Author | Rafael Grugman |
---|---|
Language | English |
Genre | Dystopian fiction, mystery, detective fiction, human rights |
Publisher | Liberty Publishing House, New York |
Publication date | 2008 |
Publication place | United States |
Media type | Print (Paperback) |
ISBN | 978-9326863643 |
Nontraditional Love is a dystopian novel written by the Russian writer Rafael Grugman and describes an alternative future where heterosexuality is outlawed. The novel was first published by Liberty Publishing House in November 2008 [1] and nominated for the 2009 Rossica Translation Prize. [2] Nontraditional Love combines satire with Orwellian themes for a unique look at morals and society.
The scene is the twenty-third century US.
Nontraditional Love describes a homosexual world in which mixed-sex marriages are forbidden. The homosexual society is intolerant of dissidents. Intimacy between the sexes is rejected. World history and the classics of world literature, such as Tolstoy, Shakespeare, Dumas... have been falsified in order to support the ideology of this opposite world.
At the heart of the novel is a love story between a man and a woman who are forced to hide their feelings and pass as homosexuals. After Robert Marcus' secret wife Liza abandoned him for another man, he decides to make a radical change in life and become a normal gay man. His first male partner should have been Jacob Stein, a retired policeman, but during their first date Jacob dies. Is it a murder or an accident? The FBI begins an investigation and accuses Robert of killing Jacob. The situation becomes complicated because Jacob Stein in his youth made the fateful mistake by having sex with a woman and Liza is Jacob's daughter...
The plot follows Robert Marcus, a heterosexual who has a clandestine affair with Liza. They hide from authorities by feigning marriage to the same gendered persons of another couple. All four live in a two family house. At night, they secretly change rooms to sleep their lovers while carrying on as homosexual couples during the day. Normal reproduction is also illegal, but the couples pretend to have artificially inseminated children, the boy being raised by the men and the girl being raised by the women. After a while Liza leaves this arrangement. Robert tries to make a go of converting to being homosexual to make life easier for himself. He meets an older man who dies in his bed. Robert is accused of murder, confirming that heterosexuals are a menace to society. The rest of the book follows Robert in a riveting 1984-Kafkaesque experience.
In the second book, I Was a Man in a Past Life, the main characters' adventures continue. We learn that Liza Conde is descended from the Princes of Conde, a branch of the Bourbon dynasty, which died out in the nineteenth century. Hypothetically, she has a claim to the French throne, which accounts for the murders of some of her close relatives, committed by a descendant of Napoleon Bonaparte who has dreams of resurrecting the empire.
The novel "Nontraditional Love" was first published in New York by Liberty Publishing House in 2008. [1] The book was translated from Russian by Geoffrey Carlson.
The second edition: The Twenty Third Century: Nontraditional Love, — Strelbytskyy Multimedia Publishing, 2017 [3]
In Russia, the novel was first published in Moscow in 2020 under the title "Запретная любовь. Forbidden Love", — Russia, Moscow, Rodina, 2020 [4]
Mariano Martín Rodríguez, Doctor in Philology and a member of the research group on utopias and future history HISTOPIA (Universidad Autónoma de Madrid) wrote in (Anti)Gay Utopian Fiction in English and Romance Languages: an Overview: ‘We can doubt whether the celebration of a hypothetically persecuted heterosexuality as a symbol of the right to difference in later gay dystopias... Among them, there is a relatively recent one, written in Russian and translated into English in 2008, Rafael Grugman‘s Nontraditional Love. As it is the case in earlier examples of homosexual domination, at least from “The Crooked Man” onwards, the heterosexual male hero-victim in this novel must come to terms with the fact that he is a member of a rejected minority, from which he and his female partner must hide their love through family arrangements with fellow-minded and orientated couples. In this future Earth, a global accident has turned most people from heterosexual to homosexual, as well as their descendants, while former homosexuals have become heterosexuals, bringing about a full reversal. Biological maternity had to be replaced by gestational surrogacy for both gay and lesbian couples, now forming the majority...
Regarding Grugman's heterosexist ‘traditional‘ perspective, it may be of interest to compare Nontraditional Love with an earlier lesbian narrative, Cy Jung's Hétéro par-ci, homo par le rat (1999), which is set in a fictional world similar to the one imagined by Grugman...'
