Omowale Akintunde

Last updated

Omowale Achebe Akintunde is an African-American academic, film director, and author with an interest in the areas of education, race, and diversity. He is a former chairman of the Department of Black Studies at the University of Nebraska at Omaha and won a regional Emmy award for his short documentary An Inaugural Ride to Freedom.

Contents

Early life and education

Omowale Akintunde was born Darrell Lewis and was raised in Mobile, Alabama. He was awarded a scholarship to Alabama State University, where he majored in music education and was a member of the Marching Hornets band. He graduated in 1979.

After teaching music in elementary and high schools and serving in the United States Army, in 1992 Akintunde received a scholarship to study for a master's degree at Alabama State University. He earned a Master of Music Education degree and was awarded a Gus T. Ridgel fellowship to pursue his doctoral studies at the University of Missouri in Columbia. In 1996 he earned a Ph.D. in Curriculum and Instruction and African American Studies, [1] with a dissertation titled "The Effect of Using Rapping to Teach Selected Musical Forms to Urban African-American Middle School Students". [2] While at the University of Missouri, he was inspired by African-American scholar Sunidata Chajua to change his name to Omowale Achebe Akintunde.

In 2007, he graduated from the directing school at the New York Film Academy. [3] [4]

Academic career

Akintunde's first university appointment was as an assistant professor in the College of Education at the University of Wyoming. In 1996, while interim chair of the African-American Studies Department, he co-founded the annual Shepard Symposium on Social Justice. [5] [6] In 2003, he became a professor at the University of Southern Indiana, where he achieved tenure.

He subsequently moved to the University of Nebraska at Omaha, where he was chairman of the Department of Black Studies from 2008 [4] and was on the editorial board of the Journal of the National Association of Multicultural Education. [1] In 2018, he and Manfred Wogugu unsuccessfully sued the University of Nebraska, alleging that a hostile work environment created by the then head of the department and differential treatment of their complaints on the part of the university. [7] He subsequently retired from the university and became a full-time diversity consultant and filmmaker.

In an academic paper, he wrote about racism: "Racism is a systemic, societal, institutional, omnipresent, and epistemologically embedded phenomenon that pervades every vestige of our reality. For most whites, however, racism is like murder: the concept exists, but someone has to commit it in order for it to happen. This limited view of such a multilayered syndrome cultivates the sinister nature of racism and, in fact, perpetuates racist phenomena rather than eradicates them." [8] [9]

Film career

Akintunde's early films include Communion and Mama 'n 'Em, which was selected for the Hollywood Black Filmmaker Festival. [10] In 2009, he reshot his New York Film Academy thesis film, Wigger, as a feature film, relocating it to Omaha. The film, which co-stars Meshach Taylor, explores racism in America through the white teenage son of a racist father whose best friend is Black and who embraces Black culture and seeks to become an R&B singer, wrongly "think[ing] he's transcended his whiteness". [3] [4] [11] Wigger premiered in Omaha in April 2010. [10] [12] [13]

His short documentary An Inaugural Ride to Freedom is based on the experiences and thoughts of a group from the University of Nebraska Black Studies department and members of the Omaha community who took a bus to witness the inauguration of Barack Obama, America's first Black president, in January 2009. [11] Released in 2010, the film won the regional Emmy Award for Best Documentary – Cultural. [10] [14] In 2013, Akintunde produced and directed a second road film commemorating Obama's second inauguration, and his original film was re-broadcast on PBS in honor of the event.

He wrote, produced, directed, and co-starred in a sitcom pilot, It Takes a Village, shown in 2019. [15]

Writing career

His children's book The Adventures of Darrell and the Invincible Man, published in 2007, was nominated for the Outstanding Multicultural Children's Book Award of the National Association of Multicultural Education. [16] He has also published The Trouble With 'Normal' and The Trouble With Different for children. His fictional memoir of growing up Black and gay, Waiting for the Sissy Killer, was published in 2019.

