On the Reeperbahn at Half Past Midnight | |
---|---|
Directed by | Fred Stranz |
Written by | |
Produced by | Max W. Kimmich |
Starring | |
Cinematography | |
Production company | |
Distributed by | Deutsche Universal-Film |
Release date |
|
Running time | 71 minutes |
Country | Germany |
Languages |
|
On the Reeperbahn at Half Past Midnight (German : Auf der Reeperbahn nachts um halb eins) is a 1929 German silent adventure film directed by Fred Stranz and starring Eddie Polo, Lydia Potechina, and Harry Nestor. [1] The film takes its name from the 1912 song of the same name, which refers to the Reeperbahn in Hamburg. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art director Otto Moldenhauer. It was made by the German subsidiary of the Hollywood studio Universal Pictures.
The Reeperbahn is a street and entertainment district in Hamburg's St. Pauli district, one of the two centres of Hamburg's nightlife and also the city's major red-light district. In German, it is also nicknamed die sündige Meile and Kiez. The Reeperbahn Festival is among the largest club festivals.
Große Freiheit Nr. 7 is a 1944 German musical drama film directed by Helmut Käutner. It was named after Große Freiheit, a street next to Hamburg's Reeperbahn road in the St. Pauli red light district.
Harry Nestor was an Austrian actor.
Lydia Potechina was a Russian actress. She emigrated to Germany in 1918. She was married to the Russian-German film producer Max Pfeiffer.
Carl Hinrichs was a German stage and film actor.
Comedy of the Heart is a 1924 German silent romance film directed by Rochus Gliese and starring Lil Dagover, Nigel Barrie and Alexander Murski. It premiered at the Tauentzienpalast in Berlin on 30 September 1924. It was based on a novella by Sophie Hoechstetter. The film was one of UFA's major releases of the 1923-1925 boom period. It was made at the Babelsberg Studio.
The Transformation of Dr. Bessel is a 1927 German silent film directed by Richard Oswald and starring Jakob Tiedtke, Sophie Pagay and Hans Stüwe. The film was based on a novel by Ludwig Wolff. It premiered at the Ufa-Palast am Zoo. It has thematic similarities with Ernst Lubitsch's 1932 film The Man I Killed. Whereas that film featured a French soldier partially assuming the identity of a dead German, in Oswald's film a German is able to survive by pretending to be French.
On the Reeperbahn at Half Past Midnight may refer to:
"On the Reeperbahn at Half Past Midnight" is a 1912 German song by Ralph Arthur Roberts, originally written for a musical revue. The song refers to the Reeperbahn, the red light district of the port city of Hamburg. The song's popularity received a major boost when it was used in the 1944 film Große Freiheit Nr. 7, sung by the star Hans Albers.
On the Reeperbahn at Half Past Midnight is a 1969 West German drama film directed by Rolf Olsen and Al Adamson and starring Curd Jürgens, Heinz Reincke, and Jutta D'Arcy. It takes its title from a popular 1912 song of the same name about Hamburg, the setting of the film. It is also known by the alternative title Shock Treatment.
On the Reeperbahn at Half Past Midnight is a 1954 West German comedy drama film directed by Wolfgang Liebeneiner and starring Hans Albers, Heinz Rühmann and Fita Benkhoff. The film is set in Hamburg and was one of two 1950s films starring Albers attempting to emulate the success of his 1944 hit Große Freiheit Nr. 7. The film takes its name from the 1912 song of the same name and is not a remake of the 1929 silent film of the same title. A further version was made in 1969 with Curd Jürgens.
A Sister of Six is a 1926 silent romantic comedy film directed by Ragnar Hyltén-Cavallius and starring Willy Fritsch, Betty Balfour and Lydia Potechina. It was a co-production between Germany, Sweden and the United Kingdom. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the Swedish art director Vilhelm Bryde.
Love on Skis is a 1928 German silent comedy film directed by Rolf Randolf and starring Harry Liedtke, Rita Roberts and Georg Henrich. It was shot at the Bavaria Studios in Munich and on location in the Alps. The film's sets were designed by the art director Ludwig Reiber.
The Circus Princess is a 1929 German silent film directed by Victor Janson. It is an adaptation of the operetta Die Zirkusprinzessin. It was shot at the Staaken Studios in Berlin. The film's sets were designed by the art directors Botho Hoefer and Hans Minzloff
The Great Unknown is a 1924 German silent drama film directed by Willi Wolff and starring Lydia Potechina, Ellen Richter and Leopold von Ledebur.
A Modern Casanova is a 1928 German silent romantic comedy film directed by Max Obal and Rudolf Walther-Fein and starring Harry Liedtke, María Corda and Ernö Verebes. It was shot at the Staaken Studios in Berlin. The film's art direction was by Botho Hoefer and Hans Minzloff.
Mikosch Comes In is a 1928 German silent comedy film directed by Rolf Randolf and starring Gyula Szőreghy, Lydia Potechina, and Claire Rommer.
A Better Master is a 1928 German silent comedy film directed by Gustav Ucicky and starring Leo Peukert, Lydia Potechina and Willi Forst. It is based upon the play by Walter Hasenclever.
Fräulein Raffke is a 1923 German silent film directed by Richard Eichberg and starring Werner Krauss, Lydia Potechina and Lee Parry. A "Raffke" was Weimar era slang for a money accumulator.
Heinz Willeg was a German film producer. During the 1960s he produced a number of crime and thriller films including the Jerry Cotton series starring George Nader.