O Mistress Mine is an Elizabethan song which appears in Shakespeare's play Twelfth Night . It is sung by the character Feste, who is asked to sing a love song. The words of the song are addressed to the singer/poet's lover.
The lyric is often assumed to be by Shakespeare, although he could have been referencing an existing song. The play's first documented performance was in 1602. There is an instrumental piece entitled O Mistress Mine by Shakespeare's contemporary Thomas Morley which appeared in 1599. There has been speculation that Morley was commissioned to provide music for the play. Whether or not this was the case, Shakespearean scholars think that Morley's publication predates the first performance of the play. [1] There is also a set of variations on the tune by William Byrd, another contemporary of Shakespeare. This version is included in the Fitzwilliam Virginal Book, a manuscript which it is not possible to date exactly.
Morley held a printing patent (a type of copyright protection) and published the tune in First Booke of Consort Lessons (1599). The tune has to be tweaked slightly to fit Shakespeare's words. [1] The following year Morley published a song book with a setting of It Was A Lover And His Lass from As You Like It .
The play Twelfth Night was first published in the First Folio (1623). The text appears in Act 2, Scene 3. [2]
O mistress mine, where are you roaming?
O, stay and hear; your true-love's coming,
That can sing both high and low:
Trip no further, pretty sweeting;
Journeys end in lovers' meeting,
Every wise man's son doth know.
What is love? 'tis not hereafter;
Present mirth hath present laughter;
What's to come is still unsure:
In delay there lies no plenty;
Then come kiss me, sweet-and-twenty,
Youth's a stuff will not endure.
The song is included in Alfred Deller's album Shakespeare Songs.
William Shakespeare was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted.
The earliest texts of William Shakespeare's works were published during the 16th and 17th centuries in quarto or folio format. Folios are large, tall volumes; quartos are smaller, roughly half the size. The publications of the latter are usually abbreviated to Q1, Q2, etc., where the letter stands for "quarto" and the number for the first, second, or third edition published.
The Merry Wives of Windsor or Sir John Falstaff and the Merry Wives of Windsor is a comedy by William Shakespeare first published in 1602, though believed to have been written in or before 1597. The Windsor of the play's title is a reference to the town of Windsor, also the location of Windsor Castle in Berkshire, England. Though nominally set in the reign of Henry IV or early in the reign of Henry V, the play makes no pretence to exist outside contemporary Elizabethan-era English middle-class life. It features the character Sir John Falstaff, the fat knight who had previously been featured in Henry IV, Part 1 and Part 2. It has been adapted for the opera at least ten times. The play is one of Shakespeare's lesser-regarded works among literary critics. Tradition has it that The Merry Wives of Windsor was written at the request of Queen Elizabeth I. After watching Henry IV Part I, she asked Shakespeare to write a play depicting Falstaff in love.
William Shakespeare (1564–1616) wrote sonnets on a variety of themes. When discussing or referring to Shakespeare's sonnets, it is almost always a reference to the 154 sonnets that were first published all together in a quarto in 1609. However, there are six additional sonnets that Shakespeare wrote and included in the plays Romeo and Juliet, Henry V and Love's Labour's Lost. There is also a partial sonnet found in the play Edward III.
This article presents a possible chronological listing of the composition of the plays of William Shakespeare.
"The Passionate Shepherd to His Love" (1599), by Christopher Marlowe, is a pastoral poem from the English Renaissance (1485–1603). Marlowe composed the poem in iambic tetrameter in six stanzas, and each stanza is composed of two rhyming couplets; thus the first line of the poem reads: "Come live with me and be my love".
Cressida is a character who appears in many Medieval and Renaissance retellings of the story of the Trojan War. She is a Trojan woman, the daughter of Chryses, a Trojan priest. She falls in love with Troilus, the youngest son of King Priam, and pledges everlasting love, but when she is sent to the Greeks as part of a hostage exchange, she forms a liaison with the Greek warrior Diomedes. In later culture she becomes an archetype of a faithless lover.
Twelfth Night, or What You Will is a romantic comedy by William Shakespeare that is believed to have been written around 1601–1602 as a Twelfth Night entertainment for the close of the Christmas season. The play centres on the twins Viola and Sebastian, who are separated in a shipwreck. Viola falls in love with the Duke Orsino, who in turn is in love with Countess Olivia. Upon meeting Viola, Countess Olivia falls in love with her thinking she is a man.
