published in January 1928 in the UK by Duckworth, and in the US under the title The Last Post by Albert and Charles Boni, and also the Literary Guild of America.

<i>Monamour</i> 2006 Italian film

Monamour is a 2006 Italian erotic romance film directed by Tinto Brass.

<i>Parades End</i> (TV series) Television series

Parade's End is a five-part BBC/HBO/VRT television serial adapted from the eponymous tetralogy of novels (1924–1928) by Ford Madox Ford. It premiered on BBC Two on 24 August 2012 and on HBO on 26 February 2013. The series was also screened at the 39th Ghent Film Festival on 11 October 2012. The miniseries was directed by Susanna White and written by Tom Stoppard. The cast was led by Benedict Cumberbatch and Rebecca Hall as Christopher and Sylvia Tietjens, along with Adelaide Clemens, Rupert Everett, Miranda Richardson, Anne-Marie Duff, Roger Allam, Janet McTeer, Freddie Fox, Jack Huston, and Steven Robertson.

<i>The Greatest Battle</i> 1978 Euro War film by Umberto Lenzi

The Greatest Battle is a 1978 Euro War film co-written and directed by Umberto Lenzi and starring an all-star ensemble cast, including Giuliano Gemma, Helmut Berger, Stacy Keach, Ray Lovelock, Samantha Eggar, Henry Fonda, Evelyn Stewart, and John Huston. The Italian-West German-Yugoslavian co-production was produced by Mino Loy and Luciano Martino for Titanus. It was also released under the titles The Biggest Battle and Battle Force. The plot centers on a group of German and Allied nationals throughout the early years of World War II, including a British commando (Gemma), an American general (Fonda) and his son (Lovelock), a Jewish actress (Eggar), a war correspondent (Huston), and two very different German officers. The film climaxes in a recreation of the Battle of the Mareth Line in Tunisia.

<i>Parole Girl</i> 1933 film by Edward F. Cline

Parole Girl is a 1933 American pre-Code romantic drama film directed by Edward Cline. The film stars Mae Clarke and Ralph Bellamy.

<i>Anybodys Blonde</i> 1931 film directed by Frank R. Strayer

Anybody's Blonde is a 1931 American Pre-Code mystery film directed by Frank R. Strayer from an original screenplay by Betty Burbridge. The film stars Dorothy Revier, Reed Howes, and Edna Murphy, and was released by Action Pictures on November 17, 1931.

References

  1. See No More Parades, ed. Joseph Wiesenfarth (Manchester: Carcanet Press, 2010), xix–xx