"On the Swing Shift" is a 1942 song composed by Harold Arlen with lyrics by Johnny Mercer for the film Star Spangled Rhythm , where it was introduced by Marjorie Reynolds, Betty Jane Rhodes and Dona Drake. [1]
Harold Arlen was an American composer of popular music who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film The Wizard of Oz, including the classic "Over the Rainbow", Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the Recording Industry Association of America (RIAA) and the National Endowment for the Arts (NEA).
John Herndon Mercer was an American lyricist, songwriter, and singer. He was also a record label executive who co-founded Capitol Records with music industry businessman Buddy DeSylva and Glenn E. Wallichs.
Star Spangled Rhythm is a 1942 American all-star cast musical film made by Paramount Pictures during World War II as a morale booster. Many of the Hollywood studios produced such films during the war, generally musicals, frequently with flimsy storylines, and with the specific intent of entertaining the troops overseas and civilians back home and to encourage fundraising – as well as to show the studios' patriotism. This film was also the first released by Paramount to be shown for 8 weeks.
The song is about a romance between workers in an aircraft factory during the Second World War working the "swing shift"; between 4pm and midnight. [2] [1] [3] Glenn T. Eskew described the song as "one of the first songs to recognize the new role of women laboring in the factories" and one of several lyrics Mercer wrote that "betrayed a weakening of traditional constraints of societal norms" during the war in his 2013 biography of Mercer, Johnny Mercer: Southern Songwriter for the World. [4]
Mel Tormé and George Shearing performed the song on their 1990 live album Mel and George "Do" World War II . [5] Tormé later described the song as "a personal favorite of mine" in his 1994 book My Singing Teachers. [6]
Melvin Howard Tormé, best known as Mel Tormé and nicknamed The Velvet Fog, was an American musician, a singer of jazz standards. He was also a jazz composer and arranger, drummer, an actor in radio, film, and television, and the author of five books. He composed the music for "The Christmas Song" and co-wrote the lyrics with Bob Wells.
Sir George Albert Shearing, OBE was a British jazz pianist who for many years led a popular jazz group that recorded for Discovery Records, MGM Records and Capitol Records. The composer of over 300 titles, including the jazz standards "Lullaby of Birdland" and "Conception", and had multiple albums on the Billboard charts during the 1950s, 1960s, 1980s and 1990s. He died of heart failure in New York City, at the age of 91.
Mel and George "Do" World War II is a 1990 live album by the American jazz singer Mel Tormé and the British jazz pianist George Shearing.
Edward William May Jr. was an American composer, arranger and trumpeter. He composed film and television music for The Green Hornet (1966), The Mod Squad (1968), Batman, and Naked City (1960). He collaborated on films such as Pennies from Heaven (1981), and orchestrated Cocoon, and Cocoon: The Return, among others.
"Blues in the Night" is a popular blues song which has become a pop standard and is generally considered to be part of the Great American Songbook. The music was written by Harold Arlen, the lyrics by Johnny Mercer, for a 1941 film begun with the working title Hot Nocturne, but finally released as Blues in the Night. The song is sung in the film by William Gillespie.
"One for My Baby " is a hit song written by Harold Arlen and Johnny Mercer for the movie musical The Sky's the Limit (1943) and first performed in the film by Fred Astaire. It was further popularized by Frank Sinatra.
"That Old Black Magic" is a 1942 popular song written by Harold Arlen (music), with the lyrics by Johnny Mercer.. They wrote it for the 1942 film Star Spangled Rhythm when it was sung by Johnny Johnston and danced by Vera Zorina. The song was nominated for the Academy Award for Best Original Song in 1943 but lost out to "You'll Never Know".
"Tangerine" is a popular song. The music was written by Victor Schertzinger, the lyrics by Johnny Mercer. The song was published in 1941 and soon became a jazz standard.
"Out of This World" is an American popular song composed by Harold Arlen, with lyrics written by Johnny Mercer. It was first recorded by Jo Stafford with Paul Weston and his Orchestra in 1944.
An Elegant Evening is a 1985 studio album by the American jazz singer Mel Tormé, accompanied by George Shearing.
"This Time the Dream's on Me" is a song composed by Harold Arlen, with lyrics by Johnny Mercer. It was written for the 1941 film Blues in the Night when it was sung by Priscilla Lane.
"A Sleepin' Bee" is a popular song composed by Harold Arlen with lyrics by Arlen and Truman Capote. It was introduced in the 1954 musical House of Flowers by Diahann Carroll. Mel Tormé's performance of the song in Mel Tormé Swings Shubert Alley was called "definitive" in The Penguin Guide to Jazz.
"Last Night When We Were Young" is a 1935 popular song about nostalgia and young love composed by Harold Arlen, with lyrics by Yip Harburg. Arlen regarded it as the favourite of the songs that he had written.
Velvet & Brass is a 1995 album by Mel Tormé, with Rob McConnell's Boss Brass big band. This was Tormé's second recording with the band, his first was released in 1987. Velvet & Brass was Tormé's final studio album.
Mel Tormé Swings Shubert Alley is a 1960 album by Mel Tormé, arranged by Marty Paich.
Mel Tormé at the Crescendo is a 1957 live album by Mel Tormé, recorded at the Crescendo nightclub in Los Angeles.
The Classic Concert Live is a live album by Mel Tormé, Gerry Mulligan, and George Shearing, recorded at Carnegie Hall in 1982 and released in 2005.
Call for Music is an old-time radio program in the United States. It was broadcast on CBS February 13, 1948 - April 16, 1948, and on NBC April 20, 1948 - June 29, 1948. The title was adapted from the sponsor's signature radio tag, "Call for Philip Morris."