Bibliography

Filmography

Related Research Articles

<span class="mw-page-title-main">Congress of Racial Equality</span> Civil rights organization in the United States

The Congress of Racial Equality (CORE) is an African-American civil rights organization in the United States that played a pivotal role for African Americans in the civil rights movement. Founded in 1942, its stated mission is "to bring about equality for all people regardless of race, creed, sex, age, disability, sexual orientation, religion or ethnic background."

An African American is a citizen or resident of the United States who has origins in any of the black populations of Africa. African American-related topics include:

<span class="mw-page-title-main">Alexander Payne</span> American film director, producer and screenwriter

Constantine Alexander Payne is an American film director, screenwriter and producer. He is noted for his satirical depictions of contemporary American society. Payne has received numerous accolades, including two Academy Awards, a BAFTA Award and three Golden Globe Awards as well as a nomination for a Grammy Award.

<span class="mw-page-title-main">University of Nebraska Omaha</span> Public university in Omaha, Nebraska, US

The University of Nebraska Omaha is a public research university the central United States, located in Omaha, Nebraska. Founded in 1908 by faculty from the Omaha Presbyterian Theological Seminary as a private non-sectarian college, the university was originally known as the University of Omaha. Originally meant to provide a Christian-based education free from ecclesiastical control, the university served as a strong alternative to the city's many successful religiously affiliated institutions.

In societies that regard some races or ethnic groups of people as dominant or superior and others as subordinate or inferior, hypodescent refers to the automatic assignment of children of a mixed union to the subordinate group. The opposite practice is hyperdescent, in which children are assigned to the race that is considered dominant or superior.

Lois Mark Stalvey was an American author, educator and civil rights activist. She was born in Milwaukee, Wisconsin and died in Sedona, Arizona. A 1974 Time magazine feature on her writing reported that Stalvey wrote, "a remarkable chronicle of a white family's confrontation with inner-city schools and a harsh indictment of an educational system that is a disaster for most of its pupils."

<span class="mw-page-title-main">Film Streams</span>

Film Streams is a nonprofit arts organization in Omaha, Nebraska which oversees two cinemas: the Ruth Sokolof Theater, in North Downtown Omaha, and the historic Dundee Theater, Omaha's longest surviving neighborhood cinema. It receives funding from corporate and individual donors, members, and the government.

<span class="mw-page-title-main">Stanley Nelson Jr.</span> American documentary filmmaker

Stanley Earl Nelson Jr. is an American documentary filmmaker and a MacArthur Fellow known as a director, writer and producer of documentaries examining African-American history and experiences. He is a recipient of the 2013 National Humanities Medal from President Obama. He has won three Primetime Emmy Awards.

The civil rights movement in Omaha, Nebraska, has roots that extend back until at least 1912. With a history of racial tension that starts before the founding of the city, Omaha has been the home of numerous overt efforts related to securing civil rights for African Americans since at least the 1870s.

<span class="mw-page-title-main">Great Plains Black History Museum</span>

The Great Plains Black History Museum currently resides on the first floor of the historic Jewell Building in North Omaha, Nebraska. It was formerly located at 2213 Lake Street in the Near North Side neighborhood in North Omaha. It was housed in the Webster Telephone Exchange Building, which is listed on the National Register of Historic Places. A nationally renowned institution for more than 40 years, the museum includes more than 100,000 periodicals, manuscripts, photographs and research materials. The museum currently conducts programs and presents exhibits throughout Omaha, the State of Nebraska, regionally and nationally upon request.

The timeline of racial tension in Omaha, Nebraska lists events in African-American history in Omaha. These included racial violence, but also include many firsts as the black community built its institutions. Omaha has been a major industrial city on the edge of what was a rural, agricultural state. It has attracted a more diverse population than the rest of the state. Its issues were common to other major industrial cities of the early 20th century, as it was a destination for 19th and 20th century European immigrants, and internal white and black migrants from the South in the Great Migration. Many early 20th-century conflicts arose out of labor struggles, postwar social tensions and economic problems, and hiring of later immigrants and black migrants as strikebreakers in the meatpacking and stockyard industries. Massive job losses starting in the 1960s with the restructuring of the railroad, stockyards and meatpacking industries contributed to economic and social problems for workers in the city.

