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Olivia Byington | |
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| Birth name | Olivia Maria Lustosa Byington |
| Born | December 24, 1958 Rio de Janeiro, Brazil |
| Occupation(s) | Singer |
| Years active | 1978–present |
Olivia Maria Lustosa Byington (born December 24, 1958) is a Brazilian singer. [1] [2] She has released several albums, and had a number one hit with the Jagger/Richards song "Lady Jane".
Byington played the guitar from the age of eight. She started her career as a vocalist at the end of the 1970s with the rock band Antena Coletiva, and with Jaques Morelenbaum. She was described by the critic Sérgio Cabral as the "best singer of her generation".[ citation needed ] Her first record, "Corra o Risco", was recorded in 1978 with "Barca do Sol." The following year, she reached the top of the hit parade with the Rolling Stones song "Lady Jane". Her third album was recorded in Cuba.
In 1994 Byington performed concerts at the Maria Matos Theater in Lisbon. The following year she performed in Belem at the city's cultural center. She returned to Portugal for Expo 98 in Évora, Monsaraz, and Aveiro. She has performed at Lisbon's Aula Magna, and at Porto's Coliseu with Egberto Gismonti. She has performed with celebrated artists such as Tom Jobim, Chico Buarque, Edu Lobo, Djavan, Wagner Tiso, Radamés Gnatali, and João Carlos de Assis Brasil.
Byington released nine albums albums between 1980 and 2003: Anjo vadio (1980), Identidad (1981), Para Viver um Grande Amor (1983), Música (1984), Encontro (1984) (Chiquinha Gonzaga Award), Melodia Sentimental (1986), Olivia Byington and João Carlos Assis Brasil (1990) and A Dama do Encantado (1997), the former in tribute to Aracy de Almeida. In 2003, she released Canção do Amor Demais , in which she re-recorded an anthological album first recorded in 1958 by Elizeth Cardoso, featuring songs by Tom Jobim and Vinicius de Moraes.
In 2005, after meeting the Portuguese poet Tiago Torres da Silva in Rio de Janeiro, she returned to songwriting and recorded an album, Olivia Byington. She picked up the lyrics of "Areias do Leblon" and others followed, many with lyrics written by da Silva, but also by other poets, such as Geraldo Carneiro, Cacaso, and Marcelo Pires. Byington invited Leandro Braga and the Portuguese Pedro Jóia, who played with her in "Clarão" and "Balada do Avesso", to create part of the musical arrangements. She worked with other celebrated musicians like Marco Pereira, João Lyra, Zero and Zé Canuto, and shared the microphone with Seu Jorge in "Na Ponta dos Pés," and with singer Maria Bethânia in "Mãe Quelé," a homage to Clementina de Jesus, a deceased Afro-Brazilian singer.
Bossa nova is a relaxed style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band. Another defining characteristic of the style is the use of unconventional chords in some cases with complex progressions and "ambiguous" harmonies. A common misconception is that these complex chords and harmonies were derived from jazz, but samba guitar players have been using similar arrangement structures since the early 1920s, indicating a case of parallel evolution of styles rather than a simple transference from jazz to bossa nova. Nevertheless bossa nova was influenced by jazz, both in the harmonies used and also by the instrumentation of songs, today many bossa nova songs are considered jazz standards. The increase in popularity of bossa nova has helped to renew samba and contributed to the modernization of Brazilian music in general.
Antônio Carlos Brasileiro de Almeida Jobim, also known as Tom Jobim, was a Brazilian composer, pianist, guitarist, songwriter, arranger, and singer. Considered as one of the great exponents of Brazilian music, Jobim merged Samba with Cool jazz in the 1960s to create Bossa nova, with worldwide success. As a result, he is widely regarded as the "father of bossa nova".
Portuguese music includes many different styles and genres, as a result of its history. These can be broadly divided into classical music, traditional/folk music and popular music and all of them have produced internationally successful acts, with the country seeing a recent expansion in musical styles, especially in popular music.
Carlos Eduardo Lyra Barbosa was a Brazilian singer, and composer of numerous bossa nova and Música popular brasileira classics. He has also worked as a writer, with notable contributions to musical films such as Para Viver um Grande Amor and Intimidade. He and Antônio Carlos Jobim were the first two music composers, together with lyricists Vinicius de Moraes and Ronaldo Boscoli, to be recorded by João Gilberto on his first LP entitled Chega de Saudade (1959), which was called the first generation of Bossa Nova.
João Gilberto was a Brazilian guitarist, singer, and composer who was a pioneer of the musical genre of bossa nova in the late 1950s. Around the world, he was often called the "father of bossa nova"; in his native Brazil, he was referred to as "O Mito" . In 1965, the album Getz/Gilberto was the first jazz record to win the Grammy Award for Album of the Year. It also won Best Jazz Instrumental Album – Individual or Group and Best Engineered Album, Non-Classical. Nominated at the Grammy 1978 in the category Best Jazz Vocal Performance, album Amoroso, and winner category in Grammy 2001 with João voz e violão Best World Music Album.
