Nour Jaouda | |
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Born | 1997 (age 27–28) |
Alma mater | Ruskin School of Art Royal College of Art |
Known for | Textile art and sculpture |
Notable work | Dust that never settles (2024) The Light in Between (2024) |
Style | Contemporary |
Website | https://nourjaouda.com/ |
Nour Jaouda (born 1997) [1] is a Libyan textile artist, whose work was selected to be part of Foreigners Everywhere the main art exhibition of 60th edition of the Venice Biennale. [2] Three textile works inspired by her Libyan grandmother's fig trees, the poetry of Mahmoud Darwish and natural dying practices were exhibited. [1] In 2024, the work Dust that never settles by Jaouda was acquired by The Hepworth Wakefield, funded by the Contemporary Art Society. [3] At the same time her work The Light in Between was acquired by the Arts Council Collection. [4] [5]
Working between London and Cairo, Jaouda's practice is inspired by Islamic prayer mats, geopolitics, architecture and memory. [6] [7] She has an undergraduate degree from Ruskin School of Art and an MA from the Royal College of Art. [8] At the former she was the inaugural winner of its Emery Prize. [9] Her first solo exhibition was held at the contemporary art gallery, Union Pacific, in 2023. [10] Her first institutional solo show is due to open at Spike Island in September 2025. [11] She was one of the eighteen finalists for the 2024 Baloise Art Prize. [12] Her work hs been compared to Sheila Hicks, Faith Ringgold, and Charlotte Colbert. [13]
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