The Pogues were an English or Anglo-Irish Celtic punk band fronted by Shane MacGowan and others, founded in King's Cross, London, in 1982, as Pogue Mahone—an anglicisation by James Joyce of the Irish phrase póg mo thóin, meaning "kiss my arse". Fusing punk influences with instruments such as the tin whistle, banjo, Irish bouzouki, cittern, mandolin and accordion, the Pogues were initially poorly received in traditional Irish music circles—the noted musician Tommy Makem called them "the greatest disaster ever to hit Irish music"—but were subsequently credited with reinvigorating the genre. The band later incorporated influences from other musical traditions, including jazz, flamenco, and Middle Eastern music.
Skiffle is a genre of folk music with influences from American folk music, blues, country, bluegrass, and jazz, generally performed with a mixture of manufactured and homemade or improvised instruments. Originating as a form in the United States in the first half of the 20th century, it became extremely popular in the United Kingdom in the 1950s, where it was played by such artists as Lonnie Donegan, the Vipers Skiffle Group, Ken Colyer, and Chas McDevitt. Skiffle was a major part of the early careers of some musicians who later became prominent jazz, pop, blues, folk, and rock performers, the Quarrymen and Rory Gallagher among them. It has been seen as a critical stepping stone to the second British folk revival, the British blues boom, and the British Invasion of American popular music.
Eugene Chadbourne is an American banjoist, guitarist and music critic.
Celtic rock is a genre of folk rock, as well as a form of Celtic fusion which incorporates Celtic music, instrumentation and themes into a rock music context. It has been prolific since the early 1970s and can be seen as a key foundation of the development of successful mainstream Celtic bands and popular musical performers, as well as creating important derivatives through further fusions. It has played a major role in the maintenance and definition of regional and national identities and in fostering a pan-Celtic culture. It has also helped to communicate those cultures to external audiences.
The Ex is an underground band from the Netherlands, started in 1979 at the height of the original punk explosion as a Dutch punk band. The Ex originated from the squatting movement in Amsterdam and Wormer, and was inspired by bands like The Fall and The Mekons.
Rock music has been performed and heard in Lithuania since the mid-1960s. At first, repression by the Soviet authorities meant that rock was performed only at illegal gatherings, while music from the West was available on Radio Luxembourg or smuggled records. As pressure eased somewhat, rock musicals began to be released, such as Velnio nuotaka and Ugnies medžioklė su varovais.
Folk punk is a fusion of folk music and punk rock. It was popularized in the early 1980s by The Pogues in England, and by Violent Femmes in the United States. Folk punk achieved some mainstream success in that decade. In more recent years, its subgenres Celtic punk and Gypsy punk have experienced some commercial success.
Modena City Ramblers is an Italian folk rock band founded in 1991. Their music is heavily influenced by Celtic themes, and can be compared to folk rock music. The band has sold over 500,000 albums. Known for their left-wing politics, their lyrics often speak out against the Mafia and fascism.
The Nips are an English punk rock band formed in London in 1976 as the Nipple Erectors by punk artist Shanne Bradley. They were Shane MacGowan's first musical group.
Celtic punk is punk rock mixed with traditional Celtic music.
The Men They Couldn't Hang (TMTCH) are a British folk punk group. The original group consisted of Stefan Cush, Paul Simmonds, Philip "Swill" Odgers, Jon Odgers and Shanne Bradley.
The Boggs is an independent rock band from New York City formed by Jason Friedman in 2001. Original band members Friedman, Ezekiel Healy, Bradford Conroy and Phil Roebuck met as subway buskers in New York and became a part of the then burgeoning "New New York" scene that included groups like The Rapture, Yeah Yeah Yeahs, Calla, Interpol, and The Walkmen.
Lugton is a small village or hamlet in East Ayrshire, Scotland with a population of 80 people. The A736 road runs through on its way from Glasgow, 15 miles (24.1 km) to the north, to Irvine in North Ayrshire. Uplawmoor is the first settlement on this 'Lochlibo Road' to the north and Burnhouse is to the south. The settlement lies on the Lugton Water which forms the boundary between East Ayrshire and East Renfrewshire as well as that of the parishes of Dunlop and Beith.
Mischief Brew was an American folk punk band from Philadelphia consisting of vocalist and guitarist Erik Petersen, bassist Shawn St. Clair, and drummers Christopher Petersen and Christopher Kulp. The band played DIY folk punk and anarcho-punk music; it incorporated styles including American folk, Celtic folk, Gypsy-punk, and swing with lyrics influenced by the labour movement, protest music, and punk culture.
Rüdiger Oppermann is a German harpist and experimental musician. He specializes in the Celtic harp, which he began playing in 1973. His instrument, a custom-made clàrsach, has 38 gold-plated bronze strings and a special mechanism that allows him to bend notes in a manner akin to blues musicians; a style that he often adopts in his improvisations. He has also developed electro-acoustic instruments.
The North Sea Radio Orchestra (NSRO) is an English contemporary music ensemble and cross-disciplinary chamber orchestra. Formed in 2002, the NSRO was set up mainly as a vehicle for the compositions of its musical director, Craig Fortnam, but has also performed works by William D. Drake and James Larcombe. The ensemble is notable for its post-modern fusion of Romantic music and later twentieth-century forms, and for its bridging of the worlds of contemporary classical music, British folk music, London art rock and poetry.
The Spring Standards is a three-piece folk-rock band based in New York City.
Casey Neill is an American musician. He leads Portland, Oregon-based band Casey Neill & The Norway Rats, singing with a raspy vocal quality and playing electric and acoustic guitars. Neill's style, folk-punk, mixes influences from punk, Celtic and folk music, and has been compared to R.E.M. and The Pogues.
Galloping Coroners is a Hungarian original shamanic band active between 1975–2001, and since 2009. The band established a unique "shaman punk" or "psychedelic hardcore" sound, and is regarded as one of the most important alternative bands of the 1980s from the Eastern European bloc. Permanent restrictions by Hungarian authorities made worldwide tours difficult for the band, but its ecstatic concerts garnered surprising success across Western Europe. Though relatively obscure and commercially limited outside of Eastern Europe, Maximumrocknroll described the band as "equal in spirit and grit to faves like Sonic Youth or Big Black but with an identity all its own". VHK has been praised as a highly important band by Iggy Pop, Henry Rollins, Jello Biafra and Einstürzende Neubauten.
