Noise | |
---|---|
Directed by | Greg Spottiswood |
Written by | Greg Spottiswood |
Produced by | Jason Charters Liam Romalis Greg Spottiswood |
Starring | Hugh Thompson Cameron Lewis |
Cinematography | Brian Harper |
Edited by | Ben Wilkinson |
Music by | Kurt Swinghammer |
Production company | Riddle Films |
Release date |
|
Running time | 17 minutes |
Country | Canada |
Language | English |
Noise is a Canadian short drama film, directed by Greg Spottiswood and released in 2005. The film depicts a battle of wills between a boy (Cameron Lewis) who has locked himself in the family car, and his father (Hugh Thompson) who is trying to get him to come back out. [1]
The film premiered at the NSI Film Exchange Canadian Film Festival on March 3, 2005. [2] It was subsequently screened at the 2005 Toronto International Film Festival. [3]
Award | Date of ceremony | Category | Recipient(s) | Result | Ref(s) |
---|---|---|---|---|---|
Atlantic Film Festival | 2005 | Best Canadian Short Film | Greg Spottiswood | Won | [4] |
CFC Worldwide Short Film Festival | 2006 | Bravo!FACT Award for Best Canadian Short | Greg Spottiswood | Won | [5] |
Genie Awards | 2006 | Best Live Action Short Drama | Greg Spottiswood, Jason Charters, Liam Romalis | Nominated | [6] |
Whistler Film Festival | 2005 | Best Short Film | Greg Spottiswood | Won | [7] |
Ryan is a 2004 short animated documentary film created and directed by Chris Landreth about Canadian animator Ryan Larkin, who had lived on skid row in Montreal as a result of drug and alcohol abuse. Landreth's chance meeting with Larkin in 2000 inspired him to develop the film, which took 18 months to complete. It was co-produced by Copper Heart Entertainment and the National Film Board of Canada (NFB), and its creation and development is the subject of the NFB documentary Alter Egos. The film incorporated material from archive sources, particularly Larkin's works at the NFB.
The Montreal World Film Festival, commonly abbreviated MWFF in English or FFM in French, was an annual film festival in Montreal, Quebec, Canada from 1977 to 2019. Founded and run throughout its lifetime by Serge Losique, it was the only competitive film festival in North America accredited by the FIAPF..
The Academy of Canadian Cinema and Television presents an annual award for Best Motion Picture to the best Canadian film of the year.
The Academy of Canadian Cinema and Television presents an annual award for Best Performance by an Actor in a Leading Role to the best performance by a lead actor in a Canadian film. The award was first presented in 1968 by the Canadian Film Awards, and was presented annually until 1978 with the exception of 1969, when no eligible feature films were submitted for award consideration, and 1974 due to the cancellation of the awards that year.
The Academy of Canadian Cinema & Television presents an annual award for Best Performance by an Actress in a Leading Role to the best performance by a lead actress in a Canadian film. The award was first presented in 1968 by the Canadian Film Awards, and was presented annually until 1978 with the exception of 1969, when no eligible feature films were submitted for award consideration, and 1974 due to the cancellation of the awards that year.
The Academy of Canadian Cinema and Television presents an annual award for Best Performance by an Actor in a Supporting Role to the best performance by a supporting actor in a Canadian film. The award was first presented in 1970 by the Canadian Film Awards, and was presented annually until 1978 with the exception of 1974 due to the cancellation of the awards that year.
The Academy of Canadian Cinema and Television presents an annual award for Best Performance by an Actress in a Supporting Role to the best performance by a supporting actress in a Canadian film. The award was first presented in 1970 by the Canadian Film Awards, and was presented annually until 1978 with the exception of 1974 due to the cancellation of the awards that year.
The Academy of Canadian Cinema and Television presents an annual award for Best Achievement in Direction to the best work by a director of a Canadian film.
The Academy of Canadian Cinema and Television presents an annual award for Best Achievement in Cinematography, to honour the best Canadian film cinematography.
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The Canadian Screen Award for Best Costume Design is awarded by the Academy of Canadian Cinema and Television to the best Canadian costume designer. It was formerly called the Genie Award for Best Achievement in Costume Design before the Genies were merged into the Canadian Screen Awards.
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The Canadian Screen Award for Best Animated Short is awarded by the Academy of Canadian Cinema and Television to the best Canadian animated short film. Formerly part of the Genie Awards, since 2012 it has been presented as part of the Canadian Screen Awards.
The Canadian Screen Award for Best Live Action Short Drama is awarded by the Academy of Canadian Cinema and Television to the best Canadian live action short film. Formerly part of the Genie Awards, since 2012 it has been presented as part of the Canadian Screen Awards.
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The Academy of Canadian Cinema and Television presents an annual award for Best Feature Length Documentary. First presented in 1968 as part of the Canadian Film Awards, it became part of the Genie Awards in 1980 and the contemporary Canadian Screen Awards in 2013.
The Toronto International Film Festival Award for Best Canadian Short Film, formerly also known as the NFB John Spotton Award, is an annual film award, presented by the Toronto International Film Festival to a film judged to be the best Canadian short film of the festival. As of 2017, the award is sponsored by International Watch Company and known as the "IWC Short Cuts Award for Best Canadian Short Film".
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The Don Haig Award is an annual award, presented by the Hot Docs Canadian International Documentary Festival for distinguished achievement by a Canadian independent documentary film producer with a film in that year's festival program. Despite the requirement to have a film in that year's festival lineup, however, the award is not presented for that specific film, but in consideration of the recipient's overall body of work.