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The art of motion-picture making within Spain or by Spanish filmmakers abroad is collectively known as Spanish Cinema.
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Mundo Hispánico was a monthly cultural and political magazine which existed between 1948 and 1977. The subtitle of the magazine was La revista de veintitrés países which indicated the fact that it did not only target readers in Spain, but also those in Latin America. It was one of the publications which supported the Francoist rule.
Nuestro Cinema was a film magazine which was published in Spain between 1932 and 1936 with a one-year interruption. Its subtitle was Cuadernos Internacionales de Valorizacion Cinematografica. It was one of the earliest Spanish publications in its category and was the first Communist film magazine in Spain.
References
- 1 2 Enrique Fibla-Gutiérrez; Pablo La Parra-Pérez (2017). "Turning the camera into a weapon: Juan Piqueras's radical noncommercial film projects and their afterlives (1930s–1970s)". Journal of Spanish Cultural Studies. 18 (4): 345. doi:10.1080/14636204.2017.1380148. S2CID 148674533.
- 1 2 3 Peter Buse; Nuria Triana-Toribio (2022). "Letters to Belvedere: participatory cinephilia in late Francoism". Journal of Spanish Cultural Studies. 23 (2): 130, 132. doi: 10.1080/14636204.2022.2070701 . S2CID 248844790.
- 1 2 Jorge Nieto Ferrando (July–December 2016). "André Bazin en Marte. La exasperación del realismo ontológico como paradigma crítico en la revista Film Ideal y el cine de Pedro Lazaga". L'Atalante: Revista de estudios cinematográficos (22): 144.
Translated from Spanish into English by Martin Boyd
- ↑ Jara Fernández Meneses (2021). "Rethinking 'quality' cinema". International Journal of Cultural Policy. 27 (6): 707. doi:10.1080/10286632.2020.1844676. S2CID 229449295.