Racial tension in Omaha, Nebraska occurred mostly because of the city's volatile mixture of high numbers of new immigrants from southern and eastern Europe and African-American migrants from the Deep South. While racial discrimination existed at several levels, the violent outbreaks were within working classes. Irish Americans, the largest and earliest immigrant group in the 19th century, established the first neighborhoods in South Omaha. All were attracted by new industrial jobs, and most were from rural areas. There was competition among ethnic Irish, newer European immigrants, and African-American migrants from the South, for industrial jobs and housing. They all had difficulty adjusting to industrial demands, which were unmitigated by organized labor in the early years. Some of the early labor organizing resulted in increasing tensions between groups, as later arrivals to the city were used as strikebreakers. In Omaha as in other major cities, racial tension has erupted at times of social and economic strife, often taking the form of mob violence as different groups tried to assert power. Much of the early violence came out of labor struggles in early 20th century industries: between working class ethnic whites and immigrants, and blacks of the Great Migration. Meatpacking companies had used the latter for strikebreakers in 1917 as workers were trying to organize. As veterans returned from World War I, both groups competed for jobs. By the late 1930s, however, interracial teams worked together to organize the meatpacking industry under the United Packinghouse Workers of America (UPWA). Unlike the AFL and some other industrial unions in the CIO, UPWA was progressive. It used its power to help end segregation in restaurants and stores in Omaha, and supported the civil rights movement in the 1960s. Women labor organizers such as Tillie Olsen and Rowena Moore were active in the meatpacking industry in the 1930s and 1940s, respectively.

African Americans in Omaha, Nebraska are central to the development and growth of the 43rd largest city in the United States. Black people are first recorded arriving in the area that became the city when York came through in 1804 with the Lewis and Clark expedition and the residence of Jean Baptiste Point du Sable who lived at Fort Lisa for an extended period in 1810. There were also enslaved Black people at the Church of Latter Day Saints Winter Quarters in 1846. The first free Black settler in the city arrived in 1854, the year the city was incorporated.

<span class="mw-page-title-main">Lincoln Motion Picture Company</span> Defunct African American film production company

The Lincoln Motion Picture Company was an American film production company founded in 1916 by Noble Johnson and George Perry Johnson. Noble Johnson was president of the company, and the secretary was actor Clarence A. Brooks. Dr. James T. Smith was treasurer, and Dudley A. Brooks was the assistant secretary. The company is known as the first producer of race movies. Established in Omaha, Nebraska, the company relocated to Los Angeles the following year. It remained in operation until 1923, closing shortly after announcing a final project, The Heart of a Negro. The point of the creation of Lincoln's was to eliminate the stereotypical roles of "slapstick comedy" in Hollywood at the time for Black actors and actresses. "best advertised and most widely known Race Corporation in the world" is the famous slogan for the company.

<span class="mw-page-title-main">Matthew Ricketts</span> American politician

Matthew Oliver Ricketts was an American politician and physician. He was the first African-American member of the Nebraska Legislature, where he served two terms in the Nebraska House of Representatives from 1893 until 1897. He was also the first African American to graduate from the University of Nebraska College of Medicine in Omaha.

Various ethnic groups in Omaha, Nebraska have lived in the city since its organization by Anglo-Americans in 1854. Native Americans of various nations lived in the Omaha territory for centuries before European arrival, and some stayed in the area. The city was founded by white Anglo-Saxon Protestants from neighboring Council Bluffs, Iowa. However, since the first settlement, substantial immigration from all of Europe, migration by African Americans from the Deep South and various ethnic groups from the Eastern United States, and new waves of more recent immigrants from Mexico and Africa have added layers of complexity to the workforce, culture, religious and social fabric of the city.

<span class="mw-page-title-main">Sociology of race and ethnic relations</span> Field of study

The sociology of race and ethnic relations is the study of social, political, and economic relations between races and ethnicities at all levels of society. This area encompasses the study of systemic racism, like residential segregation and other complex social processes between different racial and ethnic groups.

