Racionais MC's is a Brazilian hip hop group based in São Paulo. The original lineup formed in 1988 consisted of Mano Brown, Ice Blue, Edi Rock, and DJ KL Jay. Each member hails from the ring of favelas around São Paulo. Their lyrics combine themes of social justice with gangster imagery, a far cry from the idyllic breeziness typically associated with Brazilian rap music, Racionais MC's is often considered the most important Brazilian rap group.
Raul Santos Seixas was a Brazilian rock musician foundational to the genre. Rolling Stone Brazil named Seixas among the greatest artists in Brazilian music.
Chega de Saudade is the debut album by Brazilian musician João Gilberto and is often credited as the first bossa nova album. The title can be translated roughly as "enough with longing", though the Portuguese word saudade carries with it more complex meaning.
Os Mutantes is the debut album by the Brazilian tropicalia band Os Mutantes. It was originally released in 1968 by Polydor and blends traditional Brazilian music styles with American and British psychedelia. The album includes a cover of The Mamas & The Papas' "Once Was a Time I Thought", translated into "Tempo no Tempo", and a cover of "Le premier bonheur du jour", previously recorded by Françoise Hardy. It was reissued in 1999 on Omplatten Records and again in 2006 by Omplatten's parent company, Universal Records.
Mutantes (transl. Mutants) is the second album by the Brazilian tropicalia band Os Mutantes. The album was originally released in 1969 and reissued in 1999 on Omplatten Records and again in 2006 by Omplatten's parent company, Universal Records. It shows a more polished approach than their first album, maintaining the sense of humour while keeping the experimental aspects, such as fusing different genres, studio trickery as well as using found objects and samples from television and movies.
A Divina Comédia ou Ando Meio Desligado is the third album by the Brazilian rock band Os Mutantes. The album was originally released in 1970 and reissued in 1999 on Omplatten Records and again in 2006 by Omplatten's parent company, Universal Records. The title in English means: The Divine Comedy or I Am a Bit Disconnected. "I am a bit disconnected" in this sense means "I feel a little spaced out." The second track features the band imitating California accents. The album as a whole is characterized by a mix of psychedelic and religious imagery.
The Composer of Desafinado, Plays is the first album by Antônio Carlos Jobim. Released in 1963, the album features a dozen instrumentals arranged by Claus Ogerman, whose work would mark the beginning of a lifelong musical relationship with Jobim. Of these twelve songs, nearly all of them are jazz standards. The opening track "The Girl from Ipanema" is believed to be the second most recorded song in history behind The Beatles' "Yesterday," and a recording of the song by Astrud Gilberto and Stan Getz became a worldwide hit in 1964.
Tropicália ou Panis et Circencis is a 1968 collaboration album by artists including Gilberto Gil, Caetano Veloso, Tom Zé, Nara Leão, Os Mutantes and Gal Costa. Considered an important record in the Tropicália movement and in the history of Brazilian music, it features orchestral arrangements by Rogerio Duprat and lyrical contributions from Torquato Neto.
Caetano Veloso is the debut solo album by the artist of the same name, released in Brazil in 1968. He had released Domingo the year before in collaboration with Gal Costa. It was one of the first Tropicália efforts, and features arrangements by Júlio Medaglia, Damiano Cozzella, and Sandino Hohagen, as well as an eclectic assortment of influences, demonstrating the "antropofagia" of the Tropicália movement. Sounds from psychedelia, rock, pop, Indian music, bossa nova, Bahian music and other genres appear on the album. It includes the hit songs "Alegria, Alegria", "Tropicália", and "Soy loco por ti, América".
Belchior was a Brazilian singer and composer. He was one of the first MPB singers from the Brazilian northeast to reach mainstream success, in the early 1970s.
Acabou Chorare is the second studio album by Brazilian rock and MPB group Novos Baianos. The album was released in 1972 by Som Livre, following the group's moderately successful debut É Ferro na Boneca (1970). During the recording of the album, the group took inspiration from various contemporary artists of the time, such as Jimi Hendrix, João Gilberto, and Assis Valente. In addition, Gilberto heavily influenced the sound of the album, as he served as the group's mentor during the album's recording sessions.
Krig-ha, Bandolo! is the first solo album by the Brazilian singer Raul Seixas. It was released in 1973.
Sobrevivendo no Inferno is the second studio album of the Brazilian rap group Racionais MC's, released in December 1997. The album reached the mark of 1,500,000 copies sold, despite having been released by an independent record label. Sobrevivendo no Inferno is considered among the greatest Brazilian albums of all time. It was ranked 14th on the 100 Greatest Brazilian music albums of Rolling Stone magazine, and voted 9th on the 500 Greatest Brazilian music albums of Discoteca Básica podcast. It is the highest-ranked Brazilian rap album on both lists.
Nada Como um Dia Após o Outro Dia, also released as Nada Como um Dia Após o Outro Dia, Vol. 1 & 2, is the third studio album by Brazilian hip-hop group Racionais MC's, released on 27 October 2002 through Casa Nostra.
Ventura is the third album by Brazilian band Los Hermanos, released in 2003. It was the first work of a Brazilian band to be made available – illegally – on the internet before its official release.
Cores & Valores is the fourth studio album by Brazilian rap group Racionais MC's, launched in 2014 by record companies Cosa Nostra and Boogie Suit. Unlike previous albums, all marked by several long songs, Colors & Values presents several short and direct raps - the longest track is "The Evil and the Good", with exactly five minutes.
Roberto Carlos em ritmo de aventura is a 1968 Brazilian musical comedy film directed by Roberto Farias, with screenplay written by Paulo Mendes Campos. The film is the first of a trilogy directed by Farias featuring the singer Roberto Carlos.
Antônio Carlos Moreira Pires, better known as Moraes Moreira, was a Brazilian musician and songwriter. During the 1970s he played guitar and sang in the band Novos Baianos, after which he embarked on a solo career recording 29 albums. Moreira was involved in recording 40 full-length albums with Novos Baianos and Trio Elétrico Dodô e Osmar, and two more albums with guitarist Pepeu Gomes. Moreira was one of the most versatile composers of Brazil, mixing the genres of rock, samba, choro, frevo, baião, and classical.
Renato Teixeira de Oliveira is a Brazilian singer-songwriter. He is a representative of sertanejo music and folk rock, linked to the caipira culture and dialect. Teixeira is the author of several hit songs including "Romaria", which was notably covered by Elis Regina in her eponymous 1977 album. Other hit songs by Teixeira were "Dadá Maria" and "Tocando em Frente", later sung also by Maria Bethânia. Teixeira won twice the Latin Grammy Award: in 2015 for Best Sertaneja Music Album, with Sérgio Reis, and in 2016, with Sater. His album +AR was ranked as the 44th best Brazilian album of 2018 by the Brazilian edition of Rolling Stone magazine and among the 25 best Brazilian albums of the second half of 2018 by the São Paulo Association of Art Critics.
