New German Cinema is a period in West German cinema which lasted from 1962 to 1982, in which a new generation of directors emerged who, working with low budgets, and influenced by the French New Wave and Italian Neorealism, gained notice by producing a number of "small" motion pictures that caught the attention of art house audiences. These filmmakers included Percy Adlon, Harun Farocki, Rainer Werner Fassbinder, Peter Fleischmann, Werner Herzog, Alexander Kluge, Ulli Lommel, Wolfgang Petersen, Volker Schlöndorff, Helma Sanders-Brahms, Werner Schroeter, Hans-Jürgen Syberberg, Margarethe von Trotta and Wim Wenders. As a result of the attention they garnered, they were able to create better-financed productions which were backed by the big US studios. However, most of these larger films were commercial failures and the movement was heavily dependent on subsidies. By 1977, 80% of a budget for a typical West German film was ensured by a subsidy.
Alexander Kluge is a German author, philosopher, academic and film director.
Edgar Reitz is a German filmmaker and Professor of Film at the Staatliche Hochschule für Gestaltung in Karlsruhe. He is best-known for his internationally acclaimed Heimat film series (1984-2013).
Jean-Marie Straub and Danièle Huillet were a duo of French filmmakers who made two dozen films between 1963 and 2006. Their films are noted for their rigorous, intellectually stimulating style and radical, communist politics. While both were French, they worked mostly in Germany and Italy. From the Clouds to the Resistance (1979) and Sicilia! (1999) are among the duo's best regarded works.
Robert Piet Houwer is a Dutch film producer. He studied at the University of Television and Film Munich, Germany. In 1964 he directed the short film Anmeldung (Declaration) which was awarded a Silver Bear at the Berlin Filmfest. During the 1960s, Rob Houwer became one of the most prolific producers in Germany, with directors Volker Schlöndorff, Peter Fleischmann, Johannes Schaaf (Tattoo), Michael Verhoeven and Hans-Jürgen Syberberg.
'Beate Mainka-Jellinghaus' is a German film editor who was a member of the New German Cinema movement and is noted particularly for her many films with director Werner Herzog. Between 1966 and 1986, she was credited on more than twenty-five feature films and feature-length documentaries.
The International Short Film Festival Oberhausen, founded in 1954, is one of the oldest short film festivals in the world. Held in Oberhausen, it is one of the major international platforms for the short form. The festival holds an International Competition, a German Competition, an International Children's and Youth Film Competition, the MuVi Award for best German music video, and, since 2009, the NRW Competition for productions from the German state of North Rhine-Westphalia.
Yesterday Girl is a 1966 drama film directed and written by Alexander Kluge. The film is based on the short story "Anita G." (1962), which is also by Alexander Kluge. The film tells the story of Anita G., a young East German migrant to West Germany and her struggle to adjust to her new life. The film is associated with New German Cinema.
Ursula Dirichs was a German actress.
Germany in Autumn is a 1978 West German anthology film about the period of 1977 known as the German Autumn, which was dominated by incidents of terrorism. The film is composed of contributions from different filmmakers, including Rainer Werner Fassbinder, Alexander Kluge, Edgar Reitz, Bernhard Sinkel, Alf Brustellin, Hans Peter Cloos, Katja Rupé, Peter Schubert and Volker Schlöndorff. It was entered into the 28th Berlin International Film Festival, where it won a Special Recognition award.
He Can't Stop Doing It is a 1962 West German mystery film directed by Axel von Ambesser and starring Heinz Rühmann, Rudolf Forster and Grit Boettcher. It was loosely based on the Father Brown stories by G. K. Chesterton, Rühmann reprising his role from the 1960 film The Black Sheep. It follows in the post-war tradition of German krimi films, similar to the series of Edgar Wallace adaptations popular at the time.
![<i>Jeder stirbt für sich allein</i> (1970 miniseries) 1970 [[East Germany]] TV series or program](https://upload.wikimedia.org/wikipedia/en/6/61/Jeder_stirbt_f%C3%BCr_sich_allein_%281970_DDR%29.jpg)
Jeder stirbt für sich allein (1970) is a German television miniseries produced by DEFA in the former German Democratic Republic. The story was adapted from the 1947 Hans Fallada novel, Every Man Dies Alone, known in the UK as Alone in Berlin. It was directed by Hans-Joachim Kasprzik and starred Erwin Geschonneck.
Crime Tango is a 1960 Austrian musical comedy film directed by Géza von Cziffra and starring Peter Alexander, Vivi Bach and Peter Carsten. It was a remake of the 1949 West German film Dangerous Guests which had also been directed by von Cziffra.
The Hof International Filmfestival is a German film festival that takes place in Hof, Bavaria, every year in October. Apart from numerous foreign productions, the main focus traditionally is on German films. During six festival days, about 130 films are shown in 8 theaters of 2 cinema centers, adding up to a total of 200 individual film presentations. With the exception of the retrospective, all films are German or world premieres.
The 29th annual Venice International Film Festival was held from 25 August to 7 September 1968.
Franz-Josef Spieker was a German filmmaker.
Brutality in Stone is a 1961 German documentary film directed by Alexander Kluge and Peter Schamoni. Produced at a time when German cinema preferred to forget the nation's Nazi past, the black and white film recalls the speeches and rallies of Adolf Hitler in a largely motionless setting.
The Seventh Victim is a 1964 West German thriller film directed by Franz Josef Gottlieb and starring Hansjörg Felmy, Ann Smyrner and Hans Nielsen.
Eight Hundred Times Lonely or 800 Times Lonely - One Day with German Filmmaker Edgar Reitz is a 2019 German documentary film directed by Anna Hepp about the German film director Edgar Reitz, who is known for his series of films called Heimat and was also a representative of the New German Cinema movement. Anna Hepp's film celebrated its world premiere at the 2019 Venice Film Festival in the Venice Classics section.
