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The Whitney Museum of American Art, known informally as "The Whitney", is a modern and contemporary American art museum located in the Meatpacking District and West Village neighborhoods of Manhattan in New York City. The institution was originally founded in 1930 by Gertrude Vanderbilt Whitney (1875–1942), a prominent American socialite, sculptor, and art patron after whom it is named.
Janet Cardiff is a Canadian artist who works chiefly with sound and sound installations, often in collaboration with her husband and partner George Bures Miller. Cardiff first gained international recognition in the art world for her audio walks in 1995. She lives and works in British Columbia, Canada.
The Rose Art Museum, founded in 1961, is a part of Brandeis University in Waltham, Massachusetts, US. Named after benefactors Edward and Bertha Rose, it offers temporary exhibitions, and it displays and houses works of art from the permanent collection of 9,000 objects. The museum has one of the largest collections of modern and contemporary art in New England. Since its inauguration, the Rose Art Museum has been recognized for its avant-garde and forward-thinking approach to modern and contemporary art.
Mimi Gross is a New York City born American artist.
Anne Wilson is a Chicago-based visual artist. Wilson creates sculpture, drawings, Internet projects, photography, performance, and DVD stop motion animations employing table linens, bed sheets, human hair, lace, thread and wire. Her work extends the traditional processes of fiber art to other media. Wilson is a professor in the Department of Fiber and Material Studies at The School of the Art Institute of Chicago.
Jessica Stockholder is a Canadian-American artist known for site-specific installation works and sculptures that are often described as "paintings in space." She came to prominence in the early 1990s with monumental works that challenged boundaries between artwork and display environment as well as between pictorial and physical experience. Her art often presents a "barrage" of bold colors, textures and everyday objects, incorporating floors, walls and ceilings and sometimes spilling out of exhibition sites. Critics suggest that her work is informed by diverse artistic traditions, including abstract expressionism, color field painting, minimalism and Pop art. Since her early career, they have noted in her work an openness to spontaneity, accident and marginality and a rejection of permanency, monetization and disciplinary conventions that Stephen Westfall characterized as an "almost shocking sense of freedom."
Haim Steinbach is an Israeli-American artist, based in New York City. His work consists of arrangements of everyday objects, presented in “Displays” and shelves of his own making.
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Ellen Harvey is an American-British conceptual artist known for her painting-based practice and site-specific works in installation, video, engraved mirrors, mosaic and glass. She frequently pairs traditional representational vocabularies and genres with seemingly antithetical postmodern strategies, such as institutional critique, appropriation, mapping and pastiche. Her work examines such themes as art as a mirror, interactions between built environment and landscape, ruins and the Picturesque aesthetic, and cultural and economic relationships between museums, artists and publics. Curator Henriette Huldisch writes of her work, "haunted as it is by the notion of art's ultimate futility, her paradoxical stake is in persistently testing art's possibility to do something in the world after all."
Walter Robinson is a New York City-based painter, publisher, art curator and art writer. He has been called a Neo-pop painter, as well as a member of the 1980s The Pictures Generation.
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Cliff Evans is an American multidisciplinary artist of Australian origin.
Dona Nelson is an American painter, best known for immersive, gestural, primarily abstract works employing unorthodox materials, processes and formats to disrupt conventional notions of painting and viewership. A 2014 New Yorker review observed, "Nelson gives notice that she will do anything, short of burning down her house to bully painting into freshly spluttering eloquence." Since 2002, long before it became a more common practice, Nelson has produced free-standing, double-sided paintings that create a more complex, conscious viewing experience. According to New York Times critic Roberta Smith, Nelson has dodged the burden of a "superficially consistent style," sustained by "an adventuresome emphasis on materials" and an athletic approach to process that builds on the work of Jackson Pollock. Writers in Art in America and Artforum credit her experimentation with influencing a younger generation of painters exploring unconventional techniques with renewed interest. Discussing one of Nelson's visceral, process-driven works, curator Klaus Kertess wrote, the paint-soaked "muslin is at once the tool, the medium, and the made."
Wayne Gonzales is an American painter, whose work confronts the conversations between photography, history, and memory. He is based in New York City.
Bradley Rubenstein is an American artist and writer who lives in Brooklyn, New York. His figurative paintings, prints, and drawings combine elements of biology, psychology, and art historical references.
Craig Drennen is an American artist based in Atlanta, Georgia. He is best known for his ongoing long-term Timon of Athens project, for which he has produced paintings, drawings, prints, videos, performances, sculptures. His work shows technical agility across a wide range of influences that spans abstraction, representation, and conceptual practices. In a catalog essay, the curator Diana Nawi writes that Drennen's "…multifaceted, dense, and ambitious practice suggests a world of meaning defined by symbols that emerge in different media and coalesce across projects."
Barbara Grad is an American artist and educator, known for abstract, fractured landscape paintings, which combine organic and geometric forms, colliding planes and patterns, and multiple perspectives. Her work's themes include the instability of experience, the ephemerality of nature, and the complexity of navigating cultural environments in flux. While best known as a painter, Grad also produces drawings, prints, mixed-media works and artist books. She has exhibited in venues including the Art Institute of Chicago, Kemper Museum of Contemporary Art, Danforth Art, Rose Art Museum, Indianapolis Museum of Art and A.I.R., and been reviewed in publications, including Artforum, Arts Magazine and ARTnews. Grad co-founded Artemisia Gallery, one the country's first women-artist collectives, in Chicago in 1973. She has been an educator for over four decades, most notably at the Massachusetts College of Art and Design. Grad has been based in the Boston area since 1987.
References
- Lloyd, Ann Wilson (December 2001) "Nuno de Campos at Clifford-Smith" Art in America 89(12): p. 123
- Miller, Francine Koslow (February 2000) "Nuno De Campos" Artforum International 38(6): p. 123
- Miller, Francine Koslow (June/July 2001) "The seductive, soothing, and controlling lap" Art New England 22(4): pp. 18–20
