Gottfried Wilhelm Bitzer was an American cinematographer, notable for his close association and pioneering work with D. W. Griffith.
Agnès Varda was a Belgian-born French film director, screenwriter, photographer, and artist. Her pioneering work was central to the development of the widely influential French New Wave film movement of the 1950s and 1960s. Her films focused on achieving documentary realism, addressing women's issues, and other social commentary, with a distinctive experimental style.
Shemale is a term most commonly used in the pornography industry to describe trans women or other people with male genitalia and female secondary sex characteristics acquired via hormones or surgery. Many people in the transgender community consider the term offensive and degrading. Using the term shemale for a trans woman may imply that she is working in the sex trade.
"New Queer Cinema" is a term first coined by the academic B. Ruby Rich in Sight & Sound magazine in 1992 to define and describe a movement in queer-themed independent filmmaking in the early 1990s.
Mandragora is a 1997 film by Polish director Wiktor Grodecki about the mental and physical decline of a 15-year-old boy who runs away from his seemingly distanced father to Prague, where he becomes a victim of the drug and sex scene.
Claire Denis is a French film director and writer. Her feature film Beau Travail (1999) has been called one of the greatest films of the 1990s. Other acclaimed works include Trouble Every Day (2001), 35 Shots of Rum (2008), White Material (2009), High Life (2018) and Both Sides of the Blade (2022), the last of which won her the Silver Bear for Best Director at the Berlin International Film Festival. For her film Stars at Noon (2022), Denis competed for the Palme d'Or at the 2022 Cannes Film Festival. She won the Grand Prix, sharing the award with Lukas Dhont's film Close.
Melanie Richards Griffith is an American actress and film producer. She began her career in the 1970s, appearing in several independent thriller films before achieving mainstream success in the mid-1980s.
Medieval films imagine and portray the Middle Ages through the visual, audio and thematic forms of cinema.
Vampire films have been a staple in world cinema since the era of silent films, so much so that the depiction of vampires in popular culture is strongly based upon their depiction in films throughout the years. The most popular cinematic adaptation of vampire fiction has been from Bram Stoker's 1897 novel Dracula, with over 170 versions to date. Running a distant second are adaptations of the 1872 novel Carmilla by Sheridan Le Fanu. By 2005, the Dracula character had been the subject of more films than any other fictional character except Sherlock Holmes.
In film, nudity may be either explicit or suggestive, such as when a person is seemingly naked but covered by a sheet. Since the birth of film, depictions of any form of sexuality have been controversial, and in the case of most nude scenes, had to be justified as part of the story.
Male prostitution is the act or practice of men providing sexual services in return for payment. It is a form of sex work. Although clients can be of any gender, the vast majority are older males looking to fulfill their sexual needs. Male prostitutes have been far less studied than female prostitutes by researchers. Even so, male prostitution has an extensive history including regulation through homosexuality, conceptual developments on sexuality, and the HIV/AIDS epidemic impact. In the last century, male sex work has seen various advancements, popularizing new sexual acts, methods of exchange, and carving out a spot in cinema. Today, there is a focus on improving the work conditions, treatment, and mental health of male sex workers.
Kōji Wakamatsu was a Japanese film director who directed such pinku eiga films as Ecstasy of the Angels and Go, Go, Second Time Virgin. He also produced Nagisa Ōshima's controversial film In the Realm of the Senses (1976). He has been called "the most important director to emerge in the pink film genre," and one of "Japan's leading directors of the 1960s."
The term "Golden Age of Porn", or "porno chic", refers to a 15-year period (1969–1984) in commercial American pornography, in which sexually explicit films experienced positive attention from mainstream cinemas, movie critics, and the general public. This American period, which had subsequently spread internationally, and that began before the legalization of pornography in Denmark on July 1, 1969, started on June 12, 1969, with the theatrical release of the film Blue Movie directed by Andy Warhol, and, somewhat later, with the release of the 1970 film Mona produced by Bill Osco. These films were the first adult erotic films depicting explicit sex to receive wide theatrical release in the United States. Both influenced the making of films such as 1972's Deep Throat starring Linda Lovelace and directed by Gerard Damiano, Behind the Green Door starring Marilyn Chambers and directed by the Mitchell brothers, 1973's The Devil in Miss Jones also by Damiano, and 1976's The Opening of Misty Beethoven by Radley Metzger. According to Warhol, Blue Movie was a major influence in the making of Last Tango in Paris, an internationally controversial erotic drama film, starring Marlon Brando, and released a few years after Blue Movie was shown in theaters.
Gay pornography is the representation of sexual activity between males. Its primary goal is sexual arousal in its audience. Softcore gay pornography also exists; it at one time constituted the genre, and may be produced as beefcake pornography for heterosexual female and homosexual male consumption.
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is ὑποκριτής (hupokritḗs), literally "one who answers". The actor's interpretation of a role—the art of acting—pertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art.
Wiktor Grodecki is a Polish film director, screenwriter and producer known for Mandragora (five main prizes at Geneva "Stars Of Tomorrow" film festival in Switzerland in 1997 and Audience Choice Award at Palm Springs Intl Film Fest, USA 1998 as well as Insatiability - an adaptation of the novel by Witkacy which was awarded Best Indie Director prize by SAG in USA in 2004.
Body Without Soul is a 1996 documentary film about a number of 14- to 17-year-old boys in Prague working as prostitutes. The creator of the documentary, Wiktor Grodecki, interviews the boys about their lives and how they got into sex work. The film explores their hopes and fears, and the boys talk about their bodies and souls, money, their sexual orientation, AIDS, their dreams, and death.
Scott Allen Nollen is an American author known for writing about the history of film, music, literature and African American studies. He was born on April 2, 1963, in Harlan, Iowa. His father, Harold N. Nollen, served in the United States Coast Guard prior to running a successful petroleum distribution business, to which his mother, Shirley A. (Stoltz) Nollen, also contributed. Nollen was educated at the University of Iowa (1984-1989), where he received Bachelor's Degrees in Broadcasting and Film and Honors History, Phi Beta Kappa, and a Master's Degree in U.S., Modern European and African-American History. From 1991 to 2001, he served as an archivist and historian for the National Archives and Records Administration.
In feminist theory, the male gaze is the act of depicting women and the world, in the visual arts and in literature, from a masculine, cisgendered, heterosexual perspective that presents and represents women as sexual objects for the pleasure of the heterosexual male viewer. In the visual and aesthetic presentations of narrative cinema, the male gaze has three perspectives: (i) that of the man behind the camera, (ii) that of the male characters within the film's cinematic representations; and (iii) that of the spectator gazing at the image.
Cinema of Sudan refers to both the history and present of the making or screening of films in cinemas or film festivals, as well as to the persons involved in this form of audiovisual culture of the Sudan and its history from the late nineteenth century onwards. It began with cinematography during the British colonial presence in 1897 and developed along with advances in film technology during the twentieth century.