Thomas Morley was an English composer, theorist, singer and organist of the Renaissance. He was one of the foremost members of the English Madrigal School. Referring to the strong Italian influence on the English madrigal, The New Grove Dictionary of Music and Musicians states that Morley was "chiefly responsible for grafting the Italian shoot on to the native stock and initiating the curiously brief but brilliant flowering of the madrigal that constitutes one of the most colourful episodes in the history of English music."
John Bennet was a composer of the English madrigal school. Little is known for certain of Bennet's life, but his first collection of madrigals was published in 1599.
Feste is a fictional character in William Shakespeare's comedy Twelfth Night. He is a fool attached to the household of the Countess Olivia. He has apparently been there for some time, as he was a "fool that the Lady Olivia's father took much delight in" (2.4). Although Olivia's father has died within the last year, it is possible that Feste approaches or has reached middle age, though he still has the wit to carry off good 'fooling' when he needs to, and the voice to sing lustily or mournfully as the occasion demands. He is referred to by name only once during the play, in answer to an inquiry by Orsino of who sang a song that he heard the previous evening. Curio responds "Feste, the jester, my lord; a fool that the lady Olivia's father took much delight in. He is about the house" (2.4). Throughout the rest of the play, he is addressed only as "Fool," while in the stage directions he is mentioned as "Clown."
As You Like It is a pastoral comedy by William Shakespeare believed to have been written in 1599 and first published in the First Folio in 1623. The play's first performance is uncertain, though a performance at Wilton House in 1603 has been suggested as a possibility.
Ophelia is a character in William Shakespeare's drama Hamlet (1599–1601). She is a young noblewoman of Denmark, the daughter of Polonius, sister of Laertes and potential wife of Prince Hamlet, who, due to Hamlet's actions, ends up in a state of madness that ultimately leads to her drowning.
Let Us Garlands Bring is a song cycle for baritone and piano composed by Gerald Finzi between 1929 and 1942, and published as his Op. 18. It consists of five settings of songs from plays by William Shakespeare. It was premiered on 12 October 1942 at a National Gallery lunchtime concert in London. That day was the 70th birthday of Ralph Vaughan Williams, and the cycle is dedicated to him. Finzi subsequently arranged the work for baritone and string orchestra.
The Dark Lady is a woman described in Shakespeare's sonnets, and so called because the poems make it clear that she has black wiry hair, and dark, "dun"-coloured skin. The description of the Dark Lady distinguishes itself from the Fair Youth sequence by being overtly sexual. Among these, Sonnet 151 has been characterised as "bawdy" and is used to illustrate the difference between the spiritual love for the Fair Youth and the sexual love for the Dark Lady. The distinction is commonly made in the introduction to modern editions of the sonnets. As with the Fair Youth sequence, there have been many attempts to identify her with a real historical individual. A widely held scholarly opinion, however, is that the "dark lady" is nothing more than a construct of Shakespeare's imagination and art, and any attempt to identify her with a real person is "pointless".
Seven Sonnets & a Song is the twenty-first studio album by Australian musician, Paul Kelly, which was issued on 22 April 2016 on his own label, Gawdaggie Records, and distributed by Universal Music Australia. Kelly composed music for seven sonnets by William Shakespeare and a poem, "My True Love Hath My Heart", by Philip Sidney. The album debuted at No. 9 on the ARIA Albums Chart, becoming Kelly's fourth top 10. It was nominated for Best Adult Contemporary Album at the ARIA Music Awards of 2016.
Shakespeare Songs is a 1967 LP album of Elizabethan songs which is one of the most celebrated recordings of the countertenor Alfred Deller. Deller is accompanied by lutenist Desmond Dupré and the Deller Consort, Philip Todd and Max Worthley tenors, Maurice Bevan baritone.
Music in the plays of William Shakespeare includes both music incidental to the plot, as song and dance, and also additional supplied both by Shakespeare's own company and subsequent performers. This music is distinct from musical settings of Shakespeare's sonnets by later composers.
Juliana Hall is an American composer of art songs, monodramas, and vocal chamber music. She has been described by the NATS Journal of Singing as "one of our country’s most able and prolific art song composers for almost three decades" and, in discussing her 1989 song cycle Syllables of Velvet, Sentences of Plush, the Journal went on to assert that "Even at this very early stage in her life and career, Hall knew something about crafting music whose beauty could enhance the text at hand without drawing attention away from that text. This is masterful writing in every respect."