Chico Buarque | |
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Born | Francisco Buarque de Hollanda 19 June 1944 Rio de Janeiro, Brazil |
Alma mater | University of São Paulo |
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Years active | 1962–present |
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Musical career | |
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Website | chicobuarque |
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Francisco Buarque de Hollanda (born 19 June 1944), popularly known simply as Chico Buarque, [a] is a Brazilian singer-songwriter, guitarist, composer, playwright, writer, and poet. He is best known for his music, which often includes social, economic, and cultural reflections on Brazil.
The firstborn son of Sérgio Buarque de Hollanda, Buarque lived at several locations throughout his childhood, though mostly in Rio de Janeiro, São Paulo, and Rome. He wrote and studied literature as a child and found music through the bossa nova compositions of Tom Jobim and João Gilberto. He performed as a singer and guitarist in the 1960s as well as writing a play that was deemed dangerous by the Brazilian military dictatorship of the time. Buarque, along with several Tropicalist and MPB musicians, was threatened by the Brazilian military government and eventually left Brazil for Italy in 1969. However, he came back to Brazil in 1970, and continued to record, perform, and write, though much of his material was suppressed by government censors. He released several more albums in the 1980s and published three novels in the 1990s and 2000s.
In 2019, Buarque was awarded the Camões Prize, the most important prize for literature in the Portuguese language. However, awarding of the prize was delayed by four years due to actions by Jair Bolsonaro, but Buarque received it in April 2023. [1]
Buarque was born in Rio de Janeiro on 19 June 1944. He came from an intellectually privileged family background—his father Sérgio Buarque de Holanda was a well-known historian, sociologist and journalist and his mother Maria Amélia Cesário Alvim was a painter and pianist. He is also brother of the singer Miúcha and politician Ana de Hollanda. As a child, he was impressed by the musical style of bossa nova, specifically the work of Tom Jobim and João Gilberto. He was also interested in writing, composing his first short story at 18 years old [2] and studying European literature, also at a young age. [3] One of his most consuming interests, however, was playing football, beginning at age four, and he still played regularly in his 60s. [3] During his childhood, he lived in Rio de Janeiro, São Paulo and Rome.
Before becoming a musician, Buarque decided at one point to study architecture at the University of São Paulo, but this choice did not lead to a career in that field; Buarque often skipped classes. [4]
He made his public debut as musician and composer in 1964, rapidly building his reputation at music festivals and television variety shows when bossa nova came to light and Nara Leão recorded three of his songs. [4] His eponymous debut album exemplified his future work, with catchy sambas characterized by inventive wordplay and an undercurrent of nostalgic tragedy. Buarque had his first hit with "A Banda" in 1966, written about a marching band, and soon released several more singles. [3] Although playing bossa nova, during his career, samba and Música popular brasileira would also be widely explored. Despite that, Buarque was criticized by two of the leading musicians at the time, Caetano Veloso and Gilberto Gil as they believed his musical style was overly conservative. [4] However, an existentially themed play that Buarque wrote and composed in 1968, Roda Viva ("Live Circle"), was frowned upon by the military government and Buarque served a short prison sentence because of it. [4] He left Brazil for Italy for 18 months in 1970, returning to write his first novel in 1972, which was not targeted by censors. [2]
At this time his thinly veiled protest single "Apesar de Você" ("In spite of You" – in reference to the military dictatorship) was also produced. [5] "Apesar de Você" was overlooked by the military censors, becoming an important anthem in the democratic movement. After selling over 100,000 copies, the single was eventually censored and removed from the market. At one point in 1974, the censors banned any song authored by Chico Buarque. Then, he created a pseudonym, naming himself "Julinho de Adelaide", complete with life history and interviews to newspapers. "Julinho de Adelaide" [6] authored songs such as "Jorge Maravilha" ("Wonder Jorge") and "Acorda Amor" ("Wake Up Love" as in a lover) before he was outed in a Jornal do Brasil news story. [7] Buarque also wrote a play named Calabar, about the Dutch invasion of Brazil in the seventeenth century, drawing parallels with the military regime. [8] Despite the censorship, songs such as "Samba de Orly" (1970), "Acorda amor" (1974, as "Julinho da Adelaide") manifested Buarque's continuing opposition to the military regime.
During the 1970s and 1980s, he collaborated with filmmakers, playwrights, and musicians in further protest works against the dictatorship. Buarque approached the 1983 Concert for Peace in Nicaragua as a valid forum to vocalize his strong political views. Throughout the decade, he crafted many of his songs as vehicles to describe the re-democratization of Brazil. The Concert for Peace in Nicaragua was one in a concert series known as the "Central American Peace Concerts." These concerts featured various Latin American artists. The political turmoil that plagued this era were expressed in many of Buarque's songs. [9] [10] He later wrote Budapeste, a novel that achieved critical national acclaim and won the Prêmio Jabuti, [11] a Brazilian literary award comparable to the Booker Prize.
His 2017 album Caravanas was named the 3rd best Brazilian album of that year by the Brazilian edition of Rolling Stone . [12]
Following the Brazilian military coup of 1964, Buarque avoided censorship by using cryptic analogies and wordplay. For example, in the song "Cálice" ("Chalice"), a duet written in 1973 with Gilberto Gil and released with Milton Nascimento in 1978, [13] he takes advantage of the homophony between the Portuguese imperative cale-se ("shut up") and cálice ("chalice") to protest government censorship, disguised as the Gospel narrative of Jesus' Gethsemane prayer to God to relieve him of the cup of suffering. The line "Quero cheirar fumaça de óleo diesel" ("I want to sniff diesel fumes") is a reference to the death of political prisoner Stuart Angel, who reportedly had his mouth glued to a jeep's exhaust pipe during a torture session. [14] Buarque was close to Stuart's mother, Zuzu Angel. This song is the subject of the final chapter of the book <First Chico Buarque> by Charles A. Perrone (London: Bloomsbury, 2022) in the Brazil 33 1/3 series.
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The cover art of the Buarque's 1966 album Chico Buarque de Hollanda became a viral internet meme with "happy" Chico and "sad" Chico. [17]
Bossa nova is a relaxed style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band. Another defining characteristic of the style is the use of unconventional chords in some cases with complex progressions and "ambiguous" harmonies. A common misconception is that these complex chords and harmonies were derived from jazz, but samba guitar players have been using similar arrangement structures since the early 1920s, indicating a case of parallel evolution of styles rather than a simple transference from jazz to bossa nova. Nevertheless, bossa nova was influenced by jazz, both in the harmonies used and also by the instrumentation of songs, and today many bossa nova songs are considered jazz standards. The popularity of bossa nova has helped to renew samba and contributed to the modernization of Brazilian music in general.
Antônio Carlos Brasileiro de Almeida Jobim, also known as Tom Jobim, was a Brazilian composer, pianist, guitarist, songwriter, arranger, and singer. Considered as one of the great exponents of Brazilian music, Jobim merged Samba with Cool jazz in the 1960s to create Bossa nova, with worldwide success. As a result, he is regarded as one of the fathers of bossa nova.
João Gilberto was a Brazilian guitarist, singer, and composer who was a pioneer of the musical genre of bossa nova in the late 1950s. Around the world, he was often called the "father of bossa nova"; in his native Brazil, he was referred to as "O Mito" . In 1965, the album Getz/Gilberto was the first jazz record to win the Grammy Award for Album of the Year. It also won Best Jazz Instrumental Album – Individual or Group and Best Engineered Album, Non-Classical. Nominated at the Grammy 1978 in the category Best Jazz Vocal Performance, album Amoroso, and winner category in Grammy 2001 with João voz e violão Best World Music Album.
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Construção is the eighth studio album by Brazilian singer-songwriter Chico Buarque, released in December 1971. It was composed in periods between Buarque's exile in Italy and his return to Brazil. Lyrically, the album is loaded with criticisms of the Brazilian military dictatorship, especially with regard to the censorship imposed by the government at the time. It is widely regarded by music critics as one of the greatest Brazilian albums of all time, and its title track was named the greatest Brazilian song of all time by Rolling Stone in 2009.
Chico Buarque, occasionally referred to as Samambaia, is a 1978 album recorded by the Brazilian singer and composer Chico Buarque. The album includes hits such as "Cálice", "Pedaço de mim" and "Apesar de você", and features participations by several outstanding Brazilian artists, e.g. Milton Nascimento, Elba Ramalho, Marieta Severo and Zizi Possi.
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Ópera do Malandro is a 1979 Brazilian musical play written by Chico Buarque and directed by Luiz Antônio Martinez Corrêa. It is inspired by John Gay’s The Beggar's Opera and Bertolt Brecht and Kurt Weill’s The Threepenny Opera. The play is a tribute to Paulo Pontes, who died in 1976.
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Caravanas is the thirty eighth studio album by Brazilian musician Chico Buarque, released on August 25, 2017, through Biscoito Fino. It was produced by Vinícius França and Luiz Cláudio Ramos and features collaborations with Chico Brown, Clara Buarque and Rafael Mike. A live version of the album as well as a DVD titled Caravanas - Ao Vivo were released in 2018.