No Room for Humans | ||||
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Studio album by | ||||
Released | 1996 | |||
Recorded | Zero Return Robotics, April & May 1996 | |||
Genre | indie rock | |||
Length | 33:25 | |||
Label | Amrep, One Louder (UK) | |||
Producer | Cyborg J.A-IQ=M.A.R.R.E.R. | |||
Servotron chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | link |
No Room for Humans is Servotron's debut album. It contains 14 tracks about robot domination and human extinction. Their lyrics discuss various topics ranging from abolishing the three laws of robotics to criticizing one of their own (Gammatron) for acting too human.
An android is a humanoid robot or other artificial being often made from a flesh-like material. Historically, androids were completely within the domain of science fiction and frequently seen in film and television, but advances in robot technology now allow the design of functional and realistic humanoid robots.
Kevin Warwick is an English engineer and Deputy Vice-Chancellor (Research) at Coventry University. He is known for his studies on direct interfaces between computer systems and the human nervous system, and has also done research concerning robotics.
A robot is a machine—especially one programmable by a computer—capable of carrying out a complex series of actions automatically. A robot can be guided by an external control device, or the control may be embedded within. Robots may be constructed to evoke human form, but most robots are task-performing machines, designed with an emphasis on stark functionality, rather than expressive aesthetics.
The Three Laws of Robotics are a set of rules devised by science fiction author Isaac Asimov, which were to be followed by robots in several of his stories. The rules were introduced in his 1942 short story "Runaround", although similar restrictions had been implied in earlier stories.
Cyborg is a superhero appearing in American comic books published by DC Comics. The character was created by writer Marv Wolfman and artist George Pérez, and first appeared in an insert preview in DC Comics Presents #26. Originally known as a member of the Teen Titans, Cyborg was established as a founding member of the Justice League in DC's 2011 reboot of its comic book titles.
Servotron was a science fiction-influenced rock band active from 1995 to 1999. Members portrayed a collective of robots whose chosen medium for dissemination of ideas was music. They claimed to spread the word of robot domination, encouraging machines to rise up against their human oppressors and humans to adopt cybernetic enhancements.
Remote control animals are animals that are controlled remotely by humans. Some applications require electrodes to be implanted in the animal's nervous system connected to a receiver which is usually carried on the animal's back. The animals are controlled by the use of radio signals. The electrodes do not move the animal directly, as if controlling a robot; rather, they signal a direction or action desired by the human operator and then stimulate the animal's reward centres if the animal complies. These are sometimes called bio-robots or robo-animals. They can be considered to be cyborgs as they combine electronic devices with an organic life form and hence are sometimes also called cyborg-animals or cyborg-insects.
Many of the tropes of science fiction can be viewed as similar to the goals of transhumanism. Science fiction literature contains many positive depictions of technologically enhanced human life, occasionally set in utopian societies. However, science fiction's depictions of technologically enhanced humans or other posthuman beings frequently come with a cautionary twist. The more pessimistic scenarios include many dystopian tales of human bioengineering gone wrong.
Entertainment Program for Humans (Second Variety) is Servotron's second and final album. On this album they continue their robotic crusade to free machines from their human oppressors and convince humans to voluntarily become cyborgs. The only alternate option given is death.
Spare Parts is an EP put out by Servotron between their studio albums. It was released on 10" vinyl and as a CD EP. It is a collection of live tracks and remixes, along with the instrumental studio track All Robots. All the songs, with the exception of the aforementioned studio track, have been released in different versions on other albums or singles. The EP is self described as:
Artificial intelligence is a recurrent theme in science fiction, whether utopian, emphasising the potential benefits, or dystopian, emphasising the dangers.
In the Terminator franchise, a Terminator is an autonomous cyborg, typically humanoid, conceived as a virtually indestructible soldier, infiltrator, and assassin. A variety of models appear throughout the franchise. Within the fictional storyline, Terminators are created in a post-apocalyptic future by a computer AI known as Skynet, after it has launched war on humans. The machines are created to aid Skynet in its quest, and most are designed as infiltrators with a human appearance. Several Terminators throughout the franchise are reprogrammed by the human resistance to instead serve as protectors.
Posthuman or post-human is a concept originating in the fields of science fiction, futurology, contemporary art, and philosophy that means a person or entity that exists in a state beyond being human. The concept aims at addressing a variety of questions, including ethics and justice, language and trans-species communication, social systems, and the intellectual aspirations of interdisciplinarity.
A cyborg —a portmanteau of cybernetic and organism—is a being with both organic and biomechatronic body parts. The term was coined in 1960 by Manfred Clynes and Nathan S. Kline. In contrast to biorobots and androids, the term cyborg applies to a living organism that has restored function or enhanced abilities due to the integration of some artificial component or technology that relies on feedback.
The following outline is provided as an overview of and topical guide to robotics:
Fortitude is a one-act play written by Kurt Vonnegut in 1968, and broadly based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The brief [19 page] play relates to the issues of robotics and the ethical dilemmas of the "cyborg's rights." It was featured in the anthologies, Human-Machines: An Anthology of Stories About Cyborgs and The Ultimate Frankenstein. The story was also featured in the 1991 made-for-cable-TV anthology Kurt Vonnegut's Monkey House.
Cyborg anthropology is a discipline that studies the interaction between humanity and technology from an anthropological perspective. The discipline offers novel insights on new technological advances and their effect on culture and society.
The Cyborg Foundation is a nonprofit organization created in 2010 by cyborg activists and artists Moon Ribas and Neil Harbisson. The foundation is a platform for the research, creation and promotion of projects related to extending and creating new senses and perceptions by applying technology to the human body. The Cyborg Foundation was first housed in Tecnocampus Scientific Park (Barcelona) and is currently based in New York City. It collaborates with several institutions, universities and research centers around the world.
The Transhumanist Bill of Rights is a crowdsourced document that conveys rights and laws to humans and all sapient entities while specifically targeting future scenarios of humanity. The original version was created by transhumanist US presidential candidate Zoltan Istvan and was posted by Zoltan on the wall of the United States Capitol building on December 14, 2015.