Ode to O | ||||
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Studio album by OGJB Quartet | ||||
Released | 2022 | |||
Recorded | June 7–8, 2019 | |||
Studio | Sear Sound Studios, New York City | |||
Genre | Free jazz | |||
Length | 1:02:50 | |||
Label | TUM Records CD 058 | |||
OGJB Quartet chronology | ||||
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Ode to O is the second album by the OGJB Quartet, a collaborative ensemble named after the first letters of the musicians' first names, featuring saxophonist Oliver Lake, cornetist Graham Haynes, double bassist Joe Fonda, and drummer Barry Altschul. Named after the title track, a tribute to Ornette Coleman, it was recorded on June 7 and 8, 2019, at Sear Sound Studios in New York City, and was released in 2022 by TUM Records. [1] [2] [3] [4]
Review scores | |
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Source | Rating |
All About Jazz | [5] |
Jazz Trail | [6] |
Jazzwise | [7] |
PopMatters | [8] |
Tom Hull – on the Web | B+ [9] |
In a review for All About Jazz , John Sharpe wrote: "one of the most striking traits is how much they sound like a band... This is an outfit which merits a longer run than it may get given the difficulty of getting the four principals together." [5]
Will Layman of PopMatters stated: "If 'vintage' sometimes means seeming old-fashioned or left behind, then these gentlemen demonstrate that fresh thinking is possible at any age. They play here with an exquisite connection to each other and to music history." [8]
Writing for Burning Ambulance, Phil Freeman commented: "The mere fact that there's a second album by this group makes me happy. They've got a unique sound, based entirely on the interplay between the four members' personalities... there's a significant distance between what each of them does in other contexts. So listening to them cross those spaces to find somewhere to meet is what makes this music interesting." [10]
The Big Takeover's Michael Toland remarked: "These veteran heavy hitters bring all of their talents to bear on Ode to O... It would be extremely difficult for these players to create bad music in the first place, but it's clear on Ode to O the extra inspiration they take from each other's presence." [11]
In an article for The Quietus , Peter Margasak noted that the musicians have found "a bracing freebop sweet spot together," and wrote: "there's an abiding equanimity to the proceedings, imbuing the performances with grace regardless of how fiery things might get... The themes are elegant and memorable, elastic enough to support some fiery blowing and rhythmic dissection." [12]
Daniel Spicer of Jazzwise praised the title track, calling it "a deceptively conventional hard-bop swinger with a big-grinned joie de vivre," as well as "Da Bang" (dedicated to Billy Bang), which "bursts out of an extended solo drum intro with an irresistible bass vamp heavy enough to establish its own gravitational field. Serious fun." [7]
The New York City Jazz Record's George Kanzler also singled out the title track, on which Altschul and Fonda "mesh, expanding and contracting rhythms like images in a kaleidoscope, Lake and Haynes trading and jamming lines, cornet floating long notes, alto bobbing and weaving, pinching a note, arpeggiating a string of them." [13]
A writer for Glide Magazine stated: "OGJB take in both a wide swath of sound and emotion as they journey into startling, ever-unpredictable territory.... the spirit of Coleman's free expression prevails throughout, as if to form a more contemporary but less direct version of the acclaimed quartet Old and New Dreams... who directly channeled Coleman's music." [14]
Gary Chapin of The Free Jazz Collective commented: "I'm not going to call it effortless, but there's an ease to the group that comes from their decades of experience and the naturalness of their musical relationships. To me, OGJB represents a great time in the past, and a great time in the present." [15]
Jon Garelick of The Arts Fuse selected the album as one of the ten best jazz releases of 2022. [16]
Randolph Denard Ornette Coleman was an American jazz saxophonist, trumpeter, violinist, and composer. He is best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation rooted in ensemble playing and blues phrasing. Thom Jurek of AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."
Ishmael Wadada Leo Smith is an American trumpeter and composer, working primarily in the field of creative music. He was one of three finalists for the 2013 Pulitzer Prize for Music for Ten Freedom Summers, released on May 22, 2012.
Andrew Charles Cyrille is an American avant-garde jazz drummer. Throughout his career, he has performed both as a leader and a sideman in the bands of Walt Dickerson and Cecil Taylor, among others. AllMusic biographer Chris Kelsey wrote: "Few free-jazz drummers play with a tenth of Cyrille's grace and authority. His energy is unflagging, his power absolute, tempered only by an ever-present sense of propriety."
James Emory Garrison was an American jazz double bassist. He is best remembered for his association with John Coltrane from 1961 to 1967.
Oliver Lake is an American jazz saxophonist, flutist, composer, poet, and visual artist. He is known mainly for alto saxophone, but he also performs on soprano and flute. During the 1960s, Lake worked with the Black Artists Group in St. Louis. In 1977, he founded the World Saxophone Quartet with David Murray, Julius Hemphill, and Hamiet Bluiett. Lake worked in the group Trio 3 with Reggie Workman and Andrew Cyrille. Lake has appeared on more than 80 albums as a bandleader, co-leader, and side musician. He is the father of drummer Gene Lake. Lake has been a resident of Montclair, New Jersey.
Barry Altschul is a free jazz and hard bop drummer who first came to notice in the late 1960s for performing with pianists Paul Bley and Chick Corea.
Graham Haynes is an American cornetist, trumpeter and composer. The son of jazz drummer Roy Haynes, Graham is known for his work in nu jazz, fusing jazz with elements of hip hop and electronic music.
Joe Fonda is an American jazz bassist.
Sound Museum: Hidden Man is an album by the American jazz composer and saxophonist Ornette Coleman recorded in 1996 and released on the Harmolodic/Verve label. It is dedicated to Don Cherry and Ed Blackwell.
Design in Time is an album by American jazz reedist Ken Vandermark, which was recorded in 1999 and released on Delmark. It was the debut recording by the Sound in Action Trio, which features two drummers: former Sun Ra percussionist Robert Barry and frequent Vandermark collaborator Tim Mulvenna. Most of the tunes are classics written by Ornette Coleman, Thelonious Monk, Sun Ra, Don Cherry and Albert Ayler.
Gebhard Ullmann is a German jazz musician and composer.
Wiring is an album by Trio 3, a jazz group consisting of saxophonist Oliver Lake, bassist Reggie Workman and drummer Andrew Cyrille, with guest pianist Vijay Iyer. It was recorded in 2013 and released by Intakt Records.
Da Bang! is an album by violinist Billy Bang. It was recorded on February 2 and 3, 2011, roughly two months before Bang's death, at Studio MI of the Finnish Broadcasting Company in Helsinki, Finland, and was released in 2013 by Tum Records. On the album, Bang is joined by trombonist Dick Griffin, pianist Andrew Bemkey, double bassist Hilliard Greene, and drummer Newman Taylor Baker. The recording features one composition each by Bang, Barry Altschul, Don Cherry, Ornette Coleman, Miles Davis, and Sonny Rollins.
Day and Night is an album by saxophonist Gerd Dudek. It was recorded on January 30, 2012, at Curtis Schwartz Studio in Ardingly, West Sussex, England, and was released later that year by Psi Records. On the album, Dudek is joined by pianist Hans Koller, double bassist Oli Hayhurst, and drummer Gene Calderazzo.
The 3dom Factor is an album by drummer Barry Altschul on which he is joined by saxophonist Jon Irabagon and double bassist Joe Fonda. The trio's inaugural release, and Altschul's first session as a leader following a hiatus of roughly 25 years, it was recorded on June 15, 2012, at Sear Sound Studios in New York City, and was issued on CD in 2013 by TUM Records.
Tales of the Unforeseen is an album by Barry Altschul's 3dom Factor, led by drummer Altschul, and featuring saxophonist Jon Irabagon and double bassist Joe Fonda. The trio's second release, it was recorded during February 11–12, 2014, at Sear Sound Studios in New York City, and was issued on CD in 2015 by TUM Records.
Irina is an album by the Barry Altschul Quartet, led by drummer Altschul, and featuring saxophonist John Surman, trumpeter Enrico Rava, and double bassist Mark Helias. It was recorded on February 12, 1983, at Barigozzi Studio in Milan, Italy, and was released on vinyl later that year by Soul Note. The album was remastered and reissued on CD in 1998.
Live in Kraków is a live album by Barry Altschul's 3dom Factor, led by drummer Altschul, and featuring saxophonist Jon Irabagon and double bassist Joe Fonda. The trio's third release, it was recorded on December 4th, 2016, at the Alchemia club in Kraków, Poland, and was issued on CD in 2017 by Not Two Records.
Long Tall Sunshine is a live album by Barry Altschul's 3dom Factor, led by drummer Altschul, and featuring saxophonist Jon Irabagon and double bassist Joe Fonda. The trio's fourth release, it was recorded during a 2019 European tour, and was issued on CD in 2021 by Not Two Records.
Bamako is the debut album by the OGJB Quartet, a collaborative ensemble named after the first letters of the musicians' first names, featuring saxophonist Oliver Lake, cornetist Graham Haynes, double bassist Joe Fonda, and drummer Barry Altschul. It was recorded on July 2, 2016, at System Two Studios in Brooklyn, New York, and was released in 2019 by TUM Records.