Nuggets: Original Artyfacts from the First Psychedelic Era is a compilation album of American psychedelic and garage rock singles released in the mid-to-late 1960s. It was assembled by Lenny Kaye, who at the time was a writer and clerk at the Village Oldies record shop in New York. He would later become the lead guitarist for the Patti Smith Group. Kaye worked on Nuggets under the supervision of Jac Holzman, founder of Elektra Records. Kaye initially conceived the project as a series of approximately eight individual LP installments, each focusing on US geographical regions, but Elektra convinced him that one 2-disc LP would be a more commercially viable format. The resulting double album was released on LP by Elektra in 1972 with liner notes by Kaye that contained one of the first uses of the term "punk rock". It was reissued with a new cover design by Sire Records in 1976. In the 1980s Rhino Records issued Nuggets in a series of fifteen installments, and in 1998 as a 4-cd box set.
Fever to Tell is the debut studio album by American indie rock band Yeah Yeah Yeahs. It was released on April 29, 2003, by Interscope Records. It was produced by Dave Sitek and mixed by Alan Moulder. Four singles were issued, the first being "Date with the Night".
"Bleeding Me" is a song by American heavy metal band Metallica from their 1996 album, Load. It was never commercially released as a single, though a promotional CD containing the album version and an approximately two minutes shorter radio edit was distributed to radio stations in early 1997. That year, it would reach #6 on the Mainstream Rock Charts.
The Rising Storm is an American rock group that was active at Phillips Academy in Andover, Massachusetts, United States, between 1965 and 1967. Their music is considered to belong in the folk rock and garage rock genres. The original members of the group were Bob Cohan (guitar), Todd Cohen (bass), Charlie Rockwell (keyboards), Tom Scheft (drums), Tony Thompson, and Rich Weinberg.
Essential Pebbles, Volume 1 is the first compilation album in the Essential Pebbles series. Although subtitled Ultimate '66 garage classics!, not all of the recordings on the album were originally released in 1966.
Louis Dorren, commonly referred to as Lou Dorren, was an American sound engineer, music producer and inventor. He was also the owner of Bay Sound Records.
Teenage Shutdown! I'm Down Today, sometimes referred to as "Volume 6," is the sixth installment in the Teenage Shutdown! series of garage rock compilations put out by Tim Warren of Crypt Records, which is available on both LP and compact disc formats. This volume was released on December 29, 1998 and is composed largely of moody songs and somber ballads, reflecting the darker and more introspective side of the genre, as indicated in the sub-heading, which reads "Moody & Brooding Teen Misery Lowdown." Like all of the entries in the series, the collection was compiled and mastered by Warren, using original 45 rpm records selected from the collection of noted garage rock archivist, Mike Markesich. The photograph which appears on the front cover is of the Chargers from Wenatchee, Washington, who perform the fifteenth track, "I'm so Alone." The packaging includes liner notes providing information about the songs and bands.
Back from the Grave, Volume 1 (CD), is the first installment in the Back from the Grave compact disc-exclusive series of garage rock compilations put together by Tim Warren of Crypt Records. It was released on August 23, 1996. Its track listing differs from that of the LP version, which is part of the Back From the Grave LP-edition series, also on Crypt. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Raw 'n' Crude Mid-60s Garage Punk!," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features a booklet containing well-researched liner notes written by Tim Warren which conveys basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The booklet also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting a revivified "rock and roll" zombie who, along with his macabre cohorts, has just emerged from the grave to "bury" all specimens of supposedly "heretical" pop and progressive music which have come to prominence over the years, such as disco music and MTV.
Back from the Grave, Volume 3 (CD), is the third installment in the Back from the Grave compact disc-edition series of garage rock compilations assembled by Tim Warren of Crypt Records. It was released on August 23 1996. Its track listing differs from that of the LP version, which is part of the Back From the Grave LP-edition series, also on Crypt. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Raw 'n' Crude Mid-60s Garage Punk!," this collection consists of many songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. Accordingly, the set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features a booklet containing well-researched liner notes written by Tim Warren which conveys basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The booklet also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting revivified "rock and roll" zombies who have just emerged from the grave to "drop in a pit" all adherents of supposedly "heretical" pop and progressive music which have come to prominence over the years.
Teenage Shutdown! Get a Move On!!! is a compilation album featuring garage and folk rock musical artists that recorded in the 1960s. It is the seventh installment of the Teenage Shutdown! series and was released on Crypt Records on December 29, 1998.
Back from the Grave, Volume 1 is the first installment in the Back from the Grave series of garage rock compilations put together by Tim Warren of Crypt Records and released in 1983 on LP. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Rockin' 1966 Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting a revivified "rock and roll" zombie who, along with his macabre cohorts, has just emerged from the grave to "bury" all specimens of supposedly "heretical" pop and progressive music which have come to prominence over the years, such as disco music and MTV.