In Rodríguez opinion, ‘Consciously or not, Grugman‘s narrative echoes current discourses against gay and lesbian assertiveness underlying legislation enacted to prevent any alleged gay proselytizism... Homosexuality is thus presented as a threat to society at large, and Grugman just turns this threat into reality in his dystopia. At any rate, Grugman offers a late specimen of anti-gay utopia in a period when homosexuality had virtually disappeared from the utopian genre, except for a few appropriations of it by the gays themselves, after the long silence in the closet.’ [5]
Debbie Pope writes in March 2016, Issue 8 of Lateral Magazine: The freedom of a genre: Sexuality in speculative fiction: 'In another twist of today's society, Nontraditional Love by Rafael Grugman (2008) puts together an upside-down society where heterosexuality is outlawed, and homosexuality is the norm. A ‘traditional’ family unit consists of two dads with a surrogate mother. Alternatively, two mothers, one of whom bares a child. In a nod to the always-progressive Netherlands, this country is the only country progressive enough to allow opposite sex marriage. This is perhaps the most obvious example of cognitive estrangement. It puts the reader in the shoes of the oppressed by modelling an entire world of opposites around a fairly “normal” everyday heterosexual protagonist. A heterosexual reader would not only be able to identify with the main character, but be immersed in a world as oppressive and bigoted as the real world has been for homosexuals and the queer community throughout history. [6]
“Politically, I’d give this book five stars for what it attempts and accomplishes. However, as an overall enjoyment experience, I’d have to give this book four stars. While I was pretty gripped to the story, I wasn’t really emotionally involved enough, which is my requirement for giving five stars. But if you like Kafka’s “The Trial” and Terry Gilliam's film “Brasil”, this is definitely the book for you”. [7]
Feminist science fiction is a subgenre of science fiction focused on such feminist themes as: gender inequality, sexuality, race, economics, reproduction, and environment. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
Heterosexuality is romantic attraction, sexual attraction or sexual behavior between people of the opposite sex or gender. As a sexual orientation, heterosexuality is "an enduring pattern of emotional, romantic, and/or sexual attractions" to people of the opposite sex. It "also refers to a person's sense of identity based on those attractions, related behaviors, and membership in a community of others who share those attractions." Someone who is heterosexual is commonly referred to as straight.
The subject of homosexuality and Judaism dates back to the Torah. The book of Vayikra (Leviticus) is traditionally regarded as classifying sexual intercourse between males as a to'eivah that can be subject to capital punishment by the current Sanhedrin under halakha.
A lesbian is a homosexual woman or girl. The word is also used for women in relation to their sexual identity or sexual behavior, regardless of sexual orientation, or as an adjective to characterize or associate nouns with female homosexuality or same-sex attraction. The concept of "lesbian" to differentiate women with a shared sexual orientation evolved in the 20th century. Throughout history, women have not had the same freedom or independence as men to pursue homosexual relationships, but neither have they met the same harsh punishment as gay men in some societies. Instead, lesbian relationships have often been regarded as harmless, unless a participant attempts to assert privileges traditionally enjoyed by men. As a result, little in history was documented to give an accurate description of how female homosexuality was expressed. When early sexologists in the late 19th century began to categorize and describe homosexual behavior, hampered by a lack of knowledge about homosexuality or women's sexuality, they distinguished lesbians as women who did not adhere to female gender roles. They classified them as mentally ill—a designation which has been reversed since the late 20th century in the global scientific community.
A utopia typically describes an imaginary community or society that possesses highly desirable or near-perfect qualities for its members. It was coined by Sir Thomas More for his 1516 book Utopia, which describes a fictional island society in the New World.
Utopian and dystopian fiction are subgenres of science fiction that explore social and political structures. Utopian fiction portrays a setting that agrees with the author's ethos, having various attributes of another reality intended to appeal to readers. Dystopian fiction offers the opposite: the portrayal of a setting that completely disagrees with the author's ethos. Some novels combine both genres, often as a metaphor for the different directions humanity can take depending on its choices, ending up with one of two possible futures. Both utopias and dystopias are commonly found in science fiction and other types of speculative fiction.
Sexual themes are frequently used in science fiction or related genres. Such elements may include depictions of realistic sexual interactions in a science fictional setting, a protagonist with an alternative sexuality, a sexual encounter between a human and a fictional extraterrestrial, or exploration of the varieties of sexual experience that deviate from the conventional.