Marcus Vinícius da Cruz e Mello Moraes, better known as Vinícius de Moraes and nicknamed O Poetinha, was a Brazilian poet, diplomat, lyricist, essayist, musician, singer, and playwright. With his frequent and diverse musical partners, including Antônio Carlos Jobim, his lyrics and compositions were instrumental in the birth and introduction to the world of bossa nova music. He recorded numerous albums, many in collaboration with noted artists, and also served as a successful Brazilian career diplomat.
Getz/Gilberto is an album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim, who also composed many of the tracks. It was released in March 1964 by Verve Records. The album features the vocals of Astrud Gilberto on two tracks, "Garota de Ipanema" and "Corcovado". The artwork was done by artist Olga Albizu. Getz/Gilberto is a jazz and bossa nova album and includes tracks such as "Desafinado", "Corcovado", and "Garota de Ipanema". The last received a Grammy Award for Record of the Year and started Astrud Gilberto's career. "Doralice" and "Para Machucar Meu Coração" strengthened Gilberto's and Jobim's respect for the tradition of pre-bossa nova samba.
Gal Maria da Graça Costa Penna Burgos, known professionally as Gal Costa ( ), was a Brazilian singer of popular music. She was one of the main figures of the tropicalia music scene in Brazil in the late 1960s and appeared on the acclaimed compilation Tropicália: ou Panis et Circencis (1968). She was described by The New York Times as "one of Brazil's greatest singers."
Susana Maria Alfonso de Aguiar, known mononymously as Mísia, was a Portuguese fado singer. She was a polyglot, singing some of her songs in Spanish, French, Catalan, English, and Japanese.
Ithamara Koorax is a Brazilian jazz and pop singer. For several years, she was voted one of the best jazz singers of the world by DownBeat Readers Polls. In 2008 and 2009, Koorax placed third on the "Female Vocalist" category on the 73rd DownBeat Readers Polls, with Diana Krall on the first place and Cassandra Wilson on second,, as well as on the 74th Annual Readers Poll.
"Chega de Saudade", also known as "No More Blues", is a bossa nova song. It is often considered the first bossa nova song to have been recorded. "Chega de Saudade" and "The Girl from Ipanema" were both composed by Antônio Carlos Jobim with lyrics by Vinícius de Moraes.
"Waters of March" is a Brazilian song composed by Antônio Carlos Jobim (1927–1994) in 1972. Jobim wrote both the Portuguese and English lyrics. The lyrics, originally written in Portuguese, do not tell a story, but rather present a series of images that form a collage; nearly every line starts with "É...". In 2001, "Águas de março" was named as the all-time best Brazilian song in a poll of more than 200 Brazilian journalists, musicians and other artists conducted by Brazil's leading daily newspaper, Folha de S.Paulo. It was also voted by the Brazilian edition of Rolling Stone as the second greatest Brazilian song.
Katia Guerreiro is a South African-born Portuguese fado singer, who has released eight albums and has received several awards, including Order of Arts and Letters, Chevalier rank, from the French government and the Order of Prince Henry from the President of Portugal.
Simone Bittencourt de Oliveira, better known as Simone, is a Brazilian singer of Música Popular Brasileira (MPB) who has recorded more than 30 albums.
Silvia D'Atri Telles was a Brazilian jazz Samba and Bossa Nova singer and composer of the 1950s and 1960s, considered one of the major artists of Bossa Nova and MPB. Most of her original recordings are out of print, though occasional compilations are released.
"Samba de uma Nota Só", known in English as "One Note Samba", is a bossa nova and jazz standard song composed by Antônio Carlos Jobim with Portuguese lyrics by Newton Mendonça. The English lyrics were written by Jon Hendricks. It was first recorded by João Gilberto in 1960 for his album O Amor, o Sorriso e a Flor.
"Dindi" is a song composed by Antônio Carlos Jobim, with lyrics by Aloysio de Oliveira. It is a world-famous bossa nova and jazz standard song. Jobim wrote this piece especially for the Brazilian singer Sylvia Telles. "Dindi" is a reference to a farm named "Dirindi", in Brazil, a place that Jobim and his friend/collaborator Vinicius de Moraes used to visit. In December 1966, Telles recorded this piece with the guitarist Rosinha de Valença.
"Once I Loved" is a bossa nova and jazz standard song composed in 1960 by Antônio Carlos Jobim, with lyrics by Vinícius de Moraes. Words in English were later added by Ray Gilbert. In a few early cases, the song was also known as, a translation into English of the original Portuguese title.
"This Happy Madness" is a bossa nova song composed in 1958 by Antônio Carlos Jobim with lyrics by Vinícius de Moraes. English-language lyrics were added later by Gene Lees.
Alaíde Costa Silveira Mondin Gomide, known as Alaíde Costa, is a Brazilian singer-songwriter.
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