One Little Plane | |
---|---|
Birth name | Kathryn Bint |
Origin | Chicago |
Genres | Folk |
Years active | 2008–present |
Labels | Text Records |
One Little Plane is folk artist Kathryn Bint. Hailing from Chicago, [1] Bint's music has been described as "gently wistful, dust-kicking psychedelia" [2] and "dreamy heart warming folk" [3] with "simple, heartfelt melodies". [4] One Little Plane's debut album, Until (2008), featured production from Kieran Hebden. [5] Hebden also produced the follow-up, Into the Trees (2012). [6] [7]
Built to Spill is an American indie rock band that formed in Boise, Idaho, in 1992. Centered on lead vocalist and guitarist Doug Martsch, the only permanent member, Built to Spill has released nine full-length albums since its inception.
J-pop, natively also known simply as pops, is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced kayōkyoku in the Japanese music scene.
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This is a comprehensive listing of releases, collaborations, remixes and productions documenting the solo work of the British electronic musician Kieran Hebden. Alongside his role as a member of Fridge, Hebden performs as a solo artist under the moniker Four Tet, and has performed as part of the duo Kieran Hebden and Steve Reid.
Thomasina Winslow was an American blues musician and the daughter of folk musician Tom Winslow. As a toddler, she sang back-up on her father's folk music classic Hey Looka Yonder ; also singing a solo version of One-Two-Three, another version of which she produced on her own 30 years later. In addition to her solo career, Winslow has been a member of four bands, including a duo with Nick Katzman and Nite Train. Furthermore, she has been a teacher in that genre of music, and has significantly influenced other aspiring musicians. Winslow primarily performed covers of Blues standards and has written a number of blues and gospel tunes in her own right. She was also one of a handful of African-American women producers in the "indy" music industry.
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