Sylvia D. Hamilton is a Canadian filmmaker, writer, poet, and artist. Based in Nova Scotia, her work explores the lives and experiences of people of African descent. Her special focus is on African Nova Scotians, and especially women. In particular, her work takes the form of documentary films, writing, public presentations, teaching, mentoring, extensive volunteer work and community involvement. She has uncovered stories of struggles and contributions of African Canadians and introduced them to mainstream audiences. Through her work, she exposes the roots and the presence of systemic racism in Canada. She aims to provide opportunities for Black and Indigenous youth through education and empowerment.

Marika Sherwood is a Hungarian-born historian, researcher, educator and author based in England. She is a co-founder of the Black and Asian Studies Association.

<span class="mw-page-title-main">African American cinema</span> Films made by, for, or about black Americans

African American cinema is loosely classified as films made by, for, or about Black Americans. Historically, African American films have been made with African-American casts and marketed to African-American audiences. The production team and director were sometimes also African American. More recently, Black films featuring multicultural casts aimed at multicultural audiences have also included American Blackness as an essential aspect of the storyline.

References

  1. 1 2 "Faculty: Omowale Akintunde, Ph.D." Department of Black Studies, University of Nebraska, Omaha. Archived from the original on June 12, 2011.
  2. The Effect of Using Rapping to Teach Selected Musical Forms to Urban African-American Middle School Students (PhD). University of Missouri–Columbia. 1996.
  3. 1 2 Bob Fischbach (April 15, 2010). "'Wigger,' movie shot in north Omaha, premieres Monday". Omaha World–Herald. Archived from the original on June 30, 2010.
  4. 1 2 3 "Film School Graduate Omowale Akintunde Feature Film 'Wigger' Exposes Serious Race Problem". New York Film Academy blog. July 28, 2009. Retrieved December 11, 2023.
  5. Deborah McGriff; Margaret Zamudio; Catherine Connolly; Francisco Rios (2004). "Confronting Difference: Progressive Politics and Sites of Resistance". In James O'Donnell; Marc Pruyn; Rudolfo Chávez Chávez (eds.). Social Justice in These Times. Greenwich, Connecticut: Information Age. p. 80. ISBN   9781593112196.
  6. "This Year at the Shepard Symposium on Social Justice…". University of Wyoming Social Justice Research Center. April 2016. Retrieved December 11, 2023.
  7. Riley Johnson (August 21, 2015). "Federal judge dismisses unfair-treatment lawsuit against UNO". Lincoln Journal–Star.
  8. Omowale Akintunde (Winter 1999). "White racism, white supremacy, white privilege, & the social construction of race: Moving from modernist to postmodernist multiculturalism". Multicultural Education. 7 (2): 2.
  9. Corey Harris (November 30, 2022). "White People Can't Talk About Race". The African American Folklorist. Retrieved December 11, 2023.
  10. 1 2 3 "ASU alumnus wins Emmy for short film". July 31, 2010. Archived from the original on September 28, 2011.
  11. 1 2 John Pitcher (July 25, 2009). "Film focuses on racism in America". Omaha World–Herald. Archived from the original on July 26, 2009.
  12. "'Wigger' To Explore Race, Racism In America". KETV. April 19, 2010. Archived from the original on March 6, 2012.
  13. Leo Biga (July 20, 2011). "Omowale Akintunde's in-your-face race film for the new millennium, 'Wigger,' introduces America to new cinema voice". The Reader. Retrieved December 11, 2023 via Leo Adam Biga's My Inside Stories.
  14. "Emmy Awards 2010: Documentary – Cultural". NATAS Heartland Chapter. Archived from the original on July 22, 2011.
  15. Leo Biga (February 26, 2019). "Local Black Filmmakers Showcase featuring screen gems by Omaha's own Omowale Akintunde and Jason Fischer". Leo Adam Biga's My Inside Stories. Retrieved December 11, 2023.
  16. "Faculty books and monographs: The Adventures of Darrell and the Invincible Man". Digital Commons. University of Nebraska at Omaha. 2007. Retrieved December 11, 2023.
  17. "An Inaugural Ride to Freedom: The Journey Continues". IMDb .