Brígida Baltar was a Brazilian visual artist. Her work spanned across a wide range of mediums, including video, performance, installation, drawing, and sculpture. She was interested in capturing the ephemeral in her artwork.
Héctor Julio Páride Bernabó was an Argentine-Brazilian artist, researcher, writer, historian and journalist. His nickname and artistic name, Carybé, a type of piranha, comes from his time in the scouts. He died of heart failure after the meeting of a candomblé community's lay board of directors, the Cruz Santa Opô Afonjá Society, of which he was a member.
The Museu Nacional de Belas Artes is a national art museum located in the city of Rio de Janeiro, Brazil. The museum, officially established in 1937 by the initiative of education minister Gustavo Capanema, was inaugurated in 1938 by President Getúlio Vargas. The museum collection, on the other hand, takes its rise in the transfer of the Portuguese Court to Brazil in the early 19th century, when King John VI brought along with him part of the Portuguese Royal Collection. This art collection stayed in Brazil after the King's return to Europe and became the core collection of the National School of Fine Arts. When the museum was created in 1937, it became the heir not only the National School collection, but also of its headquarters, a 1908 eclectic style building projected by Spanish architect Adolfo Morales de los Ríos.
Lygia Pape was a Brazilian visual artist, sculptor, engraver, and filmmaker, who was a key figure in the Concrete movement and a later co-founder of the Neo-Concrete Movement in Brazil during the 1950s and 1960s. Along with Hélio Oiticica and Lygia Clark, she was an important artist in the expansion of contemporary art in Brazil and pushed geometric art to include aspects of interaction and to engage with ethical and political themes.
Frida Baranek is a Brazilian sculptor known for creating large sculptural works that incorporate fibers and industrial materials such as plates, rods, and iron or steel wires as commentary on industrialization and the environment in Brazil.
Fayga Perla Ostrower was a Polish-Brazilian engraver, painter, designer, illustrator, art theorist and university professor.
Sonia Andrade is a Brazilian feminist and visual artist. She was born in 1935 in Rio de Janeiro in Brazil She was one of the pioneers in video art in Brazil. Her video works use appropriation, humor, and political commentary to break down accepted visual codes.
Anna Maria Baldo Niemeyer was a Brazilian architect, furniture designer and gallery owner. The only child of Oscar Niemeyer, she worked with her father to design the civic buildings for Brasília, focusing primarily on interior spaces and decoration. When her father decided to make furniture to harmonize his structures with the design elements, she turned her interest to furniture designing. Her two most noted designs were the initial prototype called the "Alta" and the "Rio". In her later career, she ran an art gallery in Rio, which at one time was the only gallery in the city, and assisted in the creation of the Niterói Contemporary Art Museum.
Gisele Camargo was born on July 11, 1970, in Rio de Janeiro, Brazil. She is a Brazilian painter and photographer who works in photography, video, and painting. She is best known for her pictorial meditations on urban and cinematic landscapes. She was formally trained at the Escola de Belas-Artes (EBA) of the Universidade Federal do Rio de Janeiro in the late 1990s. While in the institution, Camargo was part of a group of students who concentrated on issues of urban experience and visual culture in Rio de Janeiro. Camargo was different from the rest of her classmates, while they engaged mostly with multimedia language she remained a painter, with sporadic forays into photography and photocollage.
Renina Katz Pedreira, known as Regina Katz, is a Brazilian engraver, printmaker, and watercolorist. Together with Edith Behring and Fayga Ostrower, she is part of the generation of Brazilian women engravers that art historian Geraldo Edson de Andrade calls the "matriarchy of engraving in Brazil".
Rosângela Rennó Gomes is a Brazilian artist who lives and works in Rio de Janeiro. Her work consists of photographic images from public and private archives that question the nature of an image and its symbolic value. With the use of photographs, installations and objects, she appropriates and sheds new light on an anonymous body of photographs and negatives found mostly in flea markets, family albums, newspapers and archives. Rennó's interest in discarded images and habit of collecting were decisive in establishing her work strategies.
Geraldo de Barros was a Brazilian painter and photographer who also worked in engraving, graphic arts, and industrial design. He was a leader of the concrete art movement in Brazil, co-founding Grupo Ruptura and was known for his trailblazing work in experimental abstract photography and modernism. According to The Guardian, De Barros was "one of the most influential Brazilian artists of the 20th century." De Barros is best known for his Fotoformas (1946–1952), a series of photographs that used multiple exposures, rotated images, and abstracted forms to capture a phenomenological experience of Brazil's exponential urbanization in the mid-twentieth century.
Anna Letycia Quadros was a Brazilian artist and educator.
Vera Chaves Barcellos is a Brazilian artist and educator. She was featured in the Radical Women show at the Brooklyn Museum in 2018.
Wanda Pimentel was a Brazilian painter, based in Rio de Janeiro, Brazil. Her work is distinguished by "a precise, hard-edge quality encompassing geometric lines and smooth surfaces in pieces that often defy categorization as abstract or figurative. “My studio is in my bedroom,” Pimentel said in an interview. “Everything has to be very neat. .. I work alone. I think my issues are the issues of our time: the lack of perspective for people, their alienation. The saddest thing is for people to be dominated by things.”
Carmen Velasco Portinho (1903–2001) was a Brazilian civil engineer, urbanist, and feminist. A pioneering woman in her field, Portinho was the third woman to graduate as an engineer in Brazil.
Silvia Rivas is an Argentine visual artist known for her multi-channel video installations. In Latin America she is considered a precursor in the area of expanded video. Her work is characterized by the crossing of materialities and technologies in which she uses both electronic devices and ancestral techniques. Her production is organized in thematic series of video installations, drawings, photographs or objects. Interested in revealing the metaphorical power of different materialities, she uses the electronic medium and the moving image to record stillness, the imminent and the subjective perception of time.
Mariannita Luzzati is a Brazilian visual artist from São Paulo, recognized for her extensive study of landscapes.
The Pampulha Art Museum, formerly known as Cassino da Pampulha, is a building that is part of the Pampulha Modern Ensemble located in Belo Horizonte, Minas Gerais, Brazil. The building was designed by the architect Oscar Niemeyer at the request of the then-mayor of the city, Juscelino Kubitschek, and is recognized by UNESCO as a World Heritage Site along with the rest of the ensemble since 2016.
Maria Lídia dos Santos Magliani was a Brazilian painter, designer, engraver, illustrator, costume designer and set designer..