Societal attitudes toward homosexuality vary greatly across different cultures and historical periods, as do attitudes toward sexual desire, activity and relationships in general. All cultures have their own values regarding appropriate and inappropriate sexuality; some sanction same-sex love and sexuality, while others may disapprove of such activities in part. As with heterosexual behaviour, different sets of prescriptions and proscriptions may be given to individuals according to their gender, age, social status or social class.
LGBT themes in speculative fiction include lesbian, gay, bisexual, or transgender (LGBTQ) themes in science fiction, fantasy, horror fiction and related genres.[a] Such elements may include an LGBT character as the protagonist or a major character, or explorations of sexuality or gender that deviate from the heteronormative.
Lesbian pulp fiction is a genre of lesbian literature that refers to any mid-20th century paperback novel or pulp magazine with overtly lesbian themes and content. Lesbian pulp fiction was published in the 1950s and 1960s by many of the same paperback publishing houses as other genres of fiction, including westerns, romances, and detective fiction. Because very little other literature was available for and about lesbians at this time, quite often these books were the only reference the public had for modeling what lesbians were. English professor Stephanie Foote commented on the importance of lesbian pulp novels to the lesbian identity prior to the rise of organized feminism: "Pulps have been understood as signs of a secret history of readers, and they have been valued because they have been read. The more they are read, the more they are valued, and the more they are read, the closer the relationship between the very act of circulation and reading and the construction of a lesbian community becomes…. Characters use the reading of novels as a way to understand that they are not alone." Joan Nestle refers to lesbian pulp fiction as “survival literature.” Lesbian pulp fiction provided representation for lesbian identities, brought a surge of awareness to lesbians, and created space for lesbian organizing leading up to Stonewall.
Gay literature is a collective term for literature produced by or for the gay community which involves characters, plot lines, and/or themes portraying male homosexual behavior.
Homosexuality is sexual attraction, romantic attraction, or sexual behavior between members of the same sex or gender. As a sexual orientation, homosexuality is "an enduring pattern of emotional, romantic, and/or sexual attractions" exclusively to people of the same sex or gender. It "also refers to a person's sense of identity based on those attractions, related behaviors, and membership in a community of others who share those attractions."
Gay pulp fiction, or gay pulps, refers to printed works, primarily fiction, that include references to male homosexuality, specifically male gay sex, and that are cheaply produced, typically in paperback books made of wood pulp paper; lesbian pulp fiction is similar work about women. Michael Bronski, the editor of an anthology of gay pulp writing, notes in his introduction, "Gay pulp is not an exact term, and it is used somewhat loosely to refer to a variety of books that had very different origins and markets". People often use the term to refer to the "classic" gay pulps that were produced before about 1970, but it may also be used to refer to the gay erotica or pornography in paperback book or digest magazine form produced since that date.
Lesbian literature is a subgenre of literature addressing lesbian themes. It includes poetry, plays, fiction addressing lesbian characters, and non-fiction about lesbian-interest topics. A similar term is sapphic literature, encompassing works that feature love between women that are not necessarily lesbian.
A mixed-orientation marriage is a marriage between partners of differing sexual orientations. The broader term is mixed-orientation relationship, sometimes shortened to MOR or MORE.
A relatively common motif in speculative fiction is the existence of single-gender worlds or single-sex societies. These fictional societies have long been one of the primary ways to explore implications of gender and gender-differences in science fiction and fantasy. Many of these predate a widespread distinction between gender and sex and conflate the two.
A dystopia, also called a cacotopia or anti-utopia, is a community or society that is extremely bad or frightening. It is often treated as an antonym of utopia, a term that was coined by Sir Thomas More and figures as the title of his best known work, published in 1516, which created a blueprint for an ideal society with minimal crime, violence, and poverty. The relationship between utopia and dystopia is in actuality, not one of simple opposition, as many dystopias claim to be utopias and vice versa.
Gender roles in non-heterosexual communities are a topic of much debate; some people believe traditional, heterosexual gender roles are often erroneously enforced on non-heterosexual relationships by means of heteronormative culture and attitudes towards these non-conformative relationships.
Rafael Abramovich Grugman is a Russian and Ukrainian writer, journalist, engineer, programmer and college educator.
Gay separatism is the political belief in and advocacy for gay male separatism. Separatism for gay men has included explicit political calls for men-only spaces; the creation of communes for gay men; and the lived social practice of self-segregation in "gayborhoods."
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