Haroldo Eurico Browne de Campos was a Brazilian poet, critic, professor and translator. He is widely regarded as one of the most important figures in Brazilian literature since 1950.
The Latin American Art Museum of Buenos Aires is an art museum located on Figueroa Alcorta Avenue, in the Palermo section of Buenos Aires.
José Ribamar Ferreira, known by his pen name Ferreira Gullar, was a Brazilian poet, playwright, essayist, art critic, and television writer. In 1959, he was instrumental in the formation of the Neo-Concrete Movement.
Martín Sastre is a Uruguayan film director and contemporary media artist working with film, video, sculpture, photography and drawing.
Brígida Baltar was a Brazilian visual artist. Her work spanned across a wide range of mediums, including video, performance, installation, drawing, and sculpture. She was interested in capturing the ephemeral in her artwork.
Héctor Julio Páride Bernabó was an Argentine-Brazilian artist, researcher, writer, historian and journalist. His nickname and artistic name, Carybé, a type of piranha, comes from his time in the scouts. He died of heart failure after the meeting of a candomblé community's lay board of directors, the Cruz Santa Opô Afonjá Society, of which he was a member.
Eduardo Francisco Costantini is an Argentine real estate developer and businessman and the founder and chairman of the Museum of Latin American Art of Buenos Aires (MALBA). As of March 2024, Forbes estimated his net worth at US$1.2 billion.
Luis Camnitzer is a German-born Uruguayan artist, curator, art critic, and academic who was at the forefront of 1960s Conceptual Art. Camnitzer works primarily in sculpture, printmaking, and installation, exploring topics such as repression, institutional critique, and social justice.
Arturo Carrera is an Argentine poet.
Hélio Oiticica was a Brazilian visual artist, sculptor, painter, performance artist, and theorist, best known for his participation in the Neo-Concrete Movement, for his innovative use of color, and for what he later termed "environmental art", which included Parangolés and Penetrables, like the famous Tropicália. Oiticica was also a filmmaker and writer.
Philadelpho Menezes. Brazilian poet, visual poet, pioneer of new media poetry, professor in the Communication and Semiotics post-graduation program at the Pontifical University of São Paulo. He performed research for his post-graduate degree at the University of Bologna, in Italy (1990). With Brazilian artist Wilton Azevedo Philadepho Menezes created a pioneer intermedia-poetry CD-ROM: "InterPoesia. Poesia Hipermidia Interativa" (1998). In Italy he collaborated with the first net-poetry project: Karenina.it, by Italian artist Caterina Davinio.
Décio Pignatari was a Brazilian poet, essayist and translator.
Abaporu is an oil painting on canvas by Brazilian painter Tarsila do Amaral. It was painted as a birthday gift to writer Oswald de Andrade, who was her husband at the time.
Marcelo Pombo is an Argentine artist, born in December 28, 1959. He is a relevant figure in the Argentine artistic field. His work is in the collections of the Museo Nacional de Bellas Artes, the MALBA, Museo de Arte Latinoamericano de Buenos Aires, the Museo de Arte Moderno de Buenos Aires, the Museo Castagnino + macro, the Blanton Museum of Art of The University of Texas at Austin, among others.
Angélica Freitas is a Brazilian poet and translator.
Waldemar Cordeiro was an Italian-born Brazilian art critic and artist. He worked as a computer artist in the early days of computer art and was a pioneer of the concrete art movement in Latin America.
Geraldo de Barros was a Brazilian painter and photographer who also worked in engraving, graphic arts, and industrial design. He was a leader of the concrete art movement in Brazil, co-founding Grupo Ruptura and was known for his trailblazing work in experimental abstract photography and modernism. According to The Guardian, De Barros was "one of the most influential Brazilian artists of the 20th century." De Barros is best known for his Fotoformas (1946-1952), a series of photographs that used multiple exposures, rotated images, and abstracted forms to capture a phenomenological experience of Brazil's exponential urbanization in the mid-twentieth century.
Lenora de Barros is a Brazilian artist and poet. She studied linguistics at the University of São Paulo before establishing her artistic practice during the 1970s, and has remained committed to the exploration of language through a variety of media, including video, performance, photography and installation.
Andrea Graciela Giunta is an Argentine art historian, professor, researcher, and curator.
Silvia Rivas is an Argentine visual artist known for her multi-channel video installations. In Latin America she is considered a precursor in the area of expanded video. Her work is characterized by the crossing of materialities and technologies in which she uses both electronic devices and ancestral techniques. Her production is organized in thematic series of video installations, drawings, photographs or objects. Interested in revealing the metaphorical power of different materialities, she uses the electronic medium and the moving image to record stillness, the imminent and the subjective perception of time.
