My Xperience is a reggae album by Jamaican dancehall performer Bounty Killer, released in 1996. Bounty Killer was one of dancehall's biggest stars in the 1990s and his harsh hip hop-influenced songs made him a controversial figure. Most of the songs on My Xperience are morose tales of poverty and violence.
’Til Shiloh is the fourth album by Jamaican dancehall artist Buju Banton, released in 1995 on Loose Cannon Records, a short-lived subsidiary of Island Records. His international breakthrough, ’Til Shiloh marked a turn towards a more serious path. Many of the songs on this album explore Buju's then newfound faith in the Rastafari movement, with songs such as "Til I'm Laid to Rest", and "Untold Stories". This could be seen as a transition from the rude-bwoy style to a more roots-oriented fashion, although the seventh track is based on the hardcore "Arab Attack" riddim.
The Congos are a reggae vocal group from Jamaica which formed as the duo "Ashanti" Roy Johnson (tenor) and Cedric Myton (falsetto), later becoming a trio with the addition of Watty Burnett (baritone), and have been active on and off from the mid-1970s until the present day. They are best known for their Heart of the Congos album, recorded with Lee "Scratch" Perry.
Heart of the Congos is a roots reggae album by The Congos, produced by Lee "Scratch" Perry at his Black Ark studio with a studio band including Boris Gardiner on bass and Ernest Ranglin on guitar. The album was released in 1977. It is noted as being one of Perry's masterpiece productions of the Black Ark era.
Mighty Diamonds are a Jamaican harmony trio, recording roots reggae with a strong Rastafarian influence. The group was formed in 1969 and remained together as of 2012. They are best known for their 1976 debut album Right Time produced by Joseph Hoo Kim and the 1979 release Deeper Roots.
Me and You are a Jamaican reggae trio.
Little Roy is a Jamaican reggae artist.
Open the Iron Gate: 1973–77 is a reggae compilation album by Max Romeo, released in 1999.
Red Rose for Gregory is an 11-track album by reggae artist, Gregory Isaacs released in 1988 by RAS Records. The album combines the style and sound of Lovers Rock with Roots reggae and it features the hit, "Rumours".
Steely & Clevie was a Jamaican dancehall reggae production duo that was composed of members Wycliffe Johnson and Cleveland Browne. The duo worked with artists such as the Specials, Gregory Peck, Bounty Killer, Elephant Man, and No Doubt.
Ranking Joea.k.a.Little Joe is a reggae deejay who rose to prominence in the 1970s and had continuing success in the 1980s.
The In Crowd are a popular Jamaican reggae showband who had their commercial peak in the late 1970s, best known for the singles "We Play Reggae" and "Back a Yard". They split up in the 1980s but reformed in 2014 to record a new album.
Dread Beat an' Blood is an album by Poet and the Roots released in 1978 on the Front Line label. It was produced by Vivian Weathers and Linton Kwesi Johnson. The 'Poet' is dub poet Johnson and 'the Roots' are Dennis Bovell, Lloyd "Jah Bunny" Donaldson, Desmond Craig, Winston Curniffe, Everald Forrest, Floyd Lawson, John Varnom, Lila Weathers and Vivian Weathers. Most of the tracks are based on poems that first appeared in Johnson's 1975 book of poetry Dread Beat an' Blood.
Best Dressed Chicken in Town is the debut album by Jamaican deejay Dr. Alimantado. It was first released in 1978, and collects many of his self-produced singles from 1972 to 1977, employing the engineering talents of Lee "Scratch" Perry, King Tubby, and Scientist. It was the first album released by Greensleeves Records, and found favour with followers of both reggae and punk rock in the United Kingdom. The album employed several major hits as the basis for the tracks, including Horace Andy's versions of "Ain't No Sunshine" and "A Quiet Place", John Holt's "Ali Baba", and Gregory Isaacs' "Thief a Man" and "My Religion". The album was described by The Independent as "one of the finest albums from reggae's golden age".
Cry Tough is a 1993 collection of Alton Ellis recordings from the rocksteady era of 1966-1968. It was released in 1993 by Heartbeat Records, and features the pick of Ellis' work for Arthur "Duke" Reid, plus some tracks produced by Sonia Pottinger. The album contains most of Ellis' original Mr. Soul of Jamaica album, and contains the same tracks as the 1973 Greatest Hits compilation on Count Shelly Records, plus eight additional tracks. Several of the tracks are alternate takes of some of his biggest hits from the era. The backing band is the Treasure Isle studio band of the time, Tommy McCook and the Supersonics. The album was included in the Rough Guides book Reggae: 100 Essential CDs.
Pick Up the Pieces is the debut album from Jamaican roots reggae group The Royals, collecting recordings made between 1973 and 1977, and produced by Royals lead vocalist and only constant member Roy Cousins. Musicians on the album include members of The Wailers, Soul Syndicate, The In Crowd, and the Now Generation. The album was later licensed to United Artists subsidiary Ballistic Records, and was reissued in an expanded form in 2002 by Pressure Sounds. The songs on the album have been described as "some of the most musically sublime expressions of Rastafarian faith and the hardships of ghetto living Jamaica has produced".
Right Time is the 1976 studio album debut of influential reggae band the Mighty Diamonds. The album, released by Virgin Records after they signed the Mighty Diamonds following a search for talent in Jamaica, is critically regarded as a reggae classic, a landmark in the roots reggae subgenre. Several of the album's socially conscious songs were hits in the band's native Jamaica, with a few becoming successful in the UK underground. Influential and sometimes unconventional, the album helped secure the success of recording studio Channel One Studios, and rhythm team Sly Dunbar and Robbie Shakespeare.
Black Roots is a 1979 album by Sugar Minott. It was the first to appear on Minott's Black Roots label, and was described in the book Reggae: 100 Essential CDs – The Rough Guide as a "classic, which catches the singer on the cusp of the roots and dancehall phases, and with total control over his music." The album includes contributions from some of Jamaica's top session musicians including Leroy "Horsemouth" Wallace, Noel "Scully" Simms, Eric "Bingy Bunny" Lamont, Gladstone Anderson and Ansell Collins, with harmony vocals provided by Don Carlos, Lacksley Castell and Ashanti Waugh. Two of the tracks on the album had previously been issued as singles – "Hard Time Pressure" and "River Jordan". The album was described by Dave Thompson in his book Reggae & Caribbean Music as a "deeply dread collection...time has bestowed a stately uniqueness to it". Alex Henderson, writing for AllMusic, said of the album: "If you combined Stax's raw production style with the type of sweetness that characterized a lot of Chicago, Detroit and Philadelphia soul and added a reggae beat, the outcome might sound something like Black Roots."
Maxwell Grant, better known as Ranking Trevor and sometimes as Ranking Superstar, was a Jamaican reggae deejay.
