Gas (Hopper)

Last updated
Gas
Hopper-Gas-1940.png
Artist Edward Hopper
Year1940
Catalogue 80000
Medium Oil on canvas
Dimensions66.7 cm× 102.2 cm(2614 in× 4014 in)
Location Museum of Modern Art, New York
Accession577.1943

Gas is an oil painting by the American painter Edward Hopper, from 1940. It depicts an American gas station at the end of a highway. The painting belongs to the Museum of Modern Art, in New York.

Contents

History and description

The subject was a composite of several gas stations Hopper had visited. [1] According to Hopper's wife Josephine, the gas station motif was something he had wanted to paint for a long time. Hopper struggled with the painting. He had begun to produce new paintings at a slower rate than before, and had trouble finding suitable gas stations to paint. Hopper wanted to paint a station with the lights lit above the pumps, but the stations in his area only turned the lights on when it was pitch dark outside, to save energy. [2]

This painting depicts a Mobil gas station alongside a road, and a man alone working at a pump as evening falls. The lighting of the gas station contrasts with the arrival of night. The attendant's outfit (vest, white shirt, tie and clothes) as well as the lighting brings a kind of priestly aspect to the picture. [3]

We can see here modernity depicted in the details of the fuel pump, sign and electric lighting, and the dark gray asphalt road in perspective, opposing the nature present in the edge of a green pine forest, on the left, with tall yellow grass in front of it, the acacia visible beyond the station office, and the straw turning reddish on the edge of the roadway. This painting deviates from the painter's preliminary studies in many details. [4]

Since 1927, the year when he acquired a Dodge and then traveled through the United States, the painter had made several paintings with the road as a recurring subject. The ambivalence between civilization and nature remains frequent in other similar Hopper's paintings, which ultimately represent neither the city nor the countryside. [5] [6]

Provenance

The painting is in the Museum of Modern Art, in New York, due to the legacy of Mrs. Simon Guggenheim, in 1943. [7]

See also

Related Research Articles

<span class="mw-page-title-main">Impressionism</span> 19th-century art movement

Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities, ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s.

<span class="mw-page-title-main">Otto Dix</span> German painter and printmaker (1891–1969)

Wilhelm Heinrich Otto Dix was a German painter and printmaker, noted for his ruthless and harshly realistic depictions of German society during the Weimar Republic and the brutality of war. Along with George Grosz and Max Beckmann, he is widely considered one of the most important artists of the Neue Sachlichkeit.

<span class="mw-page-title-main">Chaïm Soutine</span> French, Jewish Belarusian École de Paris painter (1893–1943)

Chaïm Soutine was a French painter of Belarusian-Jewish origin of the School of Paris, who made a major contribution to the expressionist movement while living and working in Paris.

<span class="mw-page-title-main">Edward Hopper</span> American painter and printmaker (1882–1967)

Edward Hopper was an American realist painter and printmaker. While he is widely known for his oil paintings, he was equally proficient as a watercolorist and printmaker in etching.

<span class="mw-page-title-main">George Grosz</span> German artist (1893–1959)

George Grosz was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity groups during the Weimar Republic. He emigrated to the United States in 1933, and became a naturalized citizen in 1938. Abandoning the style and subject matter of his earlier work, he exhibited regularly and taught for many years at the Art Students League of New York. In 1959 he returned to Berlin, where he died shortly afterwards.

<span class="mw-page-title-main">Visual art of the United States</span>

Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization, there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally made pottery remained resolutely utilitarian until the 19th century, with fancy products imported.

<span class="mw-page-title-main">William Powell Frith</span> English painter (1819–1909)

William Powell Frith was an English painter specialising in genre subjects and panoramic narrative works of life in the Victorian era. He was elected to the Royal Academy in 1853, presenting The Sleeping Model as his Diploma work. He has been described as the "greatest British painter of the social scene since Hogarth".

<span class="mw-page-title-main">Ashcan School</span> American art movement

The Ashcan School, also called the Ash Can School, was an artistic movement in the United States during the late 19th-early 20th century that produced works portraying scenes of daily life in New York, often in the city's poorer neighborhoods.

<span class="mw-page-title-main">Jacques Monory</span> French painter (1924–2018)

Jacques Monory was a French painter and filmmaker whose work, highly influenced by photography and cinema, is an allegory of the contemporary world with a focus on the violence of everyday reality. His canvases evoke a heavy atmosphere, pulling subject matter from modern civilization through the lens of his signature monochrome color blue.

<i>Automat</i> (Hopper) 1927 painting by Edward Hopper

Automat is a 1927 oil painting by the American realist painter Edward Hopper. The painting was first displayed on Valentine's Day 1927 at the opening of Hopper's second solo show, at the Rehn Galleries in New York City. By April it had been sold for $1,200. The painting is today owned by the Des Moines Art Center, in Iowa.

