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Noli me tangere is an oil on canvas painting by Andrea del Sarto, executed c. 1510, depicting Jesus and Mary Magdalene soon after the resurrection. It was the first painting he produced for the Augustinian San Gallo church in Florence, as recorded by Anonimo Magliabechiano and in Vasari's Lives of the Artists , and he later produced the San Gallo Annunciation and The Disputation on the Trinity for the same church. It is now in the Uffizi. [1]
Noli was commissioned by Leonardo Morelli, as shown by a papal brief of 9 April 1532. During the siege of Florence the monastery's artworks were moved within the city walls to San Jacopo tra i Fossi. The original church outside the walls was razed by Charles V's troops in 1531, but all its chapels were reconstructed at San Jacopo, with Noli ending up in the Morelli chapel. About a third of the painting was underwater during a flood in 1557. The original predella is lost, probably after being damaged in the flood, and replaced by a new one in the late 16th century - the new predella was later removed and is now in the Casa Vasari museum in Arezzo.
The church was suppressed and turned into a barracks in 1849, upon which the Morelli family took back the painting, on the condition that it would remain on public display. However, they did not meet this condition and in 1875 the Italian state took legal action to confiscate the painting, exhibiting it at the Uffizi. Temporarily placed in the museum's stores, the Uffizi's Florentine galleries were reorganised and the work was reassigned to the Museo del Cenacolo di Andrea del Sarto, also in Florence. It remained there until early 2013, when it was returned to the Uffizi upon the redisplay of the latter's Sala di Michelangelo.
Fra Angelico was an Italian painter of the Early Renaissance, described by Vasari in his Lives of the Artists as having "a rare and perfect talent". He earned his reputation primarily for the series of frescoes he made for his own friary, San Marco, in Florence.
Giorgio Vasari was an Italian painter, architect, engineer, writer, and historian, best known for his Lives of the Most Excellent Painters, Sculptors, and Architects, considered the ideological foundation of art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci. Vasari designed the Tomb of Michelangelo in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a rinascita (rebirth), author Jules Michelet in his Histoire de France (1835) suggested adoption of Vasari's concept, using the term Renaissance to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today.
Antonio del Pollaiuolo, also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo, was an Italian painter, sculptor, engraver, and goldsmith during the Italian Renaissance.
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The Basilica della Santissima Annunziata is a Renaissance-style, Catholic minor basilica in Florence, region of Tuscany, Italy. This is considered the mother church of the Servite Order. It is located at the northeastern side of the Piazza Santissima Annunziata near the city center.
Franciabigio was an Italian painter of the Florentine Renaissance. His true name may have been Francesco di Cristofano; he also is referred to as either Marcantonio Franciabigio or Francia Bigio.
Ridolfo di Domenico Bigordi, better known as Ridolfo Ghirlandaio was an Italian Renaissance painter active mainly in Florence. He was the son of Domenico Ghirlandaio.
Giovanni Battista Naldini (1535–1591) was an Italian painter in a late-Mannerist style, active in Florence.
Pier Francesco Foschi (1502–1567) was an Italian painter active in Florence in a Mannerist style. He was pupil of Andrea del Sarto and assisted Pontormo with his frescoes at Careggi in 1536. He completed 3 altarpieces, commissioned in 1540–1545 for the church of Santo Spirito in Florence: an Immaculate Conception, Resurrection, and a Transfiguration. Foschi was also influenced by Il Bronzino. One of his pupils was Alessandro Fei.
Domenico Puligo (1492–1527) was an Italian painter of the Renaissance, active in Florence. His real name was Domenico di Bartolomeo Ubaldini.
Francesco Granacci was an Italian Renaissance painter active primarily in his native Florence. Though little-known today, he was regarded in his time and is featured in Giorgio Vasari's Lives of the Artists.
Neri di Bicci (1419–1491) was an Italian painter active in his native Florence. A prolific painter of mainly religious themes, he studied under his father, Bicci di Lorenzo, who had in turn studied under his father, Lorenzo di Bicci. The three thus formed a lineage of great painters that began with Neri's grandfather.
Jacopo del Sellaio (1441/2–1493), was an Italian painter of the early Renaissance, active in his native Florence. His real name was Jacopo di Arcangelo. He worked in an eclectic style based on those of Botticelli, Filippino Lippi, and Domenico Ghirlandaio. The nickname Sellaio derives from the profession of his father, a saddle maker.
Lorenzo di Bicci was an Italian painter of the Florentine School considered to be one of the most important painters in Florence during the second half of the 14th century. He is believed to have learned his trade from his father, about whom little is known. Lorenzo’s style, as well as that of his contemporaries Jacopo di Cione and Niccolò di Pietro Gerini, was influenced by the artist Andrea di Cione. Lorenzo's paintings made use of bright colors and his compositions avoided complexity. The figures he painted tended to have round faces and were often expressionless. Another one of Lorenzo's distinctive characteristics was his precision of execution. He was known for exceptional talent in drawing, an ability that he put to use at the initial stages of his painting. Unlike many celebrated Florentine artists of this period, Lorenzo mostly received commissions from the country clergy and from the lower-middle class Florentine guilds. His successors, Bicci di Lorenzo and Neri di Bicci, continued to serve these groups.
Biagio d’Antonio Tucci was an Italian Renaissance painter active in Florence, Faenza and Rome.
Andrea del Sarto was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, portraitist, draughtsman, and colorist. Though highly regarded during his lifetime as an artist senza errori, his renown was eclipsed after his death by that of his contemporaries Leonardo da Vinci, Michelangelo, and Raphael.
Giovanni di Francesco del Cervelliera or Giovanni di Francesco was an Italian painter, active in Florence in the mid-fifteenth century.
The Disputation on the Trinity is a c.1517 oil on canvas painting by Andrea del Sarto, now in the Galleria Palatina in Florence.
The Chiostro della Scalzo or is a cloister in Florence, Italy that originally led to a chapel once belonging to a religious company known as the Compagnia del diciplinati di San Giovanni Battista or della Passione di Cristo. The term "scalzo" makes reference to the barefoot brother who carried the Cross during its public processions.
The San Gallo Annunciation is an oil on panel painting by Andrea del Sarto, executed c. 1513–1514, now in the Palatine Gallery in Florence.