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Onyekachukwu George Nwelue (1988-01-31) 31 January 1988 (age37) Ezeoke Nsu, Imo State, Nigeria
Occupation
Novelist
filmmaker
editor
poet
Period
2000–present
Onyeka Nwelue (listenⓘ; born 31 January 1988) is a Nigerian scholar, filmmaker, jazz musician, and publisher whose interdisciplinary work spans literature, cinema, and cultural studies. He has authored over 40 books, including The Strangers of Braamfontein, which won the Crime Fiction Lovers’ Awards and was described by Nobel Laureate Wole Soyinka as "raunchy."
Nwelue's father, Chukwuemeka Samuel Nwelue (1945–2022), ran a motel and was a record shop owner, having been formerly employed at a construction company as a cashier and wages supervisor; he was later involved in local community politics. Nwelue's mother Catherine, née Ona, was a social scientist.[1]
Career
Author
He is the author of 22 books, twenty of which have been self-published or published through companies owned by him.[2]
In 2018, the Association of Nigerian Authors shortlisted The Beginning of Everything Colourful and The Lagos Cuban Jazz Club for their Annual Fiction Prize and Annual Poetry Prize respectively.[3] In 2021, Nwelue was again shortlisted in both the categories, respectively for The Strangers of Braamfontein and An Angel on the Piano.[4][5]
His documentary House of Nwapa was shortlisted in the Best Documentary category at the 2017 Africa Movie Academy Awards.[6][7] The next year, Nwelue adapted his novella Island of Happiness into an Igbo film, Agwaetiti Obiụtọ, which was shortlisted in the Best First Feature Film and Best Film in an African Language categories at the 2018 Africa Movie Academy Awards.[8]
His latest work titled The Nigerian Mafia: Mumbai is the first in a ten-book series set across ten countries.[9][10] Some of his books includes The Hacienda of Jesus García of Pachuca and The Abyssinian Boy.[11][12]
Controversies
Misrepresentation of academic position
Nwelue was an Academic Visitor at the African Studies Centre at the University of Oxford from 2021 until 2023.[2] During this span, he claimed to be a professor at both Oxford and the University of Cambridge, even using their logos to market a range of commercial events; he also falsely claimed to be a Research Associate at SOAS University of London.[2]
SOAS rejected Nwelue's claims outright, while both Oxford and Cambridge launched their respective investigations, upon which Nwelue's association was terminated for "persistent unacceptable breaches of its terms".[2][13] It was clarified by both the universities that Academic Visitorship was not even a form of employment — neither the university remunerated Nwelue nor he had any responsibilities to the university.[2][14] Journalists note that he was charged with £9000 by Cambridge for holding the position.[15]
Nwelue has apologized for his conduct and implored to be forgiven,[16] but has also appealed his termination before Irene Tracey, Vice-Chancellor of the University of Oxford.[2]
James Currey Fellowship
Nwelue also instituted a James Currey Fellowship, sometime in 2022, supposedly to sponsor African authors who wish to attend both Oxford and Cambridge; he claimed the fellowship to have been set up in collaboration with the University of Oxford.[2] The fellowship awarded the James Currey Prize for African Literature to the best unpublished work of fiction in English from African authors eithers living in Africa or the diaspora.
The university denied any involvement with the fellowship.[2] It was later reported to have been set up to benefit Nwelue's financial associates.[15] Its two recipients were David Hundeyin, who had signed a book deal with Nwelue's publishing house a month before the conferral, and Mitterand Okorie, who had co-founded a literary agency with Nwelue and published multiple books with his publishing house including Nwelue's biography.[15][17][18]
Views
During his time at Oxford, Nwelue posted racist, classist, and misogynist content on Twitter, including about China being filthy and overpopulated, Arabs having a flair for slavery, Eastern Europe producing only pickpockets and scammers, poor people being of "no value", and African women who use wigs and makeup coming across as "masquerades".[2] Nwelue apologized and described his tweets as "a social experiment to get feedback for an [upcoming] book."[2]
In January 2023, he held a book launch by Nigerian blogger David Hundeyin, where students alleged both of them to have mocked the prevalence of sexual harassment in journalistic circles and suggested that women slept their way to the top.[2]
Allegations of retracted AI-generated articles
In a September 2025 Washington Post investigation, Nwelue was linked to a series of retracted articles published at Business Insider and Wired under the name “Margaux Blanchard,” who used an address associated with a number of Nwelue's businesses[19]. The articles all bore hallmarks of generative AI, including references to fictitious locations. When reached for comment, Nwelue told The Post in an email: “I haven’t written any article for any platform. I am too busy. Don’t mention my name in your stupid article.” [20]
↑ Nwelue, Onyeka (28 August 2016), The House of Nwapa (Documentary), Uzoma Nwakuche, Mabel Segun, Wole Soyinka, Blues and Hills Pictures, retrieved 22 July 2025
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