The Replacements were an American rock band formed in Minneapolis, Minnesota, in 1979. Initially a punk rock band, they are one of the main pioneers of alternative rock. The band was composed of the guitarist and vocalist Paul Westerberg, guitarist Bob Stinson, bass guitarist Tommy Stinson and drummer Chris Mars for most of its existence. Following several acclaimed albums, including Let It Be and Tim, Bob Stinson was kicked out of the band in 1986, and Slim Dunlap joined as lead guitarist. Steve Foley replaced Mars in 1990. Towards the end of the band's career, Westerberg exerted more control over the creative output. The group disbanded in 1991, with the members eventually pursuing various projects. A reunion was announced on October 3, 2012. Fans affectionately refer to the band as The 'Mats, a nickname that originated as a truncation of "The Placemats," a mispronunciation of their name.
Zen Arcade is the second studio album by American punk rock band Hüsker Dü, released in July 1984 on SST Records. Originally released as a double album on two vinyl LPs, Zen Arcade tells the story of a young boy who runs away from an unfulfilling home life, only to find the world outside is even worse. Zen Arcade and subsequent Hüsker Dü albums were instrumental in the creation of the alternative rock genre, and it is considered by some to be one of the greatest rock albums of all time.
The music of Minnesota began with the native rhythms and songs of Indigenous peoples, the first inhabitants of the lands which later became the U.S. state of Minnesota. Métis fur-trading voyageurs introduced the chansons of their French ancestors in the late eighteenth century. As the territory was opened up to white settlement in the 19th century, each group of immigrants brought with them the folk music of their European homelands. Celtic, German, Scandinavian, and Central and Eastern European song and dance remain part of the vernacular music of the state today.
Robert Arthur Mould is an American musician, principally known for his work as guitarist, vocalist, and songwriter for alternative rock bands Hüsker Dü in the 1980s and Sugar in the 1990s.
New Day Rising is the third studio album by American punk rock band Hüsker Dü, released in 1985 on SST Records. The album continued the move away from the fast hardcore punk of the band's earliest releases toward slower, more melodic material.
Hüsker Dü was an American punk rock band formed in Saint Paul, Minnesota, in 1979. The band's continual members were guitarist/vocalist Bob Mould, bassist/vocalist Greg Norton, and drummer/vocalist Grant Hart. They first gained notability as a hardcore punk band, and later crossed over into alternative rock. Mould and Hart were the band's principal songwriters, with Hart's higher-pitched vocals and Mould's baritone taking the lead in alternating songs.
Candy Apple Grey is the fifth album by the alternative rock band Hüsker Dü, released in 1986. It was their first major label album, though Warner Bros. had initially lobbied to release Flip Your Wig until the band decided to let SST have it. Candy Apple Grey also marks the completion of the band's transition from hardcore punk to a more well-rounded sonic style which would later come to be known as alternative rock or college rock. As usual, Bob Mould and Grant Hart individually wrote tracks on the album. While the band's earlier, more frenetic style is still evident, Candy Apple Grey also features more introverted, toned-down material, including a relatively large amount of acoustic guitar.
Twin/Tone Records was an independent record label based in Minneapolis, Minnesota, which operated from 1977 until 1994. It was the original home of influential Minnesota bands the Replacements and Soul Asylum and was instrumental in helping the Twin Cities music scene achieve national attention in the 1980s. Along with other independent American labels such as SST Records, Touch and Go Records, and Dischord, Twin/Tone helped to spearhead the nationwide network of underground bands that formed the pre-Nirvana indie-rock scene. These labels presided over the shift from the hardcore punk that then dominated the American underground scene to the more diverse styles of alternative rock that were emerging.
Grantzberg Vernon Hart was an American musician, best known as the drummer and co-songwriter for the punk rock band Hüsker Dü. After the band's breakup in 1988, he released his first solo album Intolerance before forming the alternative rock trio Nova Mob, where he moved to vocals and guitar. His solo career became his main focus after the dissolution of Nova Mob in 1997.
Sorry Ma, Forgot to Take Out the Trash is the first studio album by the American band The Replacements. It was released on August 25, 1981 by Twin/Tone Records. Squarely inspired by punk rock, the album stands in contrast to the more creatively diverse power pop and indie rock styles on later albums.
Hootenanny is the second studio album by the American rock band The Replacements, released on April 29, 1983 by Twin/Tone Records. The album received positive reviews from critics.
Jay's Longhorn Bar was a nexus of the punk rock and New Wave scenes in Minneapolis, Minnesota, in the late 1970s and early 1980s.
Gregory James Norton is an American musician, formerly of the band Hüsker Dü.
Stink is an EP by the band The Replacements, recorded at Blackberry Way, Minneapolis, Minnesota, on March 13, 1982, and released on June 24, 1982.
Treehouse Records may refer to:
Folkjokeopus is the third album issued by English folk/rock singer-songwriter and guitarist Roy Harper. It was produced by Shel Talmy and was first released in 1969 by Liberty Records.
Tim is the fourth studio album by American alternative rock band The Replacements. It was released in October 1985 on Sire Records. It was their first major label release and also the last album made by the original line-up of the band: guitarist Bob Stinson was kicked out of the band towards the end of 1986.
Peter Jesperson is an American music industry businessman from Minneapolis, Minnesota, known for his involvement in discovering the Replacements, and for later serving as their manager. He also co-founded Twin/Tone Records along with Paul Stark and Charley Hallman, and managed the record store Oar Folkjokeopus during the 1970s and early 1980s.
Terry James Katzman was a producer, sound engineer, archivist, and record-store owner in Minneapolis, Minnesota, known for his work with the Twin Cities music scene, particularly during the formative early years of Hüsker Dü, The Replacements, and The Suburbs.
"See a Little Light" is a 1989 song by alternative rock musician Bob Mould for his debut solo album Workbook. Written by Mould about his optimism after the break-up of his previous band, Hüsker Dü, the song features relatively upbeat lyrics and a light arrangement highlighted by clean electric guitar and cello.
