Museo de Arte Latinoamericano de Buenos Aires (MALBA) | |
Established | September 20, 2001 |
---|---|
Location | Palermo, Buenos Aires, Argentina |
Type | Latin American art (20th century–present) |
Collection size | Costantini Collection |
President | Eduardo Costantini |
Curator | Marcelo E. Pacheco |
Website | malba.org.ar |
The Latin American Art Museum of Buenos Aires (Spanish : Museo de Arte Latinoamericano de Buenos Aires, mostly known for its acronym MALBA) is an art museum located on Figueroa Alcorta Avenue, in the Palermo section of Buenos Aires.
Created by Argentine businessman Eduardo Costantini, the museum is operated by the not-for-profit Fundación MALBA –Costantini, and was inaugurated on September 21, 2001. [1]
The institution was organized around the Costantini Collection, and has continued to expand its selection of works from modern artists across Latin America. It also maintains a cultural center, which stages art and film exhibitions and develops cultural activities. The museum receives over a million visitors annually, and is sustained by over 1,400 active patrons. [2]
The mission of the MALBA is to collect, preserve, research and promote Latin American art from the onset of the 20th century to the present. This involves educating the public about Latin American artists, and the diversity of cultural and artistic holdings in this region.
MALBA—PUERTOS, a satellite space in the town of Escobar opened in 2024. [3]
The museum design was made through an open call contest; 450 proposals from 45 countries were presented. [4] The selection was made by an international jury of architects, and the first prize was awarded to three young Argentinian architects: Gaston Atelman, Martin Fourcade and Alfredo Tapia.[ citation needed ] The building project was executed by AFT Architects, an Argentine architectural firm. In 1998, Costantini began construction on a large plot on Avenida Figueroa Alcorta. [5]
Among the collection's highlights is Frida Kahlo's Autorretrato con chango y loro (1942), which in 1995 cost Costantini $3.2 million and which set the record price for Kahlo at the time. Other notable works in the collection include Abaporu (1928) by Tarsila do Amaral, bought in 1995 for almost $1.5 million; Baile en Tehuantepec (1928) by Diego Rivera, for which Costantini paid $15.7 million at Phillips in 2016; [6] and La Grande Dame (The Cat Woman, 1951), a sculpture by Leonora Carrington purchased for $11.3 million in 2024. [7]
Xul Solar was the adopted name of Oscar Agustín Alejandro Schulz Solari, an Argentine painter, sculptor, writer, and inventor of imaginary languages.
Palermo is a barrio or neighborhood of Buenos Aires, Argentina. It is located in the north of the city, near the Río de la Plata.
Malba can refer to:
Mary Leonora Carrington was a British-born, naturalized Mexican surrealist painter and novelist. She lived most of her adult life in Mexico City and was one of the last surviving participants in the surrealist movement of the 1930s. Carrington was also a founding member of the women's liberation movement in Mexico during the 1970s.
Augusto de Campos is a Brazilian writer who was a founder of the Concrete poetry movement in Brazil. He is also a translator, music critic and visual artist.
Victor Grippo was an Argentine painter, engraver and sculptor, considered the father of conceptual art in Argentina. He was born in Junín, province of Buenos Aires, the elder of two sons of an Italian immigrant father and an Argentine mother of Albanese origin.
Eduardo Francisco Costantini is an Argentine real estate developer and businessman and the founder and chairman of the Museum of Latin American Art of Buenos Aires (MALBA). As of September 2024, Forbes estimated his net worth at US$1.6 billion.
Secundino Bermúdez y Delgado or simply Cundo Bermúdez, was a Cuban painter.
Avenida Figueroa Alcorta is a major thoroughfare in Buenos Aires, Argentina, with a length of over 7 km (4.3 mi) along the city's northside.
Abaporu is an oil painting on canvas by Brazilian painter Tarsila do Amaral. It was painted as a birthday gift to writer Oswald de Andrade, who was her husband at the time.
Waissman is a documentary film by Eduardo Montes-Bradley featuring the life and works of Argentine artist Andrés Waissman. The film was entirely shot in Palermo a district of Buenos Aires where Andrés Waissman and his wife, art-dealer Gachi Prieto, live and work.
José Fioravanti was a prolific Argentine sculptor known for the many civic monuments he created.
Alicia Paz is an artist based in London, working internationally. Born in Mexico City, Paz graduated from UC Berkeley, École nationale supérieure des Beaux-Arts of Paris, Goldsmiths College and Royal College of Art London.
Lidia "Lidy" Elena Prati (1921–2008) was an Argentine painter who was known for her abstract, geometric paintings. Her artwork called into question representational art and was influential in defining the concrete art movement in Latin America. Prati contributed to the publication of Arturo magazine and during the 1940s, was one of the founding members of the Asociación Arte Concreto-Invención (AACI) art movement along with Enio Iommi and Tomás Maldonado. While she is primarily known for her concrete art paintings, Prati also worked in graphic and layout design and worked with textiles and jewelry.
Inés Katzenstein is an Argentine curator, art historian, and art critic who specializes in Latin American art.
Self-Portrait is a painting executed by artist Leonora Carrington and is currently in the collection of the Metropolitan Museum of Art. She began the painting in London in 1937 and completed it in Paris in 1938. It is one of her most recognized works and has been called her "first truly Surrealist work." The presence of horses and Hyenas soon became a common feature in her work.
Andrea Graciela Giunta is an Argentine art historian, professor, researcher, and curator.
Silvia Rivas is an Argentine visual artist known for her multi-channel video installations. In Latin America she is considered a precursor in the area of expanded video. Her work is characterized by the crossing of materialities and technologies in which she uses both electronic devices and ancestral techniques. Her production is organized in thematic series of video installations, drawings, photographs or objects. Interested in revealing the metaphorical power of different materialities, she uses the electronic medium and the moving image to record stillness, the imminent and the subjective perception of time.
Diego and I is a 1949 oil painting by the Mexican artist Frida Kahlo (1907-1954).
Les Distractions de Dagobert is an oil on canvas painting by the British surrealist artist Leonora Carrington, from 1945. In May 2024, it sold for US$28.5 million, a record for a UK-born woman artist.