<i>The Stone Breakers</i> 1849 painting by Gustave Courbet

The Stone Breakers, also known as Stonebreakers, was an 1849 oil painting on canvas by the French painter Gustave Courbet. Now destroyed, the image remains an often-cited example of the artistic movement Realism.

<span class="mw-page-title-main">Night in paintings (Western art)</span> Overview of nighttime themes in European art

The depiction of night in paintings is common in Western art. Paintings that feature a night scene as the theme may be religious or history paintings, genre scenes, portraits, landscapes, or other subject types. Some artworks involve religious or fantasy topics using the quality of dim night light to create mysterious atmospheres. The source of illumination in a night scene—whether it is the moon or an artificial light source—may be depicted directly, or it may be implied by the character and coloration of the light that reflects from the subjects depicted.

<i>Hotel by a Railroad</i> Painting by Edward Hopper

Hotel by a Railroad is a painting completed in 1952 by the American realist painter and printmaker Edward Hopper. The work is an oil on canvas, measuring 101.9 x 79.3 cm. It resides in the collection of the Hirshhorn Museum and Sculpture Garden.

<i>East Wind Over Weehawken</i> 1934 painting by Edward Hopper

East Wind Over Weehawken is an 1934 oil painting on canvas by American realist painter Edward Hopper. It was held in the collection of the Pennsylvania Academy of Fine Arts in the United States from 1952 until its sale to an anonymous buyer in December 2013. That sale brought a record price for a Hopper.

<span class="mw-page-title-main">Van Gogh self-portrait (1889)</span> Painting by Vincent van Gogh, musée dOrsay

Dutch Post-Impressionist painter Vincent van Gogh painted a self-portrait in oil on canvas in September 1889. The work, which may have been Van Gogh's last self-portrait, was painted shortly before he left Saint-Rémy-de-Provence in southern France. The painting is now at the Musée d'Orsay in Paris.

<i>Pierrot</i> (Watteau) Painting by Antoine Watteau

Pierrot, also retrospectively known as Gilles, is an oil on canvas painting of c. 1718-1719 by the French Rococo artist Jean-Antoine Watteau (1684–1721). Completed in the later phase of Watteau's career, Pierrot measures 184.5 by 149.5 cm, which makes up somewhat unusual case in the artist's body of work. The painting depicts a number of actors portraying commedia dell'arte character types, with one as the titular character set in the foreground.

<i>New York Movie</i> Painting by Edward Hopper

New York Movie is an oil on canvas painting by American painter Edward Hopper. The painting was begun in December of 1938 and finished in January of 1939. Measuring 32 1/4 x 40 1/8", New York Movie depicts a nearly empty movie theater occupied with a few scattered moviegoers and a pensive usherette lost in her thoughts. Praised for its brilliant portrayal of multiple light sources, New York Movie is one of Hopper's well-regarded works. Despite the fact that the movie in the painting itself is not known, Hopper's wife and fellow painter Josephine Hopper wrote in her notes on New York Movie that the image represents fragments of snow-covered mountains.

<i>Woman with Umbrella in Front of a Hat Shop</i> Painting by August Macke

Woman with Umbrella in Front of a Hat Shop is an oil-on-canvas painting executed in 1914 by the German painter August Macke. It depicts a woman peeking into a hat shop, painted in an Expressionist style. The painting is in the collection of the Museum Folkwang in Essen.

<i>Eclipse of the Sun</i> (Grosz) 1926 painting by George Grosz

Eclipse of the Sun is an oil-on-canvas painting by German artist George Grosz, painted in 1926. It is held at the Heckscher Museum of Art, in Huntington, New York, where it is the most famous painting.

<i>Intermission</i> (Hopper) 1963 painting by Edward Hopper

Intermission is a 1963 painting by American realist Edward Hopper (1882–1967). It is a late period painting completed between March and April at his New York home and studio in Washington Square Park, in the Greenwich Village neighborhood of Lower Manhattan, New York City, four years before his death at age 84. The work depicts a woman in a theater wearing a blue and black dress and black shoes, sitting by herself in a green aisle seat near a blue wall. It is one of the largest paintings ever completed by Hopper, and is his penultimate theater-themed work, followed by Two Comedians (1966), his last painting. It was acquired by the San Francisco Museum of Art in 2012.

References

  1. "Edward Hopper. Gas. 1940". Museum of Modern Art . Retrieved 2017-03-31.
  2. Levin, Gail (1998). Edward Hopper: An Intimate Biography. Berkeley: University of California Press. p. 328–329. ISBN   0-520-21475-7.
  3. Ivo Kranzfelder, Hopper, Cologne, Taschen, 1995, pp. 70-74 (French)
  4. Laurence Debecque-Michel, Hopper, Paris, Hazan, 1992, p. 98 (French)
  5. Ivo Kranzfelder, Hopper, Cologne, Taschen, 1995, pp. 70-74 (French)
  6. Laurence Debecque-Michel, Hopper, Paris, Hazan, 1992, p. 98 (French)
  7. Troyen, Carol, et al., Edward Hopper, Boston, MFA Publications, 2007, cat. 96