Edward Hopper was an American realist painter and printmaker. He is one of America's most renowned artists and known for his skill in capturing American life and landscapes through his art.
Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization, there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally made pottery remained resolutely utilitarian until the 19th century, with fancy products imported.
Josephine "Jo" Verstille Hopper was an American painter who studied under Robert Henri and Kenneth Hayes Miller, and won the Huntington Hartford Foundation fellowship.
Martin Johnson Heade was an American painter known for his salt marsh landscapes, seascapes, and depictions of tropical birds, as well as lotus blossoms and other still lifes. His painting style and subject matter, while derived from the romanticism of the time, are regarded by art historians as a significant departure from those of his peers.
Richard Estes is an American artist, best known for his photorealist paintings. The paintings generally consist of reflective, clean, and inanimate city and geometric landscapes. He is regarded as one of the founders of the international photo-realist movement of the late 1960s, with such painters as John Baeder, Chuck Close, Robert Cottingham, Audrey Flack, Ralph Goings, and Duane Hanson. Author Graham Thompson writes "One demonstration of the way photography became assimilated into the art world is the success of photorealist painting in the late 1960s and early 1970s. It is also called super-realism or hyper-realism and painters like Richard Estes, Denis Peterson, Audrey Flack, and Chuck Close often worked from photographic stills to create paintings that appeared to be photographs."
Charles Ephraim Burchfield was an American painter and visionary artist, known for his passionate watercolors of nature scenes and townscapes. The largest collection of Burchfield's paintings, archives and journals are in the collection of the Burchfield Penney Art Center in Buffalo. His paintings are in the collections of more than 109 museums in the USA and have been the subject of exhibitions at the Metropolitan Museum of Art, the Whitney Museum of American Art, the Hammer Museum, and the Museum of Modern Art, as well as other prominent institutions.
American Realism was a style in art, music and literature that depicted contemporary social realities and the lives and everyday activities of ordinary people. The movement began in literature in the mid-19th century, and became an important tendency in visual art in the early 20th century. Whether a cultural portrayal or a scenic view of downtown New York City, American realist works attempted to define what was real.
The Ogunquit Museum of American Art is a small art museum located on the coast in Ogunquit, Maine. The museum houses over 3,000 pieces in its permanent collection.
Office at Night is a 1940 oil-on-canvas painting by the American realist painter Edward Hopper. It is owned by the Walker Art Center in Minneapolis, Minnesota, which purchased it in 1948.
Hotel Lobby is a 1943 oil painting on canvas by American realist painter Edward Hopper; it is held in the collection of the Indianapolis Museum of Art (IMA), in Indianapolis, Indiana, United States.
Early Sunday Morning is a 1930 oil painting by American artist Edward Hopper.
East Wind Over Weehawken is a 1934 oil painting on canvas by American realist painter Edward Hopper. It was held in the collection of the Pennsylvania Academy of Fine Arts in the United States from 1952 until its sale to an anonymous buyer in December 2013. That sale brought a record price for a Hopper.
Manhattan Bridge Loop is a 1928 oil painting by American artist Edward Hopper, depicting the Manhattan Bridge in New York City. It is on display in the Addison Gallery of American Art of the Phillips Academy in Andover, Massachusetts, which received the painting as a gift from art collector Stephen Carlton Clark in 1932.
Second Story Sunlight is a 1960 oil painting by the American artist Edward Hopper. It depicts two women of different ages on the second-story balcony of a white house. The older woman reads a newspaper while the younger woman sits on the railing. It is in the collections of the Whitney Museum of American Art, in New York.
Gas is an oil painting executed in 1940 by the American painter Edward Hopper. It depicts an American gas station at the end of a highway. The painting belongs to the Museum of Modern Art, in New York.
Coast Guard Station, Two Lights, Maine is a 1927 oil painting by the American Realist artist Edward Hopper. The work depicts the Cape Elizabeth Lights, a frequent subject of Hopper and wife's frequent summer visits to Cape Elizabeth, Maine. It is held in the Metropolitan Museum of Art, in New York.
Washington Crossing the Delaware is the title of three 1851 oil-on-canvas paintings by the German-American artist Emanuel Leutze.
New York Movie is an oil on canvas painting by American painter Edward Hopper. The painting was begun in December 1938 and finished in January of 1939. Measuring 32 1/4 x 40 1/8", New York Movie depicts a nearly empty movie theater occupied with a few scattered moviegoers and a pensive usherette lost in her thoughts. Praised for its brilliant portrayal of multiple light sources, New York Movie is one of Hopper's well-regarded works.
Ground Swell is a 1939 painting by American artist Edward Hopper which depicts five people on a heeling catboat in a light swell, looking at an ominous buoy. It was in the collection of the Corcoran Gallery of Art from 1943 until it was purchased by the National Gallery of Art in Washington, D.C. in 2014.
Intermission is a 1963 painting by American realist Edward Hopper (1882–1967). It is a late period painting completed between March and April at his New York home and studio in Washington Square Park, in the Greenwich Village neighborhood of Lower Manhattan, New York City, four years before his death at age 84. The work depicts a woman in a theater wearing a blue and black dress and black shoes, sitting by herself in a green aisle seat near a blue wall. It is one of the largest paintings ever completed by Hopper, and is his penultimate theater-themed work, followed by Two Comedians (1966), his last painting. It was acquired by the San Francisco Museum of Modern Art in 2012.
