Installation art is an artistic genre of three-dimensional works that are often site-specific and designed to transform the perception of a space. Generally, the term is applied to interior spaces, whereas exterior interventions are often called public art, land art or art intervention; however, the boundaries between these terms overlap.
Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work are prioritized equally to or more than traditional aesthetic, technical, and material concerns. Some works of conceptual art may be constructed by anyone simply by following a set of written instructions. This method was fundamental to American artist Sol LeWitt's definition of conceptual art, one of the first to appear in print:
In conceptual art the idea or concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art.
Elaine Frances Sturtevant, also known professionally as Sturtevant, was an American artist. She achieved recognition for her carefully inexact repetitions of other artists' works.
Andreas Gursky is a German photographer and professor at the Kunstakademie Düsseldorf, Germany.
Sislej Xhafa is an Kosovar contemporary artist, based in New York.
The Helsinki School was a name introduced in an article by Boris Hohmeyer, Aufbruch im hohen Norden, in art Das Kunstmagazin in 2003. This was the first time it was used as a brand name to describe a selection of artists who had studied under adjunct professor Timothy Persons at the University of Art & Design in Espoo from the beginning of 1990s. So far, with over a 180 international publications, the Helsinki School represents a collaborative approach, where students of photography, not only work together by presenting each other's works but, exhibit with their professors, mentors and former alumni in a joint effort to share in mutual contextual dialogue that uses the photographic process as a tool for thinking.
Sylvie Fleury is a Swiss contemporary pop artist known for her installations, sculpture, and mixed media. Her work generally depicts objects with sentimental and aesthetic attachments in consumer culture, as well as the paradigm of the new age, with much of her work specifically addressing issues of gendered consumption and the fetishistic relationships to consumer objects and art history.
Yves Peintures is an artist's book by the French artist Yves Klein, originally published in Madrid, on 18 November 1954. This publication was Klein's first public gesture as an artist, featuring pages of 'commercially printed papers' that were seemingly reproductions of paintings that, in fact, didn't exist. Using a practice started by Marcel Duchamp, this use of readymade objects to represent nothing but themselves has been referred to as an early example of Postmodernism, using a series of carefully executed strategies to undermine its own authority, and as a precursor to conceptual art. 'The simplicity of his readymades is at once sublime and mischievous.'
"The booklet asserts its character straightaway in the preface: a wordless text of unbroken horizontal lines with the same two paragraph indentations on each page.... a homogenous continuum with no real beginning, middle, or end, and no content - at least insofar as there are no descriptions, analyses, or personalized utterances. The colour plates are similarly presented as anonymous entities, each a flat spatial field of an uninflected hue: turquoise, brown, purple, green, pink, gray, yellow, ultramarine, mint, orange, or red. Here, too, there is no attempt to represent or symbolize anything....
The booklet thus offers an utterly pared down presentation. Unlike most art books, it provides no reverential prose about the artist or the art, and no embellishing descriptions meant to convey meaning or context. Instead the booklet itself is made into a work of art that shares the same spirit of nothingness exemplified by the monochrome paintings that it features." Sidra Stich
Zone de Sensibilité Picturale Immatérielle is an artist's book and performance by the French artist Yves Klein. The work involved the sale of documentation of ownership of empty space, taking the form of a receipt, in exchange for gold; if the buyer wished, the piece could then be completed in an elaborate ritual in which the buyer would burn the receipt, and Klein would throw half of the gold into the Seine. The ritual would be performed in the presence of an art critic or distinguished dealer, an art museum director and at least two witnesses.
Rosa Barba is a German-Italian visual artist and filmmaker. Barba is known for using the medium of film and its materiality to create cinematic film installations, sculptures and publications, which inquire into the ambiguous nature of reality, memory, landscape and their role in their mutual constitution and representation. Barba currently lives and works in Berlin, Germany.
Slavs and Tatars is an art collective and "a faction of polemics and intimacies devoted to an area east of the former Berlin Wall and west of the Great Wall of China known as Eurasia". Founded in 2006 as a collaboration between artists and designers Payam Sharifi and Kasia Korczak, the group’s work is centered on three activities: exhibitions, books and lecture performances.
Shirana Shahbazi is an Iranian-born photographer who now lives in Switzerland. Her work includes installations and large prints of conceptual photography.
Markus Heinsdorff is a German installation artist working in the areas of design, architecture and photography.
Jorinde Voigt is a German artist, best-known for large-scale drawings that develop complex notation systems derived from music, philosophy, and phenomenology. She is a professor of Conceptual Drawing and Painting at the University of Fine Arts Hamburg. Voigt lives and works in Berlin.
Olaf Nicolai is a German conceptual artist.
Roman Ondak is a Slovak conceptual artist.
Andreas Heusser is a Swiss conceptual artist and curator based in Zurich and Johannesburg.
Angelika Platen is a German photographer known internationally for her portraits of artists.
The Kunstmuseum Wolfsburg is an art museum in central Wolfsburg, Lower Saxony, opened 1994. It presents modern and contemporary art and is financed by the Kunststiftung Volkswagen.
Judy Ledgerwood is an American abstract painter and educator, who has been based in Chicago. Her work confronts fundamental, historical and contemporary issues in abstract painting within a largely high-modernist vocabulary that she often complicates and subverts. Ledgerwood stages traditionally feminine-coded elements—cosmetic and décor-related colors, references to ornamental and craft traditions—on a scale associated with so-called "heroic" abstraction; critics suggest her work enacts an upending or "domestication" of modernist male authority that opens the tradition to allusions to female sexuality, design, glamour and pop culture. Critic John Yau writes, "In Ledgerwood’s paintings the viewer encounters elements of humor, instances of surprise, celebrations of female sexuality, forms of vulgar tactility, and intense and unpredictable combinations of color. There is nothing formulaic about her approach."