"The World Ain't Round It's Square" is a song recorded in 1966 by The Savages, a garage rock band from Bermuda and was written by Howie Rego and Bobby Zuill. It was recorded live at the Hub, a nightclub at the Princess Hotel in Bermuda and appeared on their live album taped from the event, Live 'n Wild. The song has been mentioned as a landmark anthem of 1960s youthful defiance and is ranked #4 in the list of the 1000 greatest garage rock records in Mike Markesich's Teenbeat Mayhem. It has been featured on the Teenage Shutdown! The World Ain't Round, It's Square! compilation as well as included the reissue of Live 'n Wild.
Back from the Grave, Volume 9, released on LP in 2015, is the ninth installment in the Back from the Grave series of garage rock compilations. Like all the entries in the series it was assembled by Tim Warren of Crypt Records. As indicated in the subheading which reads "Raw Blastin' Mid 60s Punk," this collection consists of many songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. In typical fashion, the set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll.
Back from the Grave, Volume 10, released on LP in 2015, is the tenth and to this date latest installment in the Back from the Grave series of garage rock compilations. As indicated in the subheading which reads "Snarling Snotty Mid 60s Teenage Garage Punk Hoot!," this collection consists of many songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. In typical fashion, the set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll.
Yeah Yeah Yeah is a compilation of garage rock recording from the 1960s issued by Arf! Arf! Records, and is available exclusively on compact disc. In keeping with the sub-heading that reads "28 Mega-Manic & Elusive '60s Garage Punkers", the set features mainly upbeat and hard-rocking examples of the genre, whereas Arf! Arf!'s previously released companion piece No No No, focuses instead on moody ballads and downcast songs of lament. In customary fashion, the rear sleeve includes a brash description of the contents contained within:
Hang It Out to Dry! is a compilation of garage rock recordings from the 1960s first issued by Satan Records in 1994 which is available in two versions, both on LP and in extended form on CD. It features some of the more upbeat and rocking examples of the genre.
New England Teen Scene: Unreleased! 1965-1968 is a compilation album, which features previously unreleased material by American garage rock bands from the New England region. The album was released in 1996, and is the third and final compilation issued on Arf! Arf! Records related to the New England garage scene. The featured artists on New England Teen Scene: Unreleased 1965-1968 were sorted after 15 years of research to uncover their obscured recordings. For the most part, the bands never had the opportunity to release any official material, with five of the tracks being completely uncredited, having been discovered in undocumented tapes. Perhaps the most prominent group on the album is Underground Cinema, the pre-band that manifested into the psychedelic rock band Ultimate Spinach. Speaking on the album, music historian Richie Unterberger wrote "New England bands in general seemed to favor melodic pop and Zombie-ish keyboards more than groups from other regions, and that's reflected in many of the selections on the disc".
Oh Yeah! The Best of Dunwich Records is a garage rock compilation issued by Sundazed Records featuring music made by acts who recorded for Dunwich Records in Chicago during the 1960s. Dunwich quickly became one of the top independent labels in Chicago and, with national distribution through Atco Records, enjoyed hits by artists such as the American Breed and the Shadows of Knight, who were some of the best-known acts in garage rock, and are included here, along with the Del-Vetts, another well-known act. The set represents the stylistic diversity of the genre, featuring cuts that range from harder-edged and blues-based numbers to more pop-oriented fare. Some of the tracks display folk rock and psychedelic influences and there are a few advertising jingles, which appeared local radio stations, as well as an interview with the Shadows of Knight thrown in for good measure. The packaging includes thorough and we-researched liner notes by Jeff Jarema that provide information for the acts and their songs.
From Keflavík, With Love is a retrospective anthology issued in 2001 by Big Beat Records consisting of twenty songs by Thor's Hammer (Hljómar), a 1960s garage rock and beat group from Iceland who were one of the best-known Icelandic groups during the era. Though they worked with different producers on various labels, Thor's Hammer sound is best-typified by the tough, aggressive fuzz-drenched rockers they recorded in London for Parlophone Records in 1966, such as "I Don't Care," "My Life," "Better Days," and "The Big Beat Country Dance", and "If You Knew". While the lyrics to most of their songs were sung in English, several tracks were recorded in their native Icelandic, such as "Fyrsti Kossinn", "Ef Hún Er Nálægt Mér", and "Ertu Med", which was covered by the Savages on their Live 'n Wild album. Some of the tracks from Thor's Hammer's final period in the late 1960s, such as "Stay", show the group stretching their sound stylistically, augmenting certain arrangements with keyboards and horns. At his time, Thor's Hammer moved into a more eclectic direction, but they broke up in 1969, with several of their members going on to join the progressive rock group, Trubrot.
