The omukuli is a type of flute found in Uganda. It is played both as a solo and accompaniment instrument. It is made out of a variety of materials that have a square hole chipped out of one of the ends. It has finger holes that help in playing different pitches and melody.
The player directs a stream of air over the sharp rim or on top of the pipe. It has a pentatonic scale, sol, la, do, re, mi, or do, re, mi, sol, la. Endere is tuned on the xylophone key since the xylophone is omnipresent throughout Uganda.
The xylophone is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Like the glockenspiel, the xylophone essentially consists of a set of tuned keys arranged in the fashion of the keyboard of a piano. Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use.
In music, solfège or solfeggio, also called sol-fa, solfa, solfeo, among many names, is a music education method used to teach aural skills, pitch and sight-reading of Western music. Solfège is a form of solmization, though the two terms are sometimes used interchangeably.
The bağlama or saz is a family of plucked string instruments, long-necked lutes used in Ottoman classical music, Turkish folk music, Turkish Arabesque music, Azerbaijani music, Kurdish music, Armenian music and in parts of Syria, Iraq and the Balkan countries.
A suling or seruling is a Southeast Asian bamboo ring flute especially in Brunei, Indonesia, Malaysia, the Philippines and Singapore. It is used in Degung ensembles.
Solmization is a system of attributing a distinct syllable to each note of a musical scale. Various forms of solmization are in use and have been used throughout the world, but solfège is the most common convention in countries of Western culture.
Black Hole is a patience or solitaire card game. It is of the open builder type; its play is similar to Golf and Tri Peaks, but with a tableau of fans like that of La Belle Lucie. Invented by David Parlett, this game's objective is to compile the entire deck into one foundation.
The Gravikord is a 24 string electric double bridge-harp invented by Robert Grawi in 1984, which is closely related to both the West African kora and the mbira. It was designed to employ a separated double tonal array structure making it possible to easily play cross-rhythms in a polyrhythmic musical style in a modern electro-acoustic instrument. The Gravi-kora is a similar instrument, also developed by Grawi, which is tuned identically to a traditional 21 string kora.
Do Re Mi may refer to:
Soggetto cavato[sodˈdʒɛtto kaˈvaːto] is an innovative technique of Renaissance composer Josquin des Prez that was later named by the theorist Zarlino in 1558 in his Le istitutioni harmoniche as soggetto cavato dalle vocali di queste parole, or literally, a subject 'carved out of the vowels from these words.' It is an early example of a musical cryptogram.
Baganda music is a music culture developed by the people of Uganda with many features that distinguish African music from other world music traditions. Parts of this musical tradition have been extensively researched and well-documented, with textbooks documenting this research. Therefore, the culture is a useful illustration of general African music.
The Missa La sol fa re mi is a musical setting of the mass by Josquin des Prez, first published in 1502. It is one of his most famous masses, and one of the earliest and most renowned examples of the soggetto cavato technique – the technique of deriving musical notes from the syllables of a phrase, in this case "Lascia fare mi".
There are many different tunings for the guqin.
Tonic sol-fa is a pedagogical technique for teaching sight-singing, invented by Sarah Ann Glover (1785–1867) of Norwich, England and popularised by John Curwen, who adapted it from a number of earlier musical systems. It uses a system of musical notation based on movable do solfège, whereby every note is given a name according to its relationship with other notes in the key: the usual staff notation is replaced with anglicized solfège syllables or their abbreviations. "Do" is chosen to be the tonic of whatever key is being used. The original solfège sequence started with "Ut" which later became "Do".
Rast Panjgah is the name of a dastgah in Iranian music and of a maqam in Arabic and related systems of music.
The Turkish ney is an end-blown reed flute, an Ottoman variation on the ancient ney. Together with the Turkish tanbur lute and Turkish kemençe fiddle are considered the most typical instruments of Classical Turkish music. The ney also plays a primary role in the music of the Mevlevi Sufi rites (semâ).
The Wot is a circular panpipe used in the traditional music of Laos and the Isan region of northeastern Thailand. It is often a major component in Pong-Lang ensembles.
Solresol, originally called Langue universelle and then Langue musicale universelle, is a constructed language devised by François Sudre, beginning in 1827. His major book on it, Langue Musicale Universelle, was published after his death in 1866, though he had already been publicizing it for some years. Solresol enjoyed a brief spell of popularity, reaching its pinnacle with Boleslas Gajewski's 1902 publication of Grammaire du Solresol.
The Byzantine lyra or lira was a medieval bowed string musical instrument in the Byzantine Empire. In its popular form, the lyra was a pear-shaped instrument with three to five strings, held upright and played by stopping the strings from the side with fingernails. The first known depiction of the instrument is on a Byzantine ivory casket, preserved in the Bargello in Florence. Versions of the Byzantine lyra are still played throughout the former lands of the Byzantine Empire: Greece, Crete, Albania, Montenegro, Serbia, Bulgaria, North Macedonia, Croatia, Italy and Armenia.
The viola de cocho is a singular plucked string instrument from Brazil. It is typical in the states of Mato Grosso and Mato Grosso do Sul and has been designated a part of Brazil's intangible national heritage by IPHAN, the Brazilian institution responsible for the preservation of the national cultural heritage. It is unusual in that although it has only three frets at most and is left unvarnished. The Portuguese word cocho, used by farm labourers, refers to a hollowed-out log forming a sort of container. The cocho is widely used, for example, to provide salt for cattle on grassland farms.
Bayātī, also known as Bayat and Uşşâk (Ushaq), is the name of a maqam in Arabic, Turkish, and related systems of music. Bayati is similar to a natural minor scale, with the primary exception of a half-flat second degree. The maqam is immensely popular in the Arab world, particularly in the Levant. In secular settings, it is favored in dabke and pop music